FBI
Wen Ho Lee’s reckless defenders
The outrage at the government's prosecution of a major security breach highlights liberals' contempt for U.S. interests.
FBI Director Louis Freeh got my attention when he tried to explain why the Department of Justice dropped 58 of 59 charges against suspected nuclear spy Wen Ho Lee. “The Department of Justice and the FBI stand by each and every one of the 59 counts in the indictment of Dr. Lee,” Freeh told the Senate Judiciary and Select Intelligence committees. “Each of those counts could be proven in December 1999 [when Lee was indicted], and each of them could be proven today.” Justice agreed to a deal of a guilty plea on one count (and a sentence of time served) to secure Lee’s cooperation in locating the missing files he had stolen from the nation’s top nuclear weapons lab. But the real reason for the cave-in was that the rules of a trial “posed serious obstacles to proving those facts without revealing nuclear secrets in open courts.” It was that statement that got my attention.
Continue Reading CloseDavid Horowitz is a conservative writer and activist. More David Horowitz.
Who gets to be an FBI threat?
A recent Rolling Stone article raises troubling questions about FBI entrapment schemes and their targets
The five men arrested on April 30 for plotting to blow up a bridge near Cleveland, Ohio. (Credit: AP/FBI) Writing in Rolling Stone this week, Rick Perlstein looks at how the FBI regularly entraps and creates “terrorists” out of anarchists and activists, while comparatively ignoring violent white supremacist groups.
Using some recent examples, Perlstein paints a startling picture. He notes the arrest this month of a small group of self-identified anarchists, participating in Occupy Cleveland, who — strung along in an FBI sting — planned to blow up a large Ohio bridge. The target was suggested and (fake) C-4 explosives were provided by an FBI infiltrator. As Perlstein put it, the episode was one among numerous law enforcement schemes since 2001 in which “the alleged terrorist masterminds end up seeming, when the full story comes out, unable to terrorize their way out of a paper bag without law enforcement tutelage.”
Continue Reading CloseNatasha Lennard covers the Occupy movement for Salon. A British-born, Brooklyn-based journalist, she has been covering Occupy Wall Street since before the first sleeping bag was unrolled in Zuccotti Park. One of the first journalists arrested at an Occupy action, she has managed to enrage Andrew Breitbart, Rush Limbaugh and Glenn Beck. You can follow her on Twitter (@natashalennard), and email her any Occupy updates/videos/ideas to natasha.lennard@gmail.com More Natasha Lennard.
FBI heroically locks up ridiculous anarchists on May Day
Feds stop inept radicals from carrying out a plot feds helped them conceive and carry out
U.S. Attorney Steven Dettelbach, left, and FBI special agent in charge Stephen Anthony walk past a map showing the location of a bridge on Ohio Rt. 82. Five men, pictured on the wall behind the map, have been arrested for conspiring to blow up the bridge. (Credit: AP/Mark Duncan) Happy May Day, fellow travelers! If you’re not currently disrupting capitalism and/or having your wrists zip-tied for exercising your right to freely assemble, you probably read about the Federal Bureau of Investigation’s latest, not-at-all suspiciously timed terror sting. The Bureau, in an inspired bit of early-20th century nostalgia, has railroaded a bunch of dangerous anarchists. (Or “dangerous” “anarchists.”) America will not waver in the face of the Galleanist threat!
Continue Reading Close
Alex Pareene writes about politics for Salon and is the author of "The Rude Guide to Mitt." Email him at apareene@salon.com and follow him on Twitter @pareene More Alex Pareene.
U.S. intelligence unmasked
The author of a new FBI book talks about what being a spy is really like and ways to balance liberty and security
The job of the intelligence services is to understand others and help leaders act more wisely, says Tim Weiner, the author of a new history of the FBI. There’s also, he tells us, a balance to be struck between liberty and security.
You have spent decades studying the inner workings of America’s intelligence system, and the past few years looking at newly released files from the FBI. What will we learn by reading your new history of the FBI, “Enemies”?
The love J. Edgar Hoover does not deserve
Clint Eastwood's kindly biopic of the FBI director skims over the vicious racist
Leonardo DiCaprio in "J. Edgar" Historic verisimilitude has never been Hollywood’s top priority, and its latest blockbuster, “J. Edgar,” is no exception.
Director Clint Eastwood, who often played the part of a lawman on the big screen, is now serving up what amounts to a brief for the defense of the FBI’s legendary director, J. Edgar Hoover (played by Leonardo DiCaprio). In the process, Eastwood distorts the historical record, omitting facts about Hoover’s ruthless abuse of power, and even sanitizing the infamous cross-dressing rumors involving America’s top cop.
Continue Reading CloseMark Feldstein, Richard Eaton Professor of Journalism at the University of Maryland, is the author of Poisoning the Press: Richard Nixon, Jack Anderson, and the Rise of Washington’s Scandal Culture, just released in paperback. More Mark Feldstein.
“J. Edgar”: Clint Eastwood’s lame and insulting Hoover biopic
Leonardo DiCaprio mumbles through this tepid, soft-focus saga of America's closeted secret policeman
Leonardo DiCaprio as J. Edgar Hoover in "J. Edgar" We gather today to pay tribute to two genuine American icons, but without saying anything nice about either of them. Clint Eastwood has made a movie — or at least I think that’s what it is; the lighting is often so dim it’s difficult to make out — about longtime FBI director J. Edgar Hoover, who acted as the wacko third rail of American law enforcement for almost half a century. “J. Edgar” is one of those prestige Hollywood pictures that sounds, at first, as if it might be a good idea: a name director, a supposedly big star playing a major historical figure, and a script by young screenwriter Dustin Lance Black, who since “Milk” has become the go-to scribe for what is no doubt described in story meetings as “gay material.” But instead of a good idea, “J. Edgar” turns out to be one of the worst ideas anybody’s ever had, a mendacious, muddled, sub-mediocre mess that turns some of the most explosive episodes of the 20th century into bad domestic melodrama and refuses to take any clear position on one of American history’s most controversial figures.
Continue Reading ClosePage 1 of 25 in FBI