Africa
“African Ceremonies”
A photographic masterwork illuminates a continent's life-spanning range of cultural rites.
When Carol Beckwith and Angela Fisher began work on their monolithic new book, “African Ceremonies,” it’s hard to believe that even they could have envisioned the end product that would eventually come of their prodigious efforts. It is a photojournalism masterwork, the result of a partnership between two talented photographers with an incredible dedication to a project that took them a decade to complete.
The pair met in Africa in 1978, each working on her first book, and developed a friendship. Years (and another joint project) later, they got the idea to document the traditions and ceremonies of tribes across the African continent, many of which are dying out, some of which were secret and had never been photographed before. A Wodaabe nomad taking the women across Niger on camelback at one point described their project as “maagani yegitata,” which translates as “medicine not to forget.” What they ultimately created is a lasting record of a fading culture as well as a heartfelt tribute to a world that many of us will never have the opportunity to witness for ourselves.
The ceremonies of these African tribes were all conceived as milestones, recognition and celebration of the passing from one phase of life into another, and the book is organized around those categories: birth and initiation, courtship and marriage, royalty and power, seasonal rites, beliefs and worship, spirits and ancestors. Within each category, Beckwith and Fisher show us a wealth of customs as interpreted by a variety of tribes. All in all, they cover 43 unique ceremonies in 26 countries. They have confidence in the communicative strength of their photos, so text is kept to a minimum. On first glance, the book seems to be almost entirely photographic, with a short introduction for each of the six categories. Closer inspection reveals concise yet detailed captions that build beautifully on the photos. Each word seems carefully chosen, so that every inch of space the words take away from the photos feels like a worthy trade.
The introduction by the authors and a foreword by author and shaman Malidoma Patrice Somi are brief but powerful testimony to the worthiness of the project.Somi, after describing the ways in which his own life has been a blend of Africa and the West, says of the book that it will “open the eyes and hearts of those who seek to reconnect the beauty and sacredness of these ancient rituals with a culturally impoverished and spiritually distressed modern world.” Beckwith and Fisher write about the genesis of the project, the travails of completing it and the ways in which they gave back to the African culture they so respect as they worked their way around the continent. They funded wells, set up schools and spawned small businesses; and a portion of their royalties is going back to the communities they photographed. At the same time, they speak directly to their Western audience about the ways in which our culture is affecting African tradition. For instance, the caption of the Krobo tribe’s ancient and venerable days-long ceremony (known as Dipo) for girls passing into womanhood contains the following passage:
In recent times, because of the pressure of the Christian church to curb “animist” ritual, and to reduce the considerable costs of putting a girl through Dipo [girls wear as much as $5,000 worth of beads during the ceremony], many parents initiate all of their daughters simultaneously. This often means that the ages of initiates vary greatly, the youngest being perhaps only six years old. Among the Krobo, this reduction in the ages of initiates has unfortunately resulted in an increased number of underage pregnancies, as some of the pressure to maintain virginity has been removed. Formerly, Dipo functioned as a social regulator; virginity was so highly prized that the later a girl’s initiation, the better.
Some of the ceremonies bear traces of Western culture on top of their own shifting interpretations of the historical customs. The Ndebele girls passing into womanhood — whose sunglasses pose a striking contrast to their traditional processional costume of stacked leg cuffs and intricately beaded aprons — now receive “a loaf of bread, a large tin of jam, a bottle of soft drink, and a woolen blanket” instead of “traditional food and hide blankets.” The Ga tribe’s “fantasy coffins” include English-inscribed cars and trucks based on Mercedes-Benz designs. Still, there’s never any doubt that Beckwith and Fisher have taken us deep into the heart of Africa, into a culture entirely unlike our own.
The photos themselves range from the grotesque to the sublime. There are cringe-worthy circumcisions (both male and female), earth-stained warriors, stunning brides, gold-laden kings. The varied and elaborate costumes are endlessly fascinating. The fantasy coffins are delightful, despite the deaths they herald. The camera seems never to have any effect on the proceedings, the act of recording apparently not having interfered with what was being recorded. It is a thoroughly candid work, engaging at every step, anthropology at its finest.
Even given all of that, the most remarkable success of the book may be that it was produced in a way that is worthy of its contents — an increasing rarity. The end product is two massive volumes, 10 by 14 inches each and a combined 3 inches thick. The books are bound in black book cloth, with a 3-by-5 photo tipped onto the cover of each volume, and the pair is slipcased in a sturdy box with a full-bleed photo on each side. Of the hundreds of photos, the bulk are printed at full page and many even span a full two-page spread. The photo reproductions are stunning in their clarity and brightness, the colors of Africa virtually leaping off the page. The entire book is printed on heavily coated gloss stock. It’s as if the photographers spent the past 10 years in their darkroom printing mountains of 10-by-14 glossies and then passed them directly to interested parties. The quality is that impressive.
The only false production note is the book designer’s choice of typefaces for the title. It is Lithos, or maybe even a knockoff thereof, a cheap, badly drawn font released at the height of the do-it-yourself frenzy. It became an instant favorite of desktop publishers and Greek-restaurant owners everywhere, and it feels completely wrong here, especially at life size in gold foil on the spines and the slipcase. It is garish in contrast to the embellished splendor of the Africans depicted within. And it is a striking flaw in an otherwise beautifully designed book.
The downside of the immaculate production, of course, is that the slipcased set retails for $150. But for those of us with more modest budgets and a penchant for the photos, there is a 2001 calendar in the works.
Beckwith and Fisher state in their introduction that “some groups we visited a decade ago have now disappeared.” They’ve done the planet a great service by recording these evaporating traditions. And that coated stock they’ve printed them on means their record will be on the planet for a good long time.
Karen Templer is the director of product development and design at Salon. Follow her on Twitter at http://twitter.com/karentempler. More Karen Templer.
A victory for The Hague
Charles Taylor's guilt puts violent leaders in Syria and Libya on notice
A Freetown street vendor watches a live broadcast of the Taylor verdict being delivered. (Credit: Reuters/Finbarr O'Reilly) The verdict against former Liberian President Charles Taylor at the Sierra Leone Special Court has been eagerly anticipated by many in Sierra Leone. But, as is often the case with abusive leaders wielding power, bringing Taylor to justice was once considered a less-than-welcome development in diplomatic circles. More than a few feared at that time that bringing charges against a sitting president in the midst of a conflict would do more harm than good.
In June 2004, though, I roamed Freetown’s muggy markets trying to get a sense of what people in Sierra Leone’s capital thought of the Sierra Leone Special Court, the mixed national and international court established to deal with atrocities committed during the country’s civil war. The court’s first trial, against a popular government official, had begun that day, and the prosecutor’s opening statement could be heard on radios in market stalls and on street corners. The talk in town was not, however, of that trial. Instead people wanted to know when Taylor would be brought to justice for supporting the rebels who had caused their country so much horror. It was clear that many in Sierra Leone felt justice could be served only if Taylor was held accountable.
Continue Reading CloseSara Darehshori is senior counsel in the U.S. program of Human Rights Watch and author of the report "Selling Justice Short: Why Accountability Matters for Peace." More Sara Darehshori.
Sudan’s return to war?
As Sudan vows to retake the Heglig oilfields, South Sudan warns it will retaliate
This photo of Saturday, April 14, 2012, shows the aftermath of a bombing by the Sudanese Air Force in Bentiu, South Sudan . Two Sukhoi jet fighters dropped 6 bombs in the area, killing 5 and wounding 4 others. Two Sudanese warplanes dropped "many bombs" Monday April 16, 2012, on the oil-rich city of Heglig, as long-range artillery targeted southern army positions in the disputed town, said southern army spokesman Col. Philip Aguer. He did not give a casualty figure. He also said Monday that Sudan's air force killed five civilians in aerial attacks Sunday over Heglig. Aguer also said that the town of Bentiu in South Sudan's Unity State was hit and that the conflict has spread to several southern states bordering Sudan, including Western Bahr el Ghazal. (AP Photo/Michael Onyiego) (Credit: AP) BENTIU, South Sudan — As fears mount that Sudan and South Sudan will return to war, a South Sudan army commander here says he does not intend to withdraw troops from the disputed Heglig oil fields and he is prepared to fight.

On April 9 the South Sudan army seized Heglig on the border between the two countries. Heglig, a major oil producing area, is internationally recognized as Sudan’s territory, but South Sudan has always claimed it.
How Mandela united a nation
John Carlin talks about how the South African leader averted a bloodbath and the triumphs of the post-apartheid era
Nelson Mandela Nelson Mandela was a most unusual, and unusually astute, leader, says author and journalist John Carlin. He used forgiveness as a political tool, in so doing ensuring that South Africa avoided what could have been a bloodbath.
You’ve had a professional interest in South Africa as a writer and journalist for more than 20 years. Can you tell us more about it?
I’ve been a journalist for 30 years now. I’ve mainly been a foreign correspondent. I’ve been based in half a dozen places and I think I’ve actually worked as a journalist in about 50 countries. South Africa is the one that left by far the deepest imprint on me. I was there at an extraordinary time, during the transition from apartheid to democracy. I arrived in 1989 as a correspondent for the Independent in London, which meant that I caught the last year of full-on, hard apartheid. Then after that there was Mandela’s release and the very painful birth pangs of the new nation, leading to the elections of 1994.
Continue Reading CloseBoys like me
It took traveling halfway across the globe to meet a gay male. And to realize I was one, too
(Credit: Lerche&Johnson via Shutterstock/Salon) Although I was 16 and knew nearly nothing, my heart had sense enough to start racing the moment he took the seat next to me on our tour bus.
William, as he introduced himself, was tall and handsome, and his hair had a slight red tint to it as if it were burnt around the edges. I guessed he was maybe a year older than me, although it was hard to tell because all the Namibian students wore the same uniform, a polo shirt and khaki pants.
“You’re from the United States!” he announced upon sitting down. “New York or Los Angeles?”
Continue Reading CloseSam Biederman lives in Brooklyn. His writing has appeared in publications including N+1, Bookforum, and The Nation. More Sam Biederman.
The Trump brothers’ grotesque hunting spree
The Trump sons go on safari -- and prey on the weak and helpless for fun. Sound familiar?
Donald Trump, Jr. and Eric Trump (Credit: huntinglegends.com) How arrogant and out of touch are Donald Trump’s sons? Let’s put it this way – this is a story in which their father comes off as the subtle, nuanced thinker.
It seems Donald Jr. and his brother Eric went to Africa on a hunting trip last year, and their tour company, Hunting Legends, decided recently to brag of the men’s prowess on their Web site, complete with graphic photos of the brothers and their kills. And here’s a shocker – there’s something about rich white men smiling with the carcasses of the African animals they’ve killed that a lot of people just don’t like.
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Mary Elizabeth Williams is a staff writer for Salon and the author of "Gimme Shelter: My Three Years Searching for the American Dream." Follow her on Twitter: @embeedub. More Mary Elizabeth Williams.
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