Oprah Winfrey

Oprah’s hulking stepchild

No-nonsense "Dr. Phil" has struck a national nerve with his bootstrap psychology. But can he escape the shadow of his famous patron?

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Oprah's hulking stepchild

Dr. Phil, as millions of strangers affectionately call superstar Texan psychologist Phillip C. McGraw, is huge. At 6-foot-4 and 235 pounds, he can easily block your entire field of vision, even when he is slouching a little, trying to get right up in a guest’s face.

I know this because I wound up sitting directly behind him at a live taping of his eponymous show last week, and I had to watch his guests on the monitors. The solid ratings of “Dr. Phil,” the show, match the Frigidaire dimensions of Dr. Phil, the guy. The show earned a 4.2 household rating in the first week of November sweeps, making “Dr. Phil” the second most-watched syndicated talk show after “Oprah,” and the most highly rated new one since the dawn, more than half a decade ago, of “Judge Judy.”

Given Dr. Phil’s popularity and the apostolic devotion of his fans, it’s a little surprising that getting a seat in the live studio audience turns out to be so easy. I know from traumatic past experiences that sitting in a studio audience requires more than just sitting; I know that a team of professional audience-warmers is poised to shuck us of our dignity and put us through a rigorous program of escalating pep that will culminate in everyone getting up and dancing to “Celebration” at 9 a.m.

But my mom is visiting and she’s a fan, so I decide to feel the fear and humiliate us anyway. We dial 323-461-PHIL, leave a brief message and a nice woman soon returns my call. “So, you’d like to be a part of Dr. Phil’s audience,” she says, in a tone similar to the one Jerry uses for his kids. “How does tomorrow sound?” It sounds terrible, but she makes me feel, for a fleeting moment, like my fondest wish has been granted.

The whole “Dr. Phil” experience, in fact, crackles with this beatific, fairy godmother vibe. The woman on the reservations line hums with it, as does the pre-warm-up video we watch while filling out our release forms. It lights up the audience wranglers and makes them twinkle like a string of cheap Christmas lights.

Every show that is taped in front of an audience features professionals in charge of manufacturing energy, and “Dr. Phil” is no exception. After an audience warm-up that includes a twisting contest, a run-through spontaneous standing ovation, and a silly audience contest (“You turn on the TV and the enthusiasm seems so natural,” my mom says as we simulate clapping wildly, “but, my God, it’s a wonder they don’t stick a hot pepper up your ass”), Dr. Phil finally struts out on stage and announces that Oprah is due to drop in any minute. Psych! There’s something emotionally complicated about the whole thing. (The subject of the day’s show is “Self-Defeating Strategies,” which seems somehow appropriate.)

But the evangelical feel is real, too. Dr. Phil is a therapist so blunt, decisive and close (enough) to the land (he’s from Texas, after all) that he might as well just club the conflicted souls who appear on his show with a magic wand and drag them back to the “life strategies” cave. He imparts his nuggets of wisdom as though he were laying on hands. His audience has flocked to him, that is, at least as much as an audience that has called a reservation line and lined up at a Paramount Studios side entrance can “flock.”

Dr. Phil specializes in “wake-up calls” that help people “get real” and change their lives. Apparently, there’s no snooze option. Judging from the unqualified success stories featured in the 75th “Dr. Phil,” which aired last week, his approach never fails. The show asked previous guests to return to the show, after having had the sense beat into them, and report on their progress.

Here’s how they did: The mother of the weird Boy Scout family is forever indebted to Dr. Phil for showing her husband the error of his ways. Before Phil, her husband didn’t understand that Mother’s Day and wedding anniversaries were not optimal days for spending time with the troops. After Phil, he will now occasionally swap his Boy Scout uniform for some tights and puffy sleeves, in order to spend an afternoon with the family at the Renaissance Faire. Before Phil: A man refuses to sleep with his wife, preferring to cuddle. After Phil: He learns that sex is an important part of a relationship after all. Thanks, Dr. Phil!

Sitting in the audience, listening to people offer up their problems for Dr. Phil as a supporting audience clucks and coos its approval feels oddly ritualistic. If you have ever wondered what makes people get up on national TV to talk about their problems, attending a taping makes it a little easier to understand.

Close-ups of talk-show guests on TV tend to create the opposite effect they purport to be after, often making the people seem more alien than they did already. The set of “Dr. Phil,” however, creates a weirdly intimate space, a sort of public confessional. Dr. Phil listens to the problem, lets fly a few zingers caustic enough to peel paint, produces some kind of magical celebrity gift — acting advice from Ted Danson to an aspiring actress, a year’s free psychotherapy to a woman who rages against her child — and sends his charges on their way. This is Dr. Phil’s M.O.: Impart, bestow, a pat on the ass and see you later. No wonder people like him.

There is another, ultimate, fairy godmother in the story, of course, and that is Oprah Winfrey. Dr. Phil was a psychologist from Dallas who traded his therapeutic practice with its “unclear” results for a more lucrative and less frustrating career as a trial-preparation consultant in civil cases. He hit the self-help jackpot when he found himself in the enviable position of lending Winfrey a hand in her time of need — specifically, in 1998, when members of the Texas beef industry countered an offhand mad-cow quip made by the daytime talk queen with a $10 million lawsuit. After a six-week trial, Oprah prevailed.

Dr. Phil has made a lot out of the ways in which he helped his new, incredibly powerful friend refuse to settle out of court and fight for her God-given right to swear off burgers on national television, and he has dabbled in portraits of Oprah as a fair damsel in distress. An appearance on her show led to regular, weekly appearances that stretched out over four years, his three books landed on the New York Times bestseller list and, in September, he got what punier gurus only dream about — his very own Oprah-produced show.

“Dr. Phil” debuted in 97 percent of U.S. television markets and generally airs directly before or after, but never against, Oprah’s show. (And she does indeed make occasional impromptu visits.) But lumbering force of nature and nurture that is Dr. Phil notwithstanding, this probably won’t ever really fly. Oprah looms large over “Dr. Phil,” and you can sense that this is at least a little discomfiting to the not-so-gentle giant.

Even when she doesn’t drop in, the Oprah imprimatur is all over the place. In fact, to watch “Dr. Phil” from the studio audience is to feel a little like you are watching a sequel to Cinderella in which the F.G. keeps unwittingly upstaging her protégé. You get the feeling that this is not so much Oprah’s doing as it is Dr. Phil’s own. Dr. Phil, the product, is still young enough to feel the anxiety of separation and the debt of gratitude; and old enough to want to be thought his own, self-made (like Tori Spelling in the early ’90s) media healer and daytime personality.

Carina Chocano writes about TV for Salon. She is the author of "Do You Love Me or Am I Just Paranoid?" (Villard).

NBC comedy stars keep themselves relevant after finales

Alec Baldwin and John Krasinski shill baseball hats in viral ads, "Community" character gives Emmy picks, and more

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NBC comedy stars keep themselves relevant after finalesYankees vs. Red Sox, Baldwin vs. Krasinski, or "30 Rock" vs. "The Office": who is your favorite?

What do the stars of NBC’s Thursday night comedy lineup do during their summer vacation? Keep themselves fresh, of course. Sometimes it’s a little hard to tell if these guys can separate themselves from their characters, but who’s complaining if there’s a real Ron Swanson or Jack Donaghy walking around?

“30 Rock’s” Alec Baldwin and “The Office’s” John Krasinski have figured out what they’re doing with their off-season, and that’s punching each other in the face about baseball. No, seriously. In this series for New Era Caps, Baldwin goes head to head with Jim Halpert over their Red Sox/Yankees rivalry. So far there have been three spots, and if you play them in succession it’s kind of like watching a crossover episode between the two shows.

Meanwhile, Amy Poehler isn’t the only cast member of “Parks and Recreation” keeping herself in the spotlight. While the comedian is off giving speeches at Harvard, her costar Nick Offerman (who plays her boss and meat-lover Ron Swanson) has been wooing Oprah to come play his first ex-wife next season.  As he told the Huffington Post:

“I think Oprah would be the only, she’s the only person we can think of that might be intimidating to Megan Mullally. It would be so good.”

He then added, “I can assure you if it’s not Oprah, I will quit.”

And while that’s doubtful, Oprah should actually consider it. She did cameo on “30 Rock,” so it’s only fair.

Rounding out the news cycle is Danny Pudi, who plays Abed on “Community.” Anyone who still thinks that show isn’t being taken seriously should check out Variety right now, where “Abed” has been given a column in-character for Emmy season. He’s predicting who will win the awards based solely on his extensive knowledge of television and film (despite never having seen the shows in question), as well as his more savant-like tendencies:

I sort the last four into two groups: a) shows that have won an Emmy, so it seems like they’ll win again, and b) shows that haven’t won yet, so it seems like their turn. Sorting every winner since “I Love Lucy” in 1953:

 B A B B A B A B B AA B B AB B A A B B AA A B A A B B A B B A B AB                              A A B B A A A A B B B B B B A B B A A B

The “ABBA” pattern emerges soon and repeats often, as people’s urge to shake up a system always results in systemic shaking. I totally get it: I once missed a week of school by trying not to touch my chin 7,000 times. The stretches of non-ABBA you see are “cable scares,” like when we just kept giving Emmys to “Frasier” until “Larry Sanders” went away. Think of TV as Rain Man getting through HBO’s smoke alarm by chanting “I like the guy from Cheers.”

The whole article is amazing, and by far my favorite post-finale offering from an NBC comedy actor. Then again, I’m a little biased.

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Drew Grant is a staff writer for Salon. Follow her on Twitter at @videodrew.

Pop Torn: 10 pieces of culture we’re feeling iffy about

From "True Blood" to Mark Zuckerberg killing a goat to a purse made out of jerky, this week is all about meat

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Pop Torn: 10 pieces of culture we're feeling iffy about

Memorial Day weekend, you guys! I know that I will be happy to wear all my white clothing again, because nothing says “I’ve been to a summer barbeque” like visible condiment sauce all over my clothing.

And with this warm weather comes tons of pop culture news stories that are just to the right of funky. We’ve rounded up some of the stranger stuff that we missed this week, and leave it up to you to decide if maybe being raptured wasn’t such a bad idea.

1. People who think the Onion’s headlines are real: Oh, it happens. And now it’s a Tumblr. (Expect a book deal in the near future.)

2. Abed from “Community” shows up on “Cougar Town”:

Easter egg for the super fans and the people who love Subway.

3. OWN picks up new series, “Don’t Tell the Bride“: Groom and future wife are separated for a month before the wedding; he has to make all the decisions about planning the event. Hope she likes nachos and a boob-shaped cake.

4. Student makes Chanel bag out of beef jerky:

(Photo by Nancy Wu)

Oh what? It’s all cowhide, no matter which way you look at it. Calm down and take a bite.

5. Museum-going men are happier than their counterparts: That 2 percent of the male population must be having a blast.

6. This mommy kitten is hugging her baby kitten:

Yes, dear, it’s very, very cute. Please let me go back to bed now, I have work in the morning. Well, if it’s so great, take a video of it! I’ll watch it later.

7. “Pop-Up Video” is coming back to VH1: Though now it’s just called “tweeting during music videos.”

8. “Jersey Shore’s” Ronnie and the Situation get into a fistfight in Florence: Really, guys? Really? Italy was ready to boot you out before you even showed up, and this is how you show your good behavior?

9. Mark Zuckerberg, woodsman: The Facebook CEO will only eat food he kills himself. His private message to friends on FB just read: “I just killed a pig and a goat.” And not on FarmVille.

10. “True Blood’s” fourth season trailer:Oh great, now I have to deal with witches?

Our thoughts exactly.

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Drew Grant is a staff writer for Salon. Follow her on Twitter at @videodrew.

Conan’s Oprah fan taxonomy

O'Brien's guide to Oprah's audience rounds up familiar types, from "The Weeper" to "The Man Who Rocks and Claps"

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Conan's Oprah fan taxonomy

Last night, Conan O’Brien celebrated Oprah Winfrey’s final show by honoring “the people who made the The Oprah Show truly special” over the years: her audience members. His team compiled a jokey Oprah-fan classification, encompassing all sorts — from “The Jumping Clapper” and “The Face Fanner” to “The Extremely Alarmed Grandma” and “The Man Who Rocks and Claps.”

 

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Emma Mustich is a Salon contributor. Follow her on Twitter: @emustich.

Oprah’s warm, funny, self-aggrandizing goodbye

Winfrey ends her show with a 42-minute monologue that encapsulates her many baffling contradictions

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Oprah's warm, funny, self-aggrandizing goodbye

Oprah Winfrey’s final show summed up everything she’s been about for a quarter century. It was funny, warm, sweet and informative, and felt easygoing even though it was clearly written and rehearsed within a millimeter of its life. The episode had sharing and oversharing, confessions and anecdotes, photographs of Oprah in unfortunate clothes and hairstyles, and callbacks to shows and guests that made a big impression on the host during her journey toward self-knowledge — which, she assured us, was what her boundary-breaking, influential, astoundingly popular stint on daytime was truly about, anyway.

No, wait, scratch that. Her show wasn’t truly about Oprah at all. It was about you. All of you. But especially you, the individual sitting there watching her “every day,” as she said.

She had a message for you, the individual. Several messages, actually — and they were all intertwined: Take responsibility for your life. Be honest with yourself and others. Be responsible for the energy you put out in the world, because that energy comes back around eventually. Also: There is a God, or a life force, and you should get to know him/her/it, because he/she/it can improve your judgment and guide your life.

There was a clip reel of people admitting things on TV that they had never told close friends and family members. They said they were alcoholics or drug addicts, that they had HIV, that they had endured or inflicted spousal abuse. The confessions had a snowball effect and became collectively cathartic, Oprah said: “Little by little, we started to release the shame.”

One of the clips was of Oprah herself circa 1986, revealing that she herself had been sexually abused as a child. Another clip referenced the recent broadcast in which actor-director Tyler Perry said he’d been sexually abused as a child, then led an audience of 200 fellow sexual abuse survivors, all men, while they stood together holding pictures of themselves as kids.

Long sections of Oprah’s final syndicated broadcast, which amounted to a 42-minute monologue interspersed with video clips, suggested a church service, though precisely what kind varied from moment to moment.

Sometimes it felt like Sunday school for kids. Other times it felt like a sermon, or the opening remarks of a self-help group leader opening a meeting in a church basement.  “Don’t wait for anybody else to fix you, to save you or complete you,” she said. “‘Jerry Maguire’ was just a movie. [But] no one completes you. We have seen that with guest after guest. When you accept that you are responsible for your life, you…get….free.”

Still other times the broadcast evoked the famous sequence in “The Adventures of Tom Sawyer” where Tom Sawyer and Huck Finn, presumed dead, attend their own funeral service and hear themselves eulogized. But here was Oprah doing the eulogizing. In an especially unfortunate moment, she suggested that God was responsible for the meeting of her father’s sperm and her mother’s egg. That may very well be true, but if so, it’s true for every other human being as well — and when you put it in the words that Oprah chose, it can’t help but sound oddly messianic.

Oprah’s last words before exiting stage left were, “to God be the glory.”

She talked about how, deep down, she really wanted to be a teacher, and near the end of the broadcast, she introduced her very first mentor, her fourth grade teacher Mrs. Mary Alice Duncan, who was sitting there in the audience, tearing up and grinning.

She said that her guests taught her that there was “no need to feel superior to anybody” because “there is a common thread that runs through all of our pain and all of our suffering, and that is unworthiness, not feeling worthy enough to own the life that you were created for…Your being here, your being alive, makes worthiness your birthright. You alone are enough.”

She said that within each person, no matter what his or her race, creed, color or life experience, is a little voice that asks, “Do you see me? Do you hear me? Does what I say mean anything to you?” That voice, Oprah said, was what she hoped to answer, encourage and embrace over the course of 25 years and 4,561 shows.

It would have been nice if, at some point during the telecast, even a single audience member had been permitted to utter one syllable. There was no dialogue, only monologue interspersed by cheers, laughter and applause. The key to Oprah’s success, she assured us, is that she knows that deep down, everyone wants to be heard. But in this last broadcast, nobody else got a word in edgewise.

It was a final summation in a career which, judged in terms of social good and emotional healing, required no defense. Oprah is a force for good, period. She may inspire love, loathing, bafflement, amusement, irritation, you name it, but there is no possible way to evalute the sum total of her career on TV without concluding that the world is a somewhat better place because she was in it. And yet here she was making a case for herself, Oprah Winfrey for the defense, as if she wasn’t worthy of all this attention and acclaim. As if she didn’t get her own memo. It was poignant in ways she herself probably didn’t intend.

She left her stage, her classroom, her pulpit, unfinished. A work in progress.

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Celebrities flock to Oprah’s penultimate show

From Jamie Foxx to Maria Shriver, the stars turn out to celebrate and honor daytime's favorite talk show host

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Celebrities flock to Oprah's penultimate showOprah and Maria Shriver.

Oprah Winfrey’s final show airs tomorrow, and today’s second part of her “Farewell Spectacular” saw celebrities turn out in full force, a touching tribute to the woman who has been America’s best friend for 25 years.

Oddly enough, Oprah spent most of her show not trending on Twitter, though “surprise” guests like Tom Hanks, Michael Jordan, Maya Angelou, Jerry Seinfeld, Jamie Foxx, Stedman and Gayle all did. I use quotation marks because there are no surprise guests for Oprah … if Obama himself had taken the stage to wish her well, it would not have been that unexpected.

So perhaps the biggest surprise of today was a heartfelt speech by Oprah’s silent partner Stedman Graham. Looking nervous, Stedman said that he didn’t know of anyone else who could change so many people’s lives and also bring a bagged lunch to work.

Meanwhile, Dr. Maya Angelou’s contribution to the ceremony was a new poem, which she read accompanied by Alicia Keyes on the piano:

“Unplanned and unrehearsed, this big-eyed black girl from Mississippi, showed the world how to look at itself … She listened to the rich and the poor, the famous and the infamous … For 25 years she listened. … She said, ‘Be strong, be kind, and call me Oprah.’ I can. I will. And I shall. Be Oprah. I am. Oprah. Oprah. Oprah.”

Of course, not everyone took the same approach to honoring the living legend. Jerry Seinfeld used his five minutes to complain about his marriage, women in general, and how it’s Oprah’s fault that ladies mock their husbands. Then Jerry took his seat, directly next to Oprah, because they are best friends anyway.

Simon Cowell introduced a musical number where Rosie O’Donnell sang a reworked version of “Fever,” with special appearances by Dr. Phil, Nate Berkus and Dr. Oz (the last of which said Oprah’s gift to the world was teaching everyone about S-shaped poop). Usher, Kristin Chenoweth and Aretha Franklin filled out the non-ironic singing portion of the show.

The oddest moment of the episode was when Maria Shriver joined Oprah onstage with Gayle King to thank her friend for “giving me  … the most important gift of all … telling me the truth.” It was a loaded moment, though if Arnold was watching, the camera didn’t cut to him. This was Oprah’s day, after all.

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Drew Grant is a staff writer for Salon. Follow her on Twitter at @videodrew.

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