Motherhood

Dust jacket

I once published a novel that totally flopped. Now, 18 years later and sober, I've given it a haircut, scrubbed its face, and decided to reissue it.

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I’ve been getting letters lately from Salon readers, asking that I stop writing so often about friends with cancer, death, funerals, or the woman with just one arm; that I stick instead to Bush-bashing, and stories of tribal uplift. Now, I’m always glad to attack Bush, and his para-fascist regime, “para-fascist” being a term my father coined to describe Ronald Reagan’s term as governor of California. I am upset about the Bush much of the time. I go to bed hoping that the front page of the Times will have headlines saying that terrible things are happening to him politically, so that I can go ahead and enjoy my morning coffee. But the bad news is that I am not going to bash Bush today. The good news is that there is no cancer in this story, nor is there one single person with only one arm. There is, unfortunately, no way to tell this story without including one tiny little funeral.

So: In 1985, the year before I got clean and sober, I published my third novel, “Joe Jones,” which went on to do worse than any other book in history. I am not tooting my own horn — I got such bad reviews that people pretended the book hadn’t really even been published. I thought this book would end my career. Some reviewers even said they hoped I would get Ebola and bleed out and die — or at any rate, that’s what they said if you read between the lines. But the only paper that mattered was the San Francisco Chronicle: It was the paper my family and friends read. Bad reviews didn’t matter as much in other papers, as long as the Chronicle ran a good review.

I had called the book review editor there during the week of publication, hoping she’d liked the book. She hadn’t. At all. She was kind, though, not one of the reviewers who hoped I would die of Ebola — perhaps just a bout of gingivitis, or gout. But there was going to be a bad review that Sunday.

I was humiliated, and vaguely suicidal. Luckily, I was still drinking at the time. I spent several days holed up on my houseboat, talking on the phone, leaving only to get supplies, and for walks along the bay. I didn’t see anyone, except for people who lived on my dock. For years, I’d been friendly with a tall, elderly Austrian named Fred who lived at the far end of the dock, who walked by my houseboat several times a day, always accompanied by his little Scottie, Otto. Each time he passed, he said enthusiastically, “Hello! Good to see you! Have a nice day. Come along, Otto.” For years, this is all he had ever said to me — “Hello! Good to see you! Have a nice day. Come along, Otto.”

But on the morning my review appeared, when I staggered out to get the paper, savagely hung over, I looked up and found Fred and Otto walking toward my houseboat. Fred stared grimly down at the dock as he passed. He muttered, “Saw your picture in the paper today,” and hurried on.

The Chronicle had assigned it to a writer no one had ever heard of, which I mean nicely, in no way implying that they assigned it to a mentally unbalanced nobody. Still, some of you may be thinking, For God’s sake, it’s a book you’re talking about, not a kid. And you are right. And you are wrong.

I cried a little, and had one or two cool, refreshing beers for breakfast, and then I headed off to the church I’d been attending for a few months at that point, in Marin City, by the flea market.

The people were used to me there, and very kind to me. They knew not to talk to me too much, and not to touch me, except during the Passing of the Peace, and not to crowd me, or try to get me to sign on to the nice little Jesusy situation they had going on. They mostly offered me sanctuary from the storm raging within. There was one old black guy named Theo, though, who always asked me how I was, and then threw his arms around me. He was one of the two men who burbled amens throughout the service — him and old Deacon Hensley — oh yeah, uh-huh, amen. He always blessed me, many times over, the way children splash water on you at the beach, blessyoublessyoublessyou; one word. He was very wise: One day he said something that I later quoted in a book, when I kept mentioning having lost my favorite sweater. The third time I mentioned it, he looked at me, somewhat askance, and said, “Honey? Sugar? It is gone.”

This is a lesson that continues to defeat me on a regular basis.

Anyway, I sat in church the day of my bad review with my head bowed in shame, and people touched my shoulders gently during the Passing of the Peace. And then Theo came over and more or less forced me to receive a hug. “I saw your picture in the paper!” he said. “We’re so proud of you! And we thank our dear Lord for bringing you here to us.”

Within a day or two, Fred was calling out again to me as he passed, “Good to see you! Have a nice day! Come along, Otto,” and since most people were pretending I hadn’t actually even published the book, there was a sort of compassionate amnesia. Time passed: I had great friends, and so somehow I survived.

A year later, I finally got sober. My mind and life began to heal slowly. One day I reread “Joe Jones” and could see that it was not very good. I liked the funny, broken people in it, and how a rundown riverfront cafe served as a sort of church for them, and the sadness, and the lostness, because more than ever those seem such truths of our lives, in this overwhelming mess we find ourselves in together. Still, I knew that the reviewers had been right. I put it away, and over time, everyone forgot about it. It was gone.

After three years sober, when I wrote “All New People,” my career got back on track, and hardly anyone ever mentioned “Joe Jones” again.

Time passed, and I wrote more books, and had a kid. Many people at my church died along the way, and with some of these losses, we weren’t sure we could go on, but by sticking together, with faith and lots of food, we did. But then our beloved Theo died at 90, and the jig was suddenly up.

Here comes that funeral story I warned you about: We often have open caskets at our church, so we can see the person we love one last time. It is both unnerving, and mind-blowing, like being present for a birth. Theo was laid out in a dark wood casket, dressed in his finest black suit, lying on frilly bed liners. He looked like an oddly colored blackish clay figure, with thick yellow ivory fingernails. We began to lay him to rest. At our funerals, we rise, we sing, we sit, we rise, we weep. Our pastor Veronica glowed as if she were in her kitchen, even as she cried; her hair was braided in tiny extensions, like excitement of thought. In the beginning, everything was smooth and shy and glided right along, like the casket on its wheels, manned by the unctuous butlers from the mortuary.

People evoked the Theo they had known — family, friends, old, young, white, black, Asian. Family members read Scripture, and reminisced. Theo’s grandchildren looked clobbered by it all. The great grandchildren wiggled, solemnly. Black skin captures the light, highly polished, gleaming. It glows, like smooth bark, manzanita or madrone, and there are so many textures in the hair, and voices. How did we white European types get to be the standardized beauty ideal? It’s laughable.

Then the rawness of the grief kicked in, with deep cracked voices and high teary ones, sounding out the depth of their love and loss, spoken and sung. It stirred us all up, even as it gave off air and moisture, because when the shadow steps forward and claims itself — takes someone away whom you can’t live without — at least the fear of it can’t suck at you anymore. It gives off something, like space in which to stand, if you still can; and it gives off shade. Shadow becomes shade.

The funeral was like an advent calendar, windows opening, full of surprises. Embers sparked, and got blown on by all that breath, and the fire of one small church in one impoverished town grieving for one old man, grew more crackly.

We filed by the casket for one more look, and the choir sang one last hymn, holding us up in song, and then the choir entered in the procession too, so there were only a few of them singing, and then only one soprano, who sang until a tenor returned, and an alto, and then they were all back in place, and the song swelled again. They kept the hymn going, pumping it, no matter what they were going through, and they were going to keep singing the song because once the singing ends, it’s really over.

So we have never stopped singing of Theo, because his is such a beautiful song, but by the same token, we have never stopped singing about any of our people, even the people in our church who are what you might call a handful. Or a mess. For instance, right after I got sober, a man named Jim staggered into our church, a street person, who kept coming back, sometimes disrupting services, and other times listening attentively. He could freak you out with how crazy he was when he was stoned or hung over, muttering his dark thoughts. He wore tattered clothes that smelled of grease and urine. He was really a mess: I used to study him and think about how much worse he was than I had ever been. I had been a much nicer, cleaner mess. A cuter mess. I never disrupted service, since I refused to speak or to let anyone touch me.

Eventually, however, before and after worship, Jim would sit at the piano and play the most astonishing music. Our pastor taped him playing several times: He had obviously been classically trained, but he played like Keith Jarrett, eerie haunting lines. But you could never predict how crazy he might become on any given Sunday. And one horrible day, when I was standing next to Theo, he embraced Jim warmly, looked him in his bloodshot eyes, and told him how proud he was of him, and how we all thanked the good Lord for bringing him to us.

My first reaction was betrayal. What a fool I’d been! It turned out that Theo said the same thing to everyone; to any old mess. And here I’d fallen for it.

It made me feel cheap.

But then, years later, when Jim’s kidneys failed, we baptized him at the hospital, a few days before he died. He was a much cleaner, calmer mess, which, if you ask me, is a lot. At his memorial service, our pastor played a tape of Jim’s wolfy, ethereal melodies, harmonies that only Jim could hear, and I got it.

This book of mine, “Joe Jones,” is the street person of my books. It’s my raw, wolfy child. Yet there has also been some consistent if peculiar appreciation. Jack Shoemaker, the man who published it at North Point, has always loved it. It was my therapist’s favorite book of mine. And when I submitted descriptions of its characters, settings and themes to the Guggenheim Foundation, I was awarded a fellowship. So there must have been some there there. Also, an odd cult of people would come up to me at readings, to say they could not understand why “Joe Jones” was out of print. They loved it. They’re my Trekkies. Sometimes I didn’t know what to think.

My priest friend Tom said once that there are always two points of view about yourself — yours, and the opinion of people who love you. Our opinion is that we’re a mess, a fraud, maybe vaguely disgusting. But others seem to love us, to feel great relief that we are in their lives. So one of these opinions is wrong, and you get to choose which one to believe. Over the years, Tom and I have encouraged each other to believe the opinion of those who love us and, in this case, I chose to believe the people who loved “Joe Jones.”

So Jack, and his publishing partner Trisha Hoard, decided to reissue my book. My great friend Jane Vandenburgh helped me edit it slightly — not with a fine-tooth comb, but with an afro pick, big spaces between the teeth so as not to tug too hard. I hadn’t read it in 17 years, and when I finally did, this winter, I could see why it had not done well. It wobbled and flopped, and didn’t fly in the upward trajectory that I had hoped, and certainly my readers and critics must have hoped. It’s in the present tense, which I don’t like, but I do love the characters. And I can see its part in my evolution as an artist: All of the elements of what were eventually going to lift me out of the swamp are there, beating against the walls of the cafe.

I am really, really not suggesting that anyone buy this book when it comes out in September: only that I love having this child back, this part of me home.

It’s like meeting the girl I was in high school or in my 20s, with all those affectations, those tics and vague accents, who knew more then than I ever would again; who tried to be like other young women, because everyone said to be — as e.e. cummings said, “Being nobody but yourself in a world which is doing its best, night and day, to make you like everybody else means to fight the hardest battle any human can fight.”

I wanted to make this book a little better than I had been able to back then. I gave it a haircut, scrubbed its face, and my boyfriend made a beautiful new dust jacket for it to wear. If you happen to read it — the first chapter will be published in Salon in two weeks — you’ll be able to see what was growing in that ground of my youth, all the sadness and hollowness and mess and vigor, watered by people’s kindness and booze and holy spirit.

Maybe you’re like me, a connoisseur of dirt; most artists are, as are many spiritual seekers: We love the rich smells and bugs and textures and lights and roots and stones of earth. Sometimes the soil is barren and isolated, other times it releases green shoots and surprises, bottle caps and cocoons, itty bitty leaves, bits of bone, lost jewelry. Many things grow in your yard that you didn’t even plant, that you don’t particularly like, that you know should be weeded or pruned. But maybe the connoisseur in you wants to let it stay in the dirt awhile, let it just be. I tell you: It’s taken me such a long time to discover that I can know a lot of stuff for sure, without being right.

Anne Lamott is the bestselling author of seven novels, including "Blue Shoe," "Crooked Little Heart" and "Imperfect Birds," and five works of nonfiction including "Grace (Eventually)," "Bird By Bird" and "Operating Instructions." Her new memoir, "Some Assembly Required," is now available.

How I met my mother

After our dramatic fights, I swore I'd be a different kind of mom than my mom. I didn't realize how similar we are

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How I met my motherA photo of the author with her mom and son. (Credit: Reyna Zack Photography/Melissa King via Shutterstock)

I could say we didn’t get along, but that sounds benign. There are plenty of people I don’t get along with, but we’ve been able to opt out of each other’s lives. This was my mother, and though we both would have opted out if we could, we couldn’t — except for the brief year I went to live with my father, which was a mistake — and so we didn’t.

I wish I could tell you exactly why we didn’t get along. Maybe I resented my parents’ divorce, and because she screamed louder, I blamed her more. Maybe I blamed her for seeming to hate me. (I was what was called, back before all children were pathologized, a “difficult child.”) She felt mothers should be respected universally, and I felt like we should talk everything out. I wanted to be understood. She wanted me to understand that I wasn’t her friend, I was her daughter. When she hears my sister using the parenting language of today on her son – “I hear that you’re frustrated, because it’s frustrating to not be able to own a machine gun, but you just can’t have one” – she rolls her eyes and thinks back to the days when a kid who asked for something unreasonable could just be sent to his room.

As I grew older, I went from “difficult” to “rebellious.” There were accusations, door slams. We are both temperamental and quick toward theatrics, both prone toward shaking our hands at the heavens and screaming, “Why me?!”

Eventually, though, we learned to get along. We still do. When I had children, I promised our home would be calm and reasonable. We would talk everything out. We would never, ever yell.

At first, I was a different kind of mother than she was. My son was quiet and compliant — and sweet. He hugged me when I put my arms out; he never defied me, at least not until much later. My mother would visit, and I would show her how loving and not screamy I was with him. I sat on the floor with him and played with him during those visits, though I find stacking and shape-sorting excruciating. By my example, I would try to teach her how nice and easy it could have been. On our daily phone calls, I would show how I was the model of patience and how I was understanding and not reflexively impatient. I was showing her how she could have been a better mother; in truth, I was waiting for an apology.

Then my younger son was born. He is beautiful — you should see him — and he is charming. He smiled, I swear, the day he was born. He laughed when he was just 4 weeks old. Then, about two months after we brought him home, he opened up his mouth and began screaming, and he didn’t stop for something like 15 months. He has not yet slept through the night for more than a week in a row. He is old enough now to get very angry at me and throw tantrums, and for those tantrums to upend our household. He’ll grow out of them, or maybe he won’t. Maybe he’ll sit at his desk in 34 years and write an essay about what a terrible mother I was.

But that will be his essay. In my essay, I start to scream. I scream so loud that the neighbors want to know if, um, everything’s OK in there? I scream so much that my throat is raw. I give looks that are identical to the ones my mother gave — sharp and pointed — not just to the younger one, but to the older one, who has started testing my limits, too. I send the 2-year-old to his room. I try to speak the way my sister speaks, to tell them that I understand their frustration, but honestly, I don’t, and I don’t think I should have to. I tolerate no amount of disobedience or backtalk. My husband comes home to find me a frazzled mess.

I am, in short, the kind of mother my mother was.

But my mother is a different person than I realized. I first came to understand this after the delivery of my older son. It was traumatic, and I was depressed for months following it. My mother came to stay with me and tried to show me new ways of having perspective on this, but all I kept saying was that she had never had to triumph over anything this difficult. As I sat in a dark trance, rocking my baby, she told me to put him down while he slept. I wouldn’t. I was going to be a calm, peaceful — OK, completely depressed — presence for this kid in a way she never was for me.

Once again, she didn’t understand what I was going for. I wanted to be rock solid. I didn’t want my own emotional limitations to get in the way of being a parent. Not my sadness, not my temper, not anything. I wanted to be better than human. I wanted her to have been better than human.

The day before she returned home from her visit, she had been told that a lifelong heart condition had reached critical condition. I knew nothing about this. She told me about it when she returned home. She called to tell me that she was scheduled for open-heart surgery. I knew she had a heart murmur, but that sounded so — I don’t know — benign.

She told me the whole story: She’d been born with a heart condition. When she was a young child in Israel, the doctors told her she wouldn’t live very long. They didn’t let her play in gym class or ride a bike. They told her she would never have children. When she got to America as a teenager, she decided that she would live on her own terms. She bought a pack of cigarettes and didn’t tell anyone about her heart condition. No one would tell her how to live her life. She married my father, and she spent the next 10 years gestating me and my several sisters and smoking Kents, alternately.

I was stunned. I had never known my mother had such a secret. I’d never know that it was she who was the rebellious one. I started to see my mother as someone about whom I did not have the whole picture. I was starting to find common ground with my mother. We were both rebellious, it turns out, but she was truly brave.

I came to imagine a new side to my mother: The bad-ass side, the take-no-crap-from-anyone side. And here is where I should mention my mother’s looks. She is so, so beautiful. She was devastating to look at. Even with her children in tow, yelling at them in some public mall, men would turn to look and women would comment with envy on some aspect of her body or face. In her jewelry box, I found letters from old boyfriends, begging her to stay.

And you should see the photo albums: The white bikini, the strapless dress, the beehive hairdo with the liquid eyeliner, that trench coat. She did not know how long she would live, but she would live until then. She would live and die according to her own terms. V’ze-hoo, as she’d say in Hebrew: And that’s that.

But we have no idea who our mothers really are. They are mysteries to us, and we don’t ever have all the information. Even my kids, who will one day use their Google brain chips to read my essays — me, the oversharingest woman in the world — still won’t know my entire story.

Yet, lately — maybe because of the behavior that I’ve tried and failed to control — I’ve started to wonder if the kind of mother I had wasn’t exactly the kind of mother I needed. Because I turned out fine. I am a loving daughter, a loyal and warm wife, a doting (if screaming) mother. I am what my mother wished for. So are my three sisters. And we are sure of nothing if not that we are loved by our mother.

Could it be that every bit of tension was aimed particularly at a part of me that required it? Could it be that the screaming and the anger worked like water and sunlight and helped me grow? Could it be that her disapproval was what I needed to learn to parse what I found approvable?

Or could it be that motherhood is far more forgiving than we ever could imagine? Could it be that, later, our children will forgive us our faults because there is nothing like a mother who screams at you and suspects you and checks on you at midnight and is afraid for your future to show you how loved you are?

My older son was just a few months old when my mother’s heart surgery was scheduled. We flew back to New York on a redeye and went straight to the hospital just in time to see my sisters head into the waiting room: It was almost time to begin. I sneaked into the pre-op room, where babies were not allowed, and where she’d been given a drug to relax her as they arranged the IVs and monitors so they could be wheeled into the operating room.

“I’m sorry I made your life hard,” I told her, just in case, as two nurses carefully guided her bed out of the pre-op room and into the hall.

“You made my life a joy,” she told me. I held my son close on my hip as they wheeled her down the long hall, all the way down, until she became so tiny that I couldn’t see her at all.

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Taffy Brodesser-Akner has written for the New York Times, Los Angeles Times, Self, Redbook, and other publications.

Finding my mother again

Years after she died, I came to understand the complicated woman I long mythologized, by becoming a mom, too

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Finding my mother againA photo of the author, as a baby, with her mother (Credit: Melissa King via Shutterstock)

In the 15 years since my mother has been gone, she has become a mythical figure in my life. She was a woman to be revered, but also one so complicated and so different from me that I fear I’ll never stop struggling to make sense of her and to accept myself within the context of her shadow.

My mother was 37 years old, twice divorced and childless when she met my father. She had been living in Manhattan for 17 years, having grown up in Connecticut and gone to the Rhode Island School of Design to study painting. She had dozens of friends, went to parties and attended art openings. She smoked pot in the Village and spent Tuesday nights in smoky jazz clubs, sipping martinis and recrossing her legs.

My parents had been set up on a blind date by mutual friends, but the night they were supposed to go out, my mother stood my father up. She’d gone to Long Island that day with a friend to pick strawberries, and by the time she came home, the last thing she felt like doing was going on a blind date with some older businessman from Atlanta.

My mother was funny and quick-witted, and she was almost always up for an adventure. She was also uncommonly pretty, with green eyes, blond hair, a symmetrical face and an easy smile. When she went to sleep that night in June of 1975 in her little one-bedroom apartment on 28th Street, she had no idea that her life was about to change.

My father, at 55 years old, was just entering his prime. In spite of (or perhaps because of) two divorces and three grown children, he was happier than he’d ever been.

He flew first-class wherever he went. He stayed at the Watergate Hotel when he was in D.C. and the Plaza when he was in New York. He winked at stewardesses and drank tumblers of scotch on the rocks. He wore hats and suits and left big tips at fancy restaurants.

He wasn’t used to being stood up, so the next morning he rang my mother’s buzzer at 9 a.m. “Who dares call on anyone before noon on a Sunday in New York?” my mother later wrote about that first encounter in a letter to my father, detailing their courtship. “It had to be you, as they say, and I opened the door with wet hair asking if you wanted a Bloody Mary, which you did, thank God.”

I always try to imagine this moment between them. My mother in the doorway with her wet hair, my father on the threshold in his blue leisure suit, the moment of them not knowing each other and then knowing each other eclipsed in one short breath.

They went to dinner and later flew to my father’s place in Atlanta, making daiquiris with the strawberries my mother had picked on Long Island the day before. They swam in the pool and smoked Camels and talked into the night, their legs dangling into the water, lit from below by the pool light.

They were married three months later on Cape Cod. My father whisked my mother away from New York and set her up in a big house in a nice neighborhood in Atlanta. He paid off all her debts, bought her a cream-colored convertible and opened a credit card in her name in every department store. I was born two years after that.

For the next decade — before my father unexpectedly went bankrupt following the stock market crash of 1987, and before my parents were both diagnosed with cancer within months of each other — we lived a blissful and privileged existence. My mother had quickly charmed her way into Atlanta’s upper social echelon, and it wasn’t uncommon for our dining room table to be inhabited by local political figures and foreign dignitaries.

I remained her only child, but motherhood only seemed to enhance my mother’s glamour and sophistication. It added a dimension to her personality and worldview that had, perhaps, been the only thing missing all along. But I wonder what the other carpool moms thought of my mother when she zoomed into the after-school pickup line in her Alfa Romeo, with her blond hair pulled back in a Chanel scarf.

I was 18 when she died of cancer, and I had become the very opposite of my graceful, glowing mother. My teenage years had been rocked by a roller coaster of parental illness, hospitals and private despair. In response, I had become an angst-ridden poet. I wore combat boots, dyed my hair crimson and sported a nose ring. My mother had always embraced these tiny, public displays of rebellion, but the moment she was gone I felt foolish.

I’ll never forget walking down the aisle of a church on the day of her funeral with a shaved head and my first, barely dry tattoo concealed under my shoulder, feeling as though I had utterly failed my beautiful mother in every way possible.

Since she died, I have struggled to forge my own identity in her absence. At times, I have wanted nothing more than to emulate everything about who she was — something I know I could never really achieve. While I may be outgoing and capable of hosting a memorable dinner party, I have inherited my father’s looks and practicalities, not to mention having retained a deep-seated and dark sense of self-reflection following so much loss.

For many years, I was unsure if I wanted children at all. When I finally decided that I did (within days of meeting my husband), I knew that I wanted to be a younger mother than mine was. My daughter was born a few weeks after my 31st birthday — almost a decade before my mother herself bore me — and now, as I approach my 34th birthday, I am due with my second.

Every inch of motherhood, for me, has been stitched with the essence of her. Throughout my 20s, I made valiant and sometimes senseless attempts to bring my mother into my life again. I lived in the places where she once lived. I learned how to cook and throw dinner parties. And more often, I simply took myself to the very brink of life in hopes that if I tottered just enough, she might appear to pull me back from the edge.

But it was truly in motherhood that I found her again, even though our experiences couldn’t be more different. My husband and I live in a tiny rental house in Los Angeles and both work as writers, struggling to pay our child’s preschool dues. I can often be found at the playground, even if I am one of the few mothers actually wearing mascara and earrings. As I write this, my body is swollen with another child, something she never ventured to do.

Despite those differences, motherhood has brought her back into my life, and it has given me an opportunity to embrace my own path as a woman and mother. I hear her in my voice when I comfort my daughter by crawling into bed with her at 3 a.m. when she has woken from a nightmare, when I stop to marvel at a snail traveling through the grass, and especially during dinner parties when I catch myself offering my 3-year-old bits of brie or Marcona almonds.

In adulthood, it has occurred to me that all of us are living reactions to our parents. Whether they loved us or not, whether they were present or absent, whether they kept us safe or recklessly abandoned us to harm’s way, we move forward into life walking paths they etched out decades earlier. It also often occurs to me how grateful I am to the woman who loved me fiercely enough to remain true to who she was, even in the complicated throes of motherhood.

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Claire Bidwell Smith is the author of the memoir, “The Rules of Inheritance.” She is a therapist specializing in grief, and lives in Los Angeles.

Time magazine’s breast-feeding cover star: Is he doomed?

A provocative magazine cover doesn't mean the breast-feeding preschooler is in for a lifetime of "Got milk" jokes

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Time magazine's breast-feeding cover star: Is he doomed?The cover of Time magazine

In the single, whipped-up day since Time magazine unleashed that cover story about crazed MILFs “driven” to “extremes” by attachment parenting, there’s been plenty of debate over its provocative image of blogger Jamie Lynne Grumet breast-feeding her almost 4-year-old son. And, as so often happens when adults see an image that unnerves them, that anxiety is projected onto kids. In this case, one kid in particular. Grumet’s.

Unshockingly, the National Review Online was quickest to leap into pearl-clutching position. After deeming the image “as bad as it will ever get,” Glenn T. Stanton pronounced that “This poor boy may be diggin’ life now, but will soon be forever teased as the Got Milk? boy that Time magazine and his indulgent mom made infamous.” And in the Contra Costra Times, Tony Hicks decided that all the mothers who appeared in the story’s photos did so “simply to have something really embarrassing to use against their kids when they become teenagers.”

Most of us who live in some degree in the public space – whether it’s our Facebook photo albums or the cover of Time magazine – grapple with how much of our children’s lives we share. The little babies whose adorable smiles are posted swiftly turn into teens who’d like you to cut it out already, Mom. The contract that we have with our children to protect them and respect them is one that has to be constantly renewed as they grow and change. But it’s not the same for any two families, and the boundaries are incredibly varied.

The complicated reality is that our experiences are entangled with those of our loved ones. A woman should have every right to write and talk and present herself to the world. But if we’re going to talk about our lives, there’s no way we won’t be bringing our families along for the ride. That’s not automatically a traumatic thing. If a child, like Grumet’s, grows up in a family that’s very open about itself, and the child’s own nature is of that bent, he may well think nothing of it. The hang-up isn’t his; it’s the journalists transferring their own discomfort onto him. To assume he’ll be mocked about that Time cover is to assume that the image of him breast-feeding is something to be embarrassed about, that there’s something inherently wrong about it.

That’s not to say that profound sensitivity isn’t required. Our children aren’t props for us to use to boost our careers – or even, for that matter, our Facebook statuses. They’re human beings, and when they can’t give consent, it’s our duty to make reasonable choices on their behalfs. Would I appear on the cover of Time, breast-feeding one of my kids? I’m not sure I’d appear on the cover of Time with my kids, period. But that’s my choice and my family’s. Frankly, I’m way more unnerved when I see a soon-to-be ex-Facebook friend post a photo of his toddler’s first poop in the big boy toilet or announce her daughter’s first period than I could ever be by a woman nursing her preschooler. We’ve all got different boundaries.

Last evening I was at an event on motherhood and writing, and the novelist Martha Southgate spoke about how she’d written a very personal essay about her son when he was in elementary school. Now that he’s 18, she wonders if she should have done things differently. And in Tablet last winter, columnist Marjorie Ingall declared that after years of chronicling her life with her family, she was giving her two daughters “the greatest gift of all: I’m not going to write about them anymore.” In my own life I’ve moved, with each passing year, from simply writing abut my children to collaborating with them on what they do and don’t want revealed about their personal lives. I’m grateful when they’re generous and open with their experiences, even though I know they may second-guess that openness later.

On Facebook Thursday, Grumet wrote that “My mother posed for similar images (not as big as TIME obviously) and was a public advocate of breastfeeding. I am so proud of her and loved my upbringing.” So why would her son’s future mortification be a fait accompli?

None of us has a crystal ball. If we did, we’d probably still find ways of making choices that our children will be telling their future shrinks about for years. Life isn’t always about what your child is going to feel when he’s in college. More significantly, isn’t how the child is now a much more tangible and important issue? Was Grumet’s son comfortable when the Time photo was taken? Did he want to nurse then? Was he coerced? Or was he simply doing something that felt comfortable and acceptable? Was he content to pose for the photo? Because if we can allow for the possibility that he didn’t give a damn when the picture was shot, who’s to presume he will in 15 years?

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Mary Elizabeth Williams

Mary Elizabeth Williams is a staff writer for Salon and the author of "Gimme Shelter: My Three Years Searching for the American Dream." Follow her on Twitter: @embeedub.

Their moms were crazy about me

My boyfriends' mothers just knew I was The One. Too bad their sons didn't agree

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Their moms were crazy about me

Judy’s warm brown eyes sucked me right in. Her son David and I had only been dating four months, but that didn’t stop me from falling for her hard. I was 30, and still reeling from my parents’ recent divorce and the fact that my mom had just moved five floors above me on the Upper West Side of Manhattan. I practically went from shaking Judy’s hand to curling up on her lap in a fetal position. I didn’t feel like a grown woman meeting my boyfriend’s mother. I felt like a kid calling shotgun, desperate to claim a seat at her table.

Over the next five years, I got that seat. I spent Hanukkahs, Passovers, even Purims in Judy’s plant- and music-filled home in Amherst, Mass., my picture hanging on her fridge alongside her children and grandchildren. To her, I was a done deal. I was family. To David, not so much.

After thousands of dollars spent on couples therapy, David still couldn’t make up his mind about me. He kept saying he “wanted to want to marry me.”

“What did I do wrong?” Judy asked me one day, in a stolen, private moment, not understanding why David was unable to commit to me.

I wished I understood. I wanted to blame his ambivalence on something specific. Yet the truth was he didn’t love me enough to make me his wife, and her love wasn’t enough to change his mind or heart.

When David and I broke up, Judy sent me a handwritten note in the mail telling me she was so very sorry and that she wished me everything I wanted for myself. And with one last “Love, Judy,” my picture was no longer hanging on her refrigerator. I no longer had a place at her table. I was no longer part of her family.

My mother, who by this time had moved to a house in Connecticut, came to live with me for a week. She yanked David’s nightstand and lamp from the wall and pushed my bed up against the window, so I wouldn’t be reminded of where he used to sleep. We repainted my living room, ordered in sushi, and she held me as I cried. Then my father invited me down to Florida. He took me out to expensive steak dinners and let me sleep late. We spent hours watching “Planet Earth” until I couldn’t think about anything other than stalactites and snow leopards. I was grateful to both of them for being there for me, but it didn’t erase a nagging aloneness I felt deep inside, the pain I still harbored over their divorce, over our broken family. I was 35 and mad at myself for still being hung up on a long gone childhood home. It was time for me to create my own home, start my own family. I just didn’t know how to do it.

All I knew is that I didn’t want to spend another five years with another mixed-message guy, only to get a “Dear John letter” from another almost mother-in-law. But like a crackhead who can’t shake her habit no matter how hard she tries, I was a goner the second I stepped foot into Susan’s kitchen.

Paper turkeys and streamers were strewn everywhere. Her house smelled of chocolate babka and apple cider. I could call this place home, I thought, sitting down, not wanting to get up.

It was only my sixth date with Jason. But it seemed longer since we’d spent four years of high school together and had been Facebook friends for the past year. I knew I shouldn’t get too excited, but the fact that he had invited me home for Thanksgiving and that I was meeting his mom so early on made me feel special, like he was really considering me as someone he could spend his life with. When he invited me back for Hanukkah a few weeks later, and my picture was hanging on the fridge, I knew I was in.

Susan and I spent hours in her kitchen frying latkes, bonding over how we both give too much and have short necks. She even confided in me that she had never seen Jason so happy. This was the real deal.

Jason and I didn’t end up making it past New Year’s.

Instead of a note, Susan picked up the phone. “It’s not you,” she said. “You’re wonderful, perfect, beautiful.” She was a poet, and explained to me that a poem isn’t possible if the writer isn’t open to the words in the ether. “I’m sorry Jason isn’t open to the poem.”

I dropped my head into my hands as soon as we hung up and burst into tears. I couldn’t believe I had let this happen. I had once again mistaken a mother’s love for the love of her son. I clearly had a problem and could not be trusted around mothers.

I should have been happy when Ethan didn’t introduce me to his mother immediately. He told me he wanted me to himself for a while before bringing me home to meet the family. But after six months of dating, I found myself fiending. When would I get to sit at Rena’s table? When would I see myself hanging on her fridge?

Rena, Ethan and I made plans to meet up for breakfast around the corner from me on the Upper West Side. I wore my favorite navy blue sweater and made sure to blow-dry my hair. I wanted to look pretty for her.

As we sat in a booth eating overcooked eggs, Rena told me about the Holocaust museum where she worked. I told her about the eighth grade girls I counseled on Fridays. Ethan made jokes.

Then the subject of our future came up.

Rena looked at me directly, and said,  “I’m waiting to love you.”

I almost choked on my toast.

Judy and Susan flew to mind. There had been no waiting with them. Just full on, “Let’s do this!” Then I thought back to something David had said at the end of our relationship that I never understood. “I feel like we’re more brother-sister than lovers.”

Sitting speechless in this poorly lit diner, something clicked.

David was right. By slipping into daughter role with his mother, I had become one of the kids. And while that felt good, to be part of a cohesive family, to feel like I fit in, I wanted to be a wife, not a daughter-in-law or sister.

Rena somehow knew this, that her love and approval couldn’t influence her son — and that if we had a shot, she should stay out of it.

I wanted to hug her and thank her for doing the thing I couldn’t do all these years: Wait, see and then fall.

Last May, Ethan and I exchanged vows under a brightly colored Chuppah that Rena had spent hours sewing together for us. But it wasn’t her love that got me there. It was Ethan’s.

As I stared into my soon-to-be husband’s warm blue eyes, smiling so wide my cheeks hurt, surrounded by a patchwork of friends and family, I no longer felt like a displaced kid looking for a seat at someone else’s table. I felt like a woman being claimed by a man.

Ethan made me his wife. And now, at almost 40, I am hoping he can make me a mother too. Our fridge is waiting.

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Kimberlee Auerbach Berlin’s memoir, "The Devil, The Lovers & Me: My Life in Tarot," was published by Dutton in 2007. She teaches memoir and humor writing for continuing education programs including Mediabistro, UCLA Extension, Gotham Writers’ Workshop and has a growing private client base. For more info: www.kimmiland.com..

Why Time’s cover shocks

Hint: it's not the breast-feeding -- it's the contempt

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Why Time's cover shocksThe cover of Time magazine

It’s going to be a long Mom War, people.

In case you thought, nay, hoped, that the barrel-bottom had been fully scraped last week when the New York Times asked, in a query straight out of the Onion, “Has women’s obsession with being the perfect mother destroyed feminism?,” now Time magazine has upped the ante with a cover story brazenly challenging “Are You Mom Enough?”

It’s accompanied, by the way, by a picture of a hot blonde and her 3-year-old son standing on a chair to suckle her breast.  Yo, take THAT, Room for Debate page! I guess Time felt it really had to bring it after uber-troll Katie Roiphe’s piece last month on why feminists just want a good spanking.

In a feature on the not-at-all-incendiary subject of “why attachment parenting drives some mothers to extremes,” writer Kate Pickert takes on motherhood and its “guru,” attachment parenting author William Sears. Sears’ work and the practice of attachment parenting have come under heavy scrutiny since Elisabeth Badinter’s button-pushing “The Conflict: How Modern Motherhood Undermines the Status of Women” became an international hit, and you get a sense where Pickert’s piece is going as soon as she fires the opening shot. “Joanne Beauregard is nothing so much as she is a mother.” Then there’s the story’s cover girl, 26-year-old Jamie Lynn Grumet, who admits she was breast-fed herself until she was 6.

On Time’s blog, photographer Martin Schoeller explains of the shot of Grumet, along with similar images of three other breast-feeding mothers, that “I liked the idea of having the kids standing up to underline the point that this was an uncommon situation.” Fair enough. And though my personal feelings on Barry Sears are ambivalent at best, I am all for promoting breast-feeding. I will be first in line to applaud images of mothers feeding their children, both in real life and advertising, and to cry foul when those images are suppressed. But I call massive, massive BS here.

First of all, why, when a breast-feeding mother makes the cover of a national magazine, is it a thin, young one in a tank top? Grumet’s image is so obviously sexualized it’s not even trying to pretend otherwise. But the real problem with the cover story is its obvious, dripping disdain. This is not just an attention-getting MILF shot. It’s a picture of a woman “driven” to an “extreme.”

Sure, extended breast-feeding is unusual – and reliably controversial.  Two years ago, the Daily Mail pondered whether the practice was “horrifying.” It doesn’t, however, necessarily follow that a family that chooses long-term nursing is freakishly challenging anybody else to be “mom enough.” That’s what makes the whole thing gross. The entire Time cover story is framed in a way to make the viewer be simultaneously repulsed and aroused. Congratulations, editors. You’ve added to our already rampant cultural dismissal of motherhood as a kooky cult. And you’ve made a venerable news magazine one big hate bang.

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Mary Elizabeth Williams

Mary Elizabeth Williams is a staff writer for Salon and the author of "Gimme Shelter: My Three Years Searching for the American Dream." Follow her on Twitter: @embeedub.

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