CIA
Let it be me
Wherein the author travels back in time to encounter "Morris" as he brushes up against "Reagan" -- and the rest is "history."
I was there when Edmund Morris, the noted biographer, decided to insert into his new biography of Ronald Reagan a fictional character named “Edmund Morris” — a controversial move on Morris’ part that has sparked tremendous scorn among historians.
But let me be clear: by “I,” I mean not David Corn, but “David Corn,” a fictional version of myself who, via the “literary projection” method adopted by Morris (as opposed to “Morris”), had access to Morris (again, not “Morris”) when he was writing “Dutch: A Memoir of Ronald Reagan.”
As first reported in the New York Times, Morris, who previously penned an acclaimed biography of Theodore Roosevelt, writes in his long-awaited Reagan biography of a fellow who shares the name of the book’s author but not his history.
The “Morris” of the book happens to have been born in 1912 in Illinois, where Reagan grew up. Consequently, “Morris” is a contemporary of Reagan, able to describe Reagan’s exploits in high school and college, as well as reminisce about Reagan when Reagan was working in an Air Force film unit during World War II. (Fortunately for Morris, “Morris” bumped into Reagan then).
Morris the author possessed none of these real-time recollections, given that he was born in Africa in 1940. But Morris cites as source material the diary of “Edmund Morris.”
Since history demands a rigorous aherence to accuracy, I shall be careful in recalling the encounter between Morris and “Corn.” It was several years ago, at a writers support group. Morris had been toiling on the Reagan bio for years at the time, and he was frustrated.
Reagan had designated Morris as his official biographer while he was still in the White House, and had granted the author unprecedented access for that purpose — which helped Morris win a $3 million advance for the book. But at our group meeting, dressed in a blue blazer and well-pressed khakis, Morris complained that he had been spoiled by this access.
He could write with first-hand knowledge about Reagan’s time as president — a privilege most historians would relish. But Reagan’s earlier years remained beyond Morris’ experiential reach. Morris slammed his hand against the arm of his chair and proclaimed, “I will find a way to go back in time. I will go where no historian has gone before.”
Those who wonder how I can recall with confidence the exact words he spoke can find them recorded in the written diary of one “David Corn.”
It is obvious that in this quest Morris fell too far under the influence of his subject. In explaining — or defending — his novel device, Morris has said that this style derives “from Ronald Reagan’s own way of looking at his life.”
Indeed. Reagan did have a penchant for blurring fact and wish. He occasionally referred to his World War II service in a way that suggested he had been overseas, when actually he had made training films in Los Angeles. And when he was president he twice told visitors to the White House — including Israel Prime Minister Yitzhak Shamir — that he had filmed the Nazi death camps at the end of the war. Unfortunately, that was not true. Perhaps “Ronald Reagan” had done so.
Writing nonfiction that comes to life and jumps off the page is a hard task. I (Corn, not “Corn”) know this. A few years back, I wrote a biography of a notorious CIA official. As many nonfiction writers promise when pitching their projects, I told my publisher that it would read like a novel. It would be real-life le Carre.
I discovered, however, that such a thing — history as novel — generally cannot not be concocted in good faith. I had wanted the book to be a series of linear scenes. CIA chief walks into an office, pounds his desk, and shouts to a subordinate, “Castro has to be taken care of! Now. permanently.” That sort of stuff.
But after five years of research, I found that the tens of thousands of documents and the scores of notebooks with interview transcripts I had amassed still did not contain enough of the kinds of details needed for writing history as a novel. Moreover, people’s descriptions of past conversations, meetings, actions (even murder plots) were too hazy to be rendered in the concrete fashion of fiction writing, and far too often, there were contradictions among different sources. They could not agree on whether it had been a dark and stormy night — or a cheery, sunny day — when a key decision was taken to set up a secret army in Laos.
After that, whenever I came across history written like a novel — with lots of direct quotations and well-defined and well-detailed scenes rendered dramatically — I was a bit suspicious. This was one reason that for my next book I turned to fiction and wrote a novel.
But that was before Morris — or is it “Morris”? — showed us writers a new way. There’s apparently no need to choose between fiction and nonfiction. If you want to write history, you don’t have to be hindered by conventions — or facts.
Perhaps for my next historical nonfiction project, “Corn” will grow up with Lee Harvey Oswald and end up encountering him on the bus the morning of Nov. 22, 1963. Or “Corn” might be a young girl who taught Bob Dylan how to make a bar chord. Or a hardware store owner who shared old copies of Popular Mechanics with a geeky adolescent named Bill Gates.
I just hope that “Corn” him- or herself doesn’t sell any of these stories elsewhere — before I can get my own big-money contract.
David Corn is the Washington editor of the Nation, a columnist for the New York Press and author of a political suspense novel, "Deep Background" (St.Martin's Press). More David Corn.
Watergate’s final mystery
Underneath the media's obsession with the scandal lies the neglected story of the CIA's role
Richard Helms and Richard Nixon Journalists are obsessing over Watergate again. Debate exploded this week over a new biography of Washington Post editor Ben Bradlee, excerpted in New York magazine. It suggests the legendary editor privately doubted aspects of Bob Woodward and Carl Bernstein’s reporting that helped bring about the resignation of President Richard Nixon in 1974.
The story prompted a strong denial from Woodward, a demurral from Bradlee, an online chat at Poynter and a Daily Beast story by independent scholar Max Holland, who argues Woodward and Bernstein’s book about the scandal, “All the President’s Men,” is “a fairly tale, albeit a compelling one.” After hyping the story for a couple of days, Politico then dismissed it as “a storm in a Washington teacup.”
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Jefferson Morley is a staff writer for Salon in Washington and author of the forthcoming book, Snow-Storm in August: Washington City, Francis Scott Key, and the Forgotten Race Riot of 1835 (Nan Talese/Doubleday). More Jefferson Morley.
U.S. intelligence unmasked
The author of a new FBI book talks about what being a spy is really like and ways to balance liberty and security
The job of the intelligence services is to understand others and help leaders act more wisely, says Tim Weiner, the author of a new history of the FBI. There’s also, he tells us, a balance to be struck between liberty and security.
You have spent decades studying the inner workings of America’s intelligence system, and the past few years looking at newly released files from the FBI. What will we learn by reading your new history of the FBI, “Enemies”?
The holy grail of the JFK story
Seven steps to unlocking the historical truth about the assassination in Dallas
President John F. Kennedy and First Lady Jackie Kennedy arrive in Dallas on November 22, 1963.(Credit: JFK Presidential LIbrary and Museum) Two years from today Americans will observe the 50th anniversary of the assassination of President John F. Kennedy. It is likely to be a moment of national introspection, as well as an opportunity to complete the historical record of one of the most painful days in American history. Yet, incredibly enough, the Central Intelligence Agency is likely to object to declassifying all of its records related to the murder of the 35th president in Dallas on Nov. 22, 1963. The question on the 48th anniversary of the tragedy is whether the CIA’s extreme claims of JFK secrecy — reiterated in federal court filings this year — will be allowed to stand.
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Jefferson Morley is a staff writer for Salon in Washington and author of the forthcoming book, Snow-Storm in August: Washington City, Francis Scott Key, and the Forgotten Race Riot of 1835 (Nan Talese/Doubleday). More Jefferson Morley.
Intelligence agencies step up the Twitter and Facebook trawling
Department of Homeland Security works to catch up with the CIA in the social media monitoring department
(Credit: VikaSuh via Shutterstock) A couple of days ago, the Associated Press reported that the Department of Homeland Security claims not to be “actively monitoring” social media networks like Facebook and Twitter. Lest you worry that status updates that present a threat to national security are going unread, the AP today reports that the Central Intelligence Agency is actively monitoring social media networks.
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Alex Pareene writes about politics for Salon and is the author of "The Rude Guide to Mitt." Email him at apareene@salon.com and follow him on Twitter @pareene More Alex Pareene.
Insiders voice doubts about CIA’s 9/11 story
Former FBI agents say the agency's bin Laden unit misled them about two hijackers
Tom Kean, George Tenet, Richard Clarke. Inset: The Pentagon on fire after an aircraft crashes into it, Sept. 11, 2001. A growing number of former government insiders — all responsible officials who served in a number of federal posts — are now on record as doubting ex-CIA director George Tenet’s account of events leading up to the Sept. 11, 2001, attacks on the United States. Among them are several special agents of the FBI, the former counterterrorism head in the Clinton and Bush administrations, and the chairman of the 9/11 Commission, who told us the CIA chief had been “obviously not forthcoming” in his testimony and had misled the commissioners.
Continue Reading CloseRory O’Connor is an award-winning journalist, author and filmmaker, and co-founder and president of the international media firm Globalvision. Producer-writer Ray Nowosielski made his documentary debut directing "Press for Truth" in 2006. Co-founder of the media production company Banded Artists, he also was a senior producer for Globalvision. More Rory O'Connor and Ray Nowosielski.
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