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Max Garrone

Tuesday, Sep 18, 2001 7:57 PM UTC2001-09-18T19:57:00Zl, M j, Y g:i A T

Has bin Laden made himself expendable?

Now that the Taliban's main opposition leader is dead, a scholar argues, the group may be more willing to hand over Osama bin Laden.

After Taliban rebels took control of Kabul in 1996, the Taliban relied on financial and military support from a number of “Afghan Arabs” — wealthy Arabs from the Middle East who supported the rise of an Islamic government in Central Asia. Among them was Osama bin Laden, who used his personal fortune on Afghani infrastructure like roads and housing, and funding a military operation to help the Taliban defeat its internal enemies.

“The Taliban have gained more from bin Laden’s assistance than they have lost by remaining an international pariah,” says Michael Rubin in the London Daily Telegraph.

In essence, the relationship between bin Laden and the Taliban has always been symbiotic. Bin Laden agreed to bankroll the Taliban and help them fight their internal enemies and, in return, bin Laden had a place to train his armies of Islamic radicals and seek refuge while remaining the target of a worldwide manhunt. During the course of his many legendary all-night sessions discussing theology, bin Laden was able to leverage his financial support to radicalize the Taliban’s form of Islamic fundamentalism and, in exchange, bin Laden assisted the Taliban in its struggle against the last remaining rebel group, the Northern Alliance.

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Tuesday, Jan 13, 2004 9:26 PM UTC2004-01-13T21:26:00Zl, M j, Y g:i A T

yet another test by max

yet another test by max

Tuesday, Apr 29, 2003 5:18 PM UTC2003-04-29T17:18:00Zl, M j, Y g:i A T

Willie Nelson: “Crazy: The Demo Sessions”

A collection of early '60s recordings by the Red-Headed Stranger shows a chiseled young man with a sweet, sweet voice.

Willie Nelson: "Crazy: The Demo Sessions"
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You’d hardly recognize the voice because it’s too sweet to be the Red-Headed Stranger. The clean-shorn young man on the inside-sleeve photos of “Crazy: The Demo Sessions” makes you think of anyone but Willie Nelson. But it’s him — a 20-something Nelson long before the disheveled looks, the battles with drugs and the IRS. He made these recordings as a newcomer to Nashville, between 1960 and 1966, to demonstrate his songwriting talent and to sell songs to the stars of the era like Patsy Cline, who picked up Nelson’s “Crazy” and made it a hit.

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Friday, Sep 13, 2002 9:43 PM UTC2002-09-13T21:43:00Zl, M j, Y g:i A T

Music preview: Karrin Allyson

On her latest album, "In Blue," vocalist Allyson slides effortlessly through blues classics by Bobby Troup, Bonnie Raitt, Max Roach, Joni Mitchell and others. Listen in.

Music preview: Karrin Allyson
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Karrin Allyson
“In Blue”

Out now on Concord Records

Karrin Allyson’s new album comes on the heels of her 2001 Grammy-nominated “Ballads: Remembering John Coltrane.” On “In Blue” she again slides effortlessly through a pantheon of classic songs, this time with a focus on the blues. The album includes remakes of works by Ira Gershwin, Blossom Dearie and Bobby Troup (“The Meaning of the Blues”) as well as by more contemporary artists such as Bonnie Raitt (“Love Me Like a Man”) and Joni Mitchell (“Blue Motel Room”).

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Monday, Jul 15, 2002 9:07 PM UTC2002-07-15T21:07:00Zl, M j, Y g:i A T

Music preview: Miss Kittin & the Hacker

This "First Album" is a provocative cabaret act, filled with X-rated lyrics and sinister, new-millennium dance beats. Listen in.

Music preview: Miss Kittin & the Hacker
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Miss Kittin & the Hacker
“First Album”

Out now on Emperor Norton Records

Caroline Herve, aka Miss Kittin, and Michael Amato (the Hacker) first made a name for themselves in the dance music underground with the 1998 EP “Champagne.” It contained the single “Frank Sinatra,” on which Herve, backed by cheesy 1980s synths, conjured one of the more succinct images of fame and power, deadpanning, “To be famous is so nice, suck my dick, kiss my ass, so nice.”

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Thursday, Jun 20, 2002 10:30 PM UTC2002-06-20T22:30:00Zl, M j, Y g:i A T

Music preview: Jucifer

This two-person outfit tries to reinvigorate the stale world of rock with lots of noise on the new album "I Name You Destroyer."

Music preview: Jucifer

Jucifer
“I Name You Destroyer”

Out now on Velocette Records

Amber Valentine and Edgar Livergood, aka Jucifer, hail from the vaunted indie-rock breeding ground of Athens, Ga. Much like current industry darlings the White Stripes, Jucifer is a two-person outfit trying to reinvigorate the stale world of rock music with lots of noise while staying as far away from technological gimmicks as possible. The liner notes to “I Name You Destroyer” specify that the album was “recorded without pro tools, loops, samples, studio musicians, big shots or lackeys” and the music bears out their claim: “I Name You Destroyer” is vivid, rough and ready rock ‘n’ roll.

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