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Jonathan Foreman

Friday, Jun 23, 2000 7:00 PM UTC2000-06-23T19:00:00Zl, M j, Y g:i A T

Race and silence in Central Park

The media's refusal to acknowledge the incident's ethnic dimension keeps hidden the kind of behavior many black and Latin women must confront all the time.

Race and silence in Central Park

Whether it was New York Police Chief Howard Safir excusing his officers’ inaction by saying they couldn’t be everywhere or the pages of commentary and punditry that refused to confront the ethnic and cultural dimension of the incident, the orgy of dishonesty in the aftermath of Puerto Rican Day was almost as dismaying as the Central Park “wilding” itself.

It became savagely comical as more and more photographs and videos of the alleged perpetrators were published in the papers and on TV. Even as newsfolk waxed concerned about our society’s shocking tolerance of violence against women, egged on by gleeful spokespersons from organizations like NOW, everyone pretended not to notice that nearly all the guys who soaked, stripped and molested up to 50 women in the park were Puerto Rican and black.

In its patronizing, racist way, the media pretended it had just seen the manifestation of some kind of generalized social problem — a conclusion unfair both to the wider society and Puerto Ricans and black communities. Much of the behavior caught on video may be shocking stuff for New York Times writers and most of its readers, but it’s par for the course in many Manhattan neighborhoods north of Central Park.

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Monday, Jul 3, 2000 7:00 PM UTC2000-07-03T19:00:00Zl, M j, Y g:i A T

The Nazis, er, the Redcoats are coming!

The savage soldiers in "The Patriot" act more like the Waffen SS than actual British troops. Does this movie have an ulterior motive?

The Nazis, er, the Redcoats are coming!

The week before “The Patriot” opened in the United States, the British press lit up with furious headlines. “Truth is first casualty in Hollywood’s War,” read one in the Daily Telegraph. Another story, about the historical model for Mel Gibson’s character was titled, “The Secret Shame of Mel’s New Hero.” The accompanying articles complained that the new Revolutionary War epic portrays British redcoats as “bloodthirsty and unprincipled stormtroopers” and “bloodthirsty child-killers.”

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Wednesday, Mar 22, 2000 5:00 PM UTC2000-03-22T17:00:00Zl, M j, Y g:i A T

Why Howard Safir must go

Rudy Giuliani's police commissioner has offered nothing but knee-jerk support for police officers who have killed three unarmed black men in 13 months. He should resign.

To Mayor Rudy Giuliani’s most obsessive critics, the latest shooting by New York police of an unarmed black man is news almost too good to be true.

The killing of Patrick Dorismond by an undercover cop — the third unjustified police homicide of a black man in 13 months — is all the “proof” they need that the city’s much-vaunted reduction of crime rates depended on brutally repressive, racist policing.

It’s not true. But this latest police killing is indeed a tragedy, one that’s been handled with stunning ineptitude by Police Commissioner Howard Safir. And that’s why it’s time for Safir to resign.

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Tuesday, Jan 4, 2000 5:00 PM UTC2000-01-04T17:00:00Zl, M j, Y g:i A T

Rudy's right and Rosie's wrong

New York's feisty mayor is the best thing that ever happened to the city's homeless.

Rudy's right and Rosie's wrong

What passes for an urban policy debate in New York can look surreal after a trip north of Central Park.

At the Ready, Willing and Able shelter on 155th Street and Frederick Douglass Boulevard in Harlem, a former homeless crack addict I’ll call Tom walked me through immaculate, pleasantly furnished dormitories where books and telephones were kept by the beds.

He took me to the computer room where men were quietly studying for the G.E.D. He showed me the room where members of the program have their urine tested twice a week. There was no violence, no drugs and none of the filth and chaos that everyone remembers from the thousand-bed armory shelters in the 1980s.

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