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Wednesday, Apr 12, 2000 4:00 PM UTC2000-04-12T16:00:00Zl, M j, Y g:i A T

Boy wonder

A German novelist who wrote a bestseller at age 16 hits the Big Apple.

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Novels about adolescence rarely come from youths themselves. Twain was 31 when he introduced Americans to Tom Sawyer, Salinger just one year older when the infamous “Catcher in the Rye” came out. So it’s always a shock when a teenager cuts through the Sturm und Drang of adolescence to tell a good story. In his nervy, pocket-sized debut novel, “Crazy,” Munich-native Benjamin Lebert does exactly that. Written when he was just 16, “Crazy” has the whiff of teen spirit, yet the polish and panache of the work of a writer 20 years older.

Meeting Lebert at a lower Manhattan rooming house explains some of this. Pretty quickly, I realize that questions about Christina Aguilera or skateboarding are not going to fly — that in turning this “average shitty day when nothing happens” into a book, the young German has happily hopscotched his way into adulthood. About the only concession he makes to his age are his baby-faced grin and some bright-eyed questions about whether there are indeed wet T-shirt contests in America. Before I can steer him toward the neon lights of Sixth Avenue, Lebert changes gears and starts talking to me about who he is now and how he struggles against what he has come to represent.

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John Freeman has written about books and culture for the Village Voice, Time Out New York and the San Francisco Bay Guardian. He lives in New York.  More John Freeman

Wednesday, Feb 15, 2012 1:00 AM UTC2012-02-15T01:00:00Zl, M j, Y g:i A T

The beautiful banality of high school

A John Hughes-esque book details the failed romance of a "jocky" boy and an "arty" girl

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This article appears courtesy of The Barnes & Noble Review.

This novel, the fourth that Daniel Handler, better known for the novels he wrote under the name Lemony Snicket, which rival those written by a woman named Rowling in copies sold, has written under his own name, is arguably his first explicitly targeted toward older teens. Though the first two Handler novels featured high school and college-age protagonists, their subject matter (homicide and incest) made them more the province of literary adults.

Barnes & Noble ReviewThe subject of “Why We Broke Up” — the unlikely romance between a “jocky” boy and a girl he insists, despite her protests, on calling “arty” — would sit comfortably next to any classic John Hughes movie. But the execution is a master class in the things books do best: It’s loaded with sly, beautifully produced illustrations by Maira Kalman and Handler’s exquisitely wrought sentences, brimming with charm and surprise, whether describing invented plots to classic films, clothes coming off a dry-cleaning rack, or the gorgeous banality, beauty and terror of high school life.

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Amy Benfer is a freelance writer in Brooklyn, N.Y.  More Amy Benfer

Tuesday, Feb 14, 2012 9:00 PM UTC2012-02-14T21:00:00Zl, M j, Y g:i A T

More tips for literary lovers

Is it truly better to love and lose than not to love at all? Further book-themed advice for Valentine's Day

Authors Jack Murnighan and Maura Kelly.

Authors Jack Murnighan and Maura Kelly.

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Last week, we asked you to tell us about your love woes for a special Valentine's Day advice column. Many of you responded; while our guest columnists couldn't answer everyone, we hope the following responses -- along with an earlier installment, published this morning -- will inspire you to seek wisdom and comfort in the words of some of literature's true greats. For more on love in classic literature check out Maura and Jack's book, "Much Ado About Loving" (out now).

Dear Maura and Jack,

I’ll keep this as short as I can, because the situation is quite simple really. After many years of keeping in touch across long distances (from occasional emails and phone calls to sleeping together if we happened to be in the same city), I finally live in the same city as a man I have been infatuated with, in love with and everything in between. Now that I’m here, he has become evasive, flaky and sometimes a flat-out jerk. I’m accustomed to being pursued and wooed and made a priority. Now I am bending over backward to try to see someone who changes plans, doesn’t make an effort to make time for me and doesn’t put any effort into our plans when we do get together. I have never been treated worse in my life. I have never been treated like this by a man — and yet I keep going back for more. I hate the way it makes me feel, but for some reason I can’t stop.

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Maura Kelly is co-author (with Jack Murnighan) of "Much Ado About Loving: What Our Favorite Novels Can Teach You About Date Expectations, Not So-Great Gatsbys, and Love in the Time of Internet Personals."   More Maura Kelly

  More Jack Murnighan

Tuesday, Feb 14, 2012 3:05 PM UTC2012-02-14T15:05:00Zl, M j, Y g:i A T

Literature for your love woes

Never been in love? Obsessed with someone who lives far away? Our guest columnists have classic books for you

Authors Jack Murnighan and Maura Kelly.

Authors Jack Murnighan and Maura Kelly.

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Last week, we asked you to tell us about your love woes for a special Valentine's Day advice column. Many of you responded; while our guest columnists couldn't answer everyone, we hope the following responses -- the first in a series of two installments -- will inspire you to seek wisdom and comfort in the words of some of literature's true greats. For more on love in classic literature check out Maura and Jack's book, "Much Ado About Loving" (out now). We'll publish the second set of answers this afternoon.

Dear Jack and Maura,

I’m a 23-year-old straight male, and I’ve never been in a relationship. In fact, I’ve never even been on a second date before (and only a couple of first dates, for that matter). I’ve only ever kissed two girls, and that’s the extent of my sexual experience. I feel like I’ve missed out on so much over the years, and it’s made me wonder if there might be something horribly wrong with me. I’m seriously on the brink of giving up on dating (and everything that goes with it) altogether.

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Maura Kelly is co-author (with Jack Murnighan) of "Much Ado About Loving: What Our Favorite Novels Can Teach You About Date Expectations, Not So-Great Gatsbys, and Love in the Time of Internet Personals."   More Maura Kelly

  More Jack Murnighan

Monday, Feb 13, 2012 1:00 AM UTC2012-02-13T01:00:00Zl, M j, Y g:i A T

“The Fault in Our Stars” and “There Is No Dog”: Not kids’ stuff

Two new young adult novels are smarter, better-written and more emotionally complex than most adult fiction

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Why should you, an adult, bother with a novel intended for an audience aged 14 to 18? If you’re among the ever-growing adult readership for YA (young adult) fiction, you’re probably not even asking that question anymore. And no doubt John Green, whose most recent YA novel, “The Fault in Our Stars,” became a bestseller on Amazon even before he finished writing it (pre-orders were enabled when he settled on a title), doesn’t especially need readers with the legal right to vote. But if you were to skip “The Fault in Our Stars” — or another new novel, by YA luminary Meg Rosoff, “There Is No Dog” — because you assume that such books are less intelligent, well-written or emotionally complex than their adult counterparts, you would be most miserably mistaken.

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Laura Miller

Laura Miller is a senior writer for Salon. She is the author of "The Magician's Book: A Skeptic's Adventures in Narnia" and has a Web site, magiciansbook.comMore Laura Miller

Friday, Feb 10, 2012 9:45 PM UTC2012-02-10T21:45:00Zl, M j, Y g:i A T

Salman Rushdie fears nothing

The famed author opens up to Salon about new threats, his just-finished memoir and his forthcoming TV show

Writer Salman Rushdie attends an event in the Joan Fuster state library in Barcelona

Writer Salman Rushdie attends an event in the Joan Fuster state library in Barcelona, March 31, 2009.  (Credit: ©Gustau Nacarino / Reuters)

Plates and glasses are cleared away, and a hush descends on the packed private dining room of a fancy Manhattan Indian restaurant; a distinguished writer — the star of the evening’s event — is about to give a reading. The iPad in his hands bathes his familiar features in a soft, electric glow that complements the muted lights and blinking candles spaced around the room.

As Salman Rushdie intones his own elegant prose in a rich, musical British accent, a soundtrack plays softly but distinctly in the background. If the music seems particularly well-selected — if its rhythms subtly match the story’s turning points — that’s because it was commissioned expressly for the purpose.

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Emma Mustich is an assistant editor at Salon. Follow her on Twitter: @emustichMore Emma Mustich

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