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Friday, Nov 12, 1999 5:00 PM UTC1999-11-12T17:00:00Zl, M j, Y g:i A T

The great railway bizarre

Taiga forests, first class follies and a Slavic Lolita in short-shorts enliven the train journey that has no end.

The great railway bizarre

The reason most travel accounts of the Trans-Siberian train are so predictable and lifeless is that they lose their edge in the attempt to be earnest.

While in the perfumed death-grip of such optimistic sincerity, many a scribe has misled his readers with dandied visions of trans-continental reverie. Some wayward writers have committed this error by weaving the view from their train window into moony reflections about how Russian literature changed their lives. Others have tried to capture the mood of the country itself by minutely analyzing everything from their new Russian acquaintances, to whimsical encounters with the dining-car staff, to any experience involving obligatory vodka-shots.

A few rail-diarists — the desperate — try to validate their long hours on the train by bringing in marginally relevant trivia from the sights outside: how Tomsk is full of radioactive waste; how Taishet was once a Stalin-era forwarding camp for Siberian exiles; how Perm is home to a bicycle factory; or how Krasnoyarsk churns out refrigerators and car tires.

All of this is fine. But it falls far short of the train experience itself.

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Rolf Potts' Vagabonding column appears every other Tuesday in Salon Travel. For more columns by Potts, visit his column archive.  More Rolf Potts

Thursday, Jul 14, 2011 8:39 AM UTC2011-07-14T08:39:00Zl, M j, Y g:i A T

What to watch instead of “Winnie the Pooh”

While the yellow bear makes a comeback on the big screen, his Soviet doppelganger Vinni Pukh deserves some love too

Vinni Pukh (or Vinni-Puh), the Soviet cousin of Winnie the Pooh.

Vinni Pukh (or Vinni-Puh), the Soviet cousin of Winnie the Pooh.

With its totally un-Pixarlated look and nougaty nostalgia core, Disney’s new “Winnie the Pooh” movie might be the perfect antidote for the summer 3-D blockbuster. Then again, do you really want to pay $12 for a film whose main appeal is that it feels old? Not to get all Eeyore on you, but I’d just as soon fork over my money for something I haven’t seen before. (Which also rules out the new “Transformers,” with its reused fight sequences.)

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Drew Grant is a staff writer for Salon. Follow her on Twitter at @videodrewMore Drew Grant

Monday, Feb 21, 2011 12:38 PM UTC2011-02-21T12:38:00Zl, M j, Y g:i A T

Gorbachev accuses Putin of contempt for voters

Former Soviet leader also says Russian government only has imitations of parliamentary and judicial systems

Vladimir Putin

Russian Prime Minister Vladimir Putin seen during his meeting with Sports Minister Viltaly Mutko, left, and Tatarstan regional President Rustam Minnikhanov to discuss preparedness for the Universiade-2013 in Kazan, in the Konstantin Palace near St. Petersburg, Russia, Wednesday, Feb. 9, 2011. (AP Photo/RIA Novosti, Alexei Druzhinin, Pool) (Credit: AP)

Former Soviet leader Mikhail Gorbachev has accused Russia’s current rulers of conceit and contempt for voters in his harshest criticism of the government yet.

Gorbachev on Monday criticized Prime Minister Vladimir Putin and President Dmitry Medvedev for saying that they will decide between them who should run for president in Russia’s March 2012 presidential vote.

Gorbachev said the statements show an “incredible conceit” and disrespect for voters. Gorbachev has previously avoided personal criticism of Putin, who is widely expected to reclaim presidency.

Gorbachev, who will turn 80 next week, also denounced the main pro-Kremlin United Russia party as a “bad copy” of the Soviet Communist Party and said that Russia has only imitations of a parliament and judicial system.

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Friday, Feb 4, 2011 1:30 AM UTC2011-02-04T01:30:00Zl, M j, Y g:i A T

“How I Ended This Summer”: A thriller from the Russian Arctic

Pick of the week: "The Shining" meets "Shutter Island" in the subtle, spectacular "How I Ended This Summer"

Grigory Dobrygin in "How I Ended This Summer"

Grigory Dobrygin in "How I Ended This Summer"

I feel pretty safe in telling you that there are layers of social and political allegory beneath “How I Ended This Summer,” Russian director Alexei Popogrebsky’s thriller about two men alone in the Arctic. I mean, it’s a Russian movie — that goes with the turf. But you don’t have to go spelunking for deep meanings below this impressively crafted piece of cinema to enjoy it. Filmed at an actual meteorological research station in the Russian Arctic coast that was built under Stalin, “How I Ended This Summer” combines memorable images of the gorgeous, rugged wilderness, meticulous sound design that emphasizes the characters’ isolation, a dash of dark wit and a dose of madness.

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Andrew O

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Wednesday, Jan 12, 2011 1:32 AM UTC2011-01-12T01:32:00Zl, M j, Y g:i A T

How “Battleship Potemkin” reshaped Hollywood

An electrifying new restoration reveals Eisenstein's Soviet-era classic as pioneering action cinema

How

Anybody who thinks that Sergei Eisenstein’s “Battleship Potemkin” is an “art film” either hasn’t seen the movie at all or had it ruined for them by some combination of a butchered print and a tedious film-history professor. As a remarkable new restoration of the 1925 Soviet silent classic makes clear, “Battleship Potemkin” is first and foremost an action drama, a work of straightforward emotion and pulse-quickening tension. This taut, 71-minute picture is stitched together from more than 1,300 shots, very few of them lasting more than three or four seconds. For better or worse, this film’s true revolutionary legacy is not art cinema but Hollywood; it’s got a lot more in common with Tony Scott’s “Unstoppable” than it does with Andrei Tarkovsky.

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Andrew O

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Friday, Nov 12, 2010 7:30 PM UTC2010-11-12T19:30:00Zl, M j, Y g:i A T

“Disco and Atomic War”: How David Hasselhoff won the Cold War

A hilarious Estonian documentary (yes, really!) asks whether disco and "Dallas" defeated Communism

A still from "Disco and Atomic War"

A still from "Disco and Atomic War"

You won’t see another documentary all year long that packs quite the same combination of pure fun and eye-opening information as “Disco and Atomic War,” a strange and delightful work of historical collage from Estonian filmmaker Jaak Kilmi. No, I know — I can feel you slipping into a coma out there: O’Hehir is trying to convince me to watch an Estonian documentary! But hang on a second while I fling a pitcher of ice water in your face and explain that this particular Estonian documentary features David Hasselhoff (in his classic “Knight Rider” phase) and dueling Finnish- and Soviet-made instructional videos about disco dancing. And you have not lived, my friends, until you have seen a bunch of 50ish Finnish people in mid-’70s leisure wear completely giving up the funk.

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Andrew O

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