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Monday, Oct 30, 2000 5:18 PM UTC2000-10-30T17:18:00Zl, M j, Y g:i A T

Arts Watch

October 21-28

Friday

E!: Dick Van Dyke quitting TV

CNN: Toronto trying to keep Eminem from performing

E!: NBC cancels third show of season

Mr. Showbiz: Willis/Moore divorce finalized

Inside: Fox/Amazon to partner on auction TV show

Thursday

Inside: Limp Bizkit reports biggest 1st week ever for a rock album

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Sunday, Feb 19, 2012 3:00 PM UTC2012-02-19T15:00:00Zl, M j, Y g:i A T

America’s last hope: A strong labor movement

To achieve economic justice in the 21st century, we need to fight for democracy in the workplace

labor_protest

The 99 Percent Plan is a joint Roosevelt Institute-Salon series that explores how progressives can shape a new vision for the economy. This is the third essay in the series.

The fate of the labor movement is the fate of American democracy. Without a strong countervailing force like organized labor, corporations and wealthy elites advancing their own interests are able to exert undue influence over the political system, as we’ve seen in every major policy debate of recent years.

Yet the American labor movement is in crisis and is the weakest it’s been in 100 years. That truism has been a progressive mantra since the Clinton administration. However, union density has continued to decline from roughly 16 percent in 1995 to 11.8 percent of all workers and just 6.9 percent of workers in the private sector. Unionized workers in the public sector now make up the majority of the labor movement for the first time in history, which is precisely why — a la Wisconsin and 14 other states — they have been targeted by the right for all out destruction.

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Dorian T. Warren is a Fellow at the Roosevelt Institute. He is also an Assistant Professor of Political Science & Public Affairs at Columbia University. You can follow him on Twitter @dorianwarrenMore Dorian Warren

Sunday, Feb 19, 2012 2:00 PM UTC2012-02-19T14:00:00Zl, M j, Y g:i A T

What it’s like to be shipped home

The one-way flight back to Guatemala is a trip no unauthorized immigrant wants. But some take it over and over agai

Guatemalans deported from the United States are escorted by an immigration official upon their arrival at La Aurora international airport in Guatemala City

Guatemalans deported from the United States are escorted by an immigration official upon their arrival at La Aurora International Airport in Guatemala City.  (Credit: AP/Moises Castillo)

GUATEMALA CITY — “No one will throw you out of here,” says the woman with the jaunty ponytail and the cheer of a motivational speaker. “Here we’ll give you affection.” Then she sends some love in the direction of Guatemala, the ostensible home of the bleary-eyed deportees who have just descended from U.S. government-funded flights a few feet away. “Our volcanoes! Our mountains! Everything we have!”

By the time she gets to the tortillitas and tamales and call-and-response, the deportees — the vast majority of them young men, a handful of them minors — are smiling. Some of them even wink and flirt. This may well be the least exhausting part of their journey.

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Irin Carmon is a staff writer for Salon. Follow her on Twitter at @irincarmon or email her at icarmon@salon.com.  More Irin Carmon

Sunday, Feb 19, 2012 1:00 AM UTC2012-02-19T01:00:00Zl, M j, Y g:i A T

A new breed of porn CEO — female

Lux Alptraum, the new head of Fleshbot, embodies how the Internet is changing the face of the adult industry

lux

 (Credit: Adam Courtney)

Lux Alptraum is not your stereotypical adult-industry executive: She’s young, female, queer, Ivy-educated and based in New York. As the newly minted CEO of the porn blog Fleshbot, which until recently was part of the Gawker Media empire, Alptraum is proof of how the Internet is changing the face of the adult business.

She took “a long and winding road” to this point. In college at Columbia, she discovered the online amateur porn scene, which was exploding at the time. “There were a lot of different people doing things that were really fascinating and intriguing and not standard porn,” she says. Alptraum started modeling and doing cam shows for a site that specialized in “nerdy girls,” but after a year she quit and started her own site, That Strange Girl.

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Tracy Clark-Flory

Tracy Clark-Flory is a staff writer at Salon. Follow @tracyclarkflory on Twitter.  More Tracy Clark-Flory

Saturday, Feb 18, 2012 10:00 PM UTC2012-02-18T22:00:00Zl, M j, Y g:i A T

The Oscar favorite no one really likes

"The Descendants" is Oscar-bait, from George Clooney to its tropical locale. And it'll lose to a French silent film

The Descendants and The Artist

Stills from "The Descendants" and "The Artist"

I can’t be the only person who had a mixed, double reaction to George Clooney’s big emotional scene near the end of Alexander Payne’s “The Descendants,” which seems destined to end up as the also-ran or bridegroom in this year’s Oscar race. Wearing his bad haircut, his Hawaiian shirt and his 15 extra pounds as Honolulu lawyer Matt King, Clooney bends over his recumbent wife in her hospital bed, murmuring things to her that I won’t specify, in case you haven’t seen the movie yet. He calls her “my joy and my pain,” lets a quite convincing tear run down his face, and leaves the audience digging for tissues.

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Andrew O

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Saturday, Feb 18, 2012 8:00 PM UTC2012-02-18T20:00:00Zl, M j, Y g:i A T

My Facebook angst

The social network site kicks up so much anxiety and embarrassment for me. But that doesn't mean I want to quit it

My facebook agony

 (Credit: Salon/iStockphoto)

A few days ago, my friend Elizabeth posted an item to Facebook. I wanted to comment but held back, though not exactly because I had plenty of work to do. Instead I sent her a text: “Sometimes do you want to say something or post something or like something on FB, but then you think of all those unanswered emails and texts and silence yourself, so people won’t see you ‘wasting’ time when you could be responding to them?”

“Sometimes?” she replied.

“It’s called Twilt, that feeling,” I answered, laughing, having coined the term on the spot.

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Natalie Bakopoulos's first novel, "The Green Shore," will be published by Simon & Schuster in June 2012. Her work has appeared in Tin House, Ninth Letter, Granta Online, and The O. Henry Prize Stories 2010, and she is a contributing editor for the online journal Fiction Writers Review.  More Natalie Bakopoulos

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