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Thursday, Nov 14, 2002 4:23 PM UTC2002-11-14T16:23:00Zl, M j, Y g:i A T

My “Sex and the City” bus tour from hell

It was supposed to be feminist, fun and empowering. Then my fellow fans started hooting at strange men.

So what if my midriff never sees the light of day, this belly chain was mine, all mine. Let the woman from Pequannock sulk. I won it fair and square. I know my “Sex and the City” trivia. Besides, any devoted fan would remember what Charlotte and Trey named their private parts in the third season. Ever heard of Rebecca and Schooner? That’s like so obvious.

It was the third and final hour of On Location Tours’ Sex and the City Tour of Manhattan and I was in no mood for prissy Natasha types. As we reached our final destination, the Plaza Hotel, where Carrie finally left Mr. Big, the only thing I was interested in was telling myself that $63 for two tickets really wasn’t that much and that Allison, the good friend I had dragged along, would surely talk to me again sometime before the end of the year. I could see it in her face. This self-proclaimed “hot chick tour,” with its hooting at random men, its power shopping, its “diva prayers,” had just been too much. I felt it too — belly chain or no.

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Ashley Nelson has written on women, politics and popular culture for The Nation, Dissent, and the Philadelphia Inquirer.  More Ashley Nelson

Friday, Jan 20, 2012 7:50 PM UTC2012-01-20T19:50:00Zl, M j, Y g:i A T

Go away, Carrie Bradshaw

A teen "Sex and the City" prequel is headed to TV. Are women doomed to be compared to this character forever?

Why won't Carrie Bradshaw go away?

Sarah Jessica Parker as Carrie Bradshaw  (Credit: HBO)

When those inevitable reboots of beloved franchises come around, die-hard fans and newcomers get a chance to return to the roots of a character and glimpse the glory yet to be. They’re all about how one becomes a legend — and they’re wildly successful. Spider-Man. Superman. Batman. Carrie Bradshaw.

Wait, what?

It’s true — this week, the long-threatened “Sex and the City” prequel — “The Carrie Diaries” — got a green light from the CW.

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Mary Elizabeth Williams

Mary Elizabeth Williams is a staff writer for Salon and the author of "Gimme Shelter: My Three Years Searching for the American Dream." Follow her on Twitter: @embeedubMore Mary Elizabeth Williams

Monday, Jun 20, 2011 5:50 PM UTC2011-06-20T17:50:00Zl, M j, Y g:i A T

“Law & Order” takes aim at “Spider-Man” musical

Cynthia Nixon shows up as a demanding director when "Turn Off the Dark" gets the Dick Wolf treatment

Vincent D'onofrio on "Law and Order: Criminal Intent."

Vincent D'onofrio on "Law and Order: Criminal Intent."

“Law and Order: Criminal Intent” certainly had some hubris this week, making a “Spider-Man: Turn Off the Dark”-like musical the scene of the crime and placing “Sex and the City” star Cynthia Nixon in the center of suspicion as a drunken Julie Taymor stand-in. “Icarus,” the season finale, is set in a world where “Turn Off the Dark” already exists, so there are various references to both its massive flop and Taymor’s illusions of grandeur. In the opening scene, we see a bleached-blond  sitcom star absolutely ruining Nixon’s vision!

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Drew Grant is a staff writer for Salon. Follow her on Twitter at @videodrewMore Drew Grant

Wednesday, Jun 1, 2011 12:32 PM UTC2011-06-01T12:32:00Zl, M j, Y g:i A T

10 year time capsule: “Sex and the City” on aging gracefully

In a season that began with a life crisis, Darren Star's show proved it could hold its own with HBO big boys

Carrie Bradshaw: one of 20th century television's most iconic figures.

Carrie Bradshaw: one of 20th century television's most iconic figures.

June 3, 2001: Carrie Bradshaw and her three best friends hit HBO’s run … er … airways once again, beginning the fourth season right as Sarah Jessica Parker’s character was turning the big 3-5. “[It's] a landmark age for women,” Parker said during an interview about the episode, (titled “The Agony and the Ex-Tacy,” woof), “It makes her think about choices she makes and what she doesn’t want to repeat.”

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Drew Grant is a staff writer for Salon. Follow her on Twitter at @videodrewMore Drew Grant

Tuesday, Apr 19, 2011 12:01 PM UTC2011-04-19T12:01:00Zl, M j, Y g:i A T

Chick lit reimagined as respectable fiction

We team up with TheGloss.com to find out how to turn that best-selling genre of female writing into real literature

How much better would Gabriel García Márquez's book be if it was about shopping??

How much better would Gabriel García Márquez's book be if it was about shopping??

“Chick lit” is one of the most depressing terms I can think of in the publishing industry. Then again, I don’t know that much book-selling jargon, so there are probably worse ones (“Magical tweenism?”), but that phrase — applied to frothy writing about “modern” women (and their love lives) –  is almost a derogatory term, implying the type of fluffy romance masquerading as post-post-post-new-wave feminist spiel. Yet for some reason, agents are encouraging female writers to think about chick lit marketing when writing their first books. I mean, no one is denying that the genre has mass appeal. But you know what else had mass appeal? “Two and a Half Men.” And Hitler.

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Drew Grant is a staff writer for Salon. Follow her on Twitter at @videodrewMore Drew Grant

Friday, Apr 15, 2011 1:52 PM UTC2011-04-15T13:52:00Zl, M j, Y g:i A T

Saved by Pop Culture: How “Sex and the City” helped me get over my marriage

I got by ... with a little help from my friends Carrie, Samantha, Charlotte and Miranda

The best friends a girl could have.

The best friends a girl could have.

(The author chose to use a pen name for this piece.)

Six and a half years ago, my first and only marriage detonated after only 14 months. My ex-husband, a recovering alcoholic with, it turned out, much bigger mental problems, left in a spectacularly sudden and cruel fashion. He said he’d never been attracted to me, and he told lies about me to his family and friends, and he left. I was lucky, empirically, to get off this easy and only lose a little over three years of my life to the debacle, but the shock of it was deeply traumatic and I was shattered. I was 34.

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