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Chuck Palahniuk

Monday, Oct 13, 2003 7:32 PM UTC2003-10-13T19:32:00Zl, M j, Y g:i A T

In your tribe

Young people are staying single longer because they are so fulfilled by their network of friends, says journalist Ethan Watters in a new book. Has he touched on a generational phenomenon, or did he just write a book about his Burning Man crew?

In your tribe

It’s 7 p.m. on a Thursday night, and Ethan Watters and I are at the Rite Spot, a cheap, popular, moderately Bohemian hangout in San Francisco’s Mission district, well known for its good lighting, great music, and terrible food. Tonight the place is almost empty, but we’re a bit early — this is just a quick pit stop before we meet up with Watters’ friends for their weekly softball game. A San Francisco journalist and author of the new book “Urban Tribes: A Generation Redefines Friendship, Family and Commitment,” Watters is agreeing with me that a lot of people might be pretty skeptical about the premise of his book — that loose networks of close friends, or tribes, sustain each other emotionally and professionally for the years in between college and marriage, and that the strength of these tribes is a particularly new phenomenon.

“If someone comes along and says, ‘Hey, you and your friends — you’re in an urban tribe,’ the response is pretty much, ‘Fuck you, I’m not in a tribe,’” he admits. “I appreciate that. I just want to begin a conversation about this. And I hope the book is the beginning of that conversation.”

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Sheerly Avni is a freelance writer living in Oakland.  More Sheerly Avni

Friday, Sep 26, 2008 11:26 AM UTC2008-09-26T11:26:00Zl, M j, Y g:i A T

Chokin’ on Chuck

Sam Rockwell and director Clark Gregg render Palahniuk's "Choke" as madcap sex farce. Plus: The man who destroyed American culture! Filipina ladyboys in Iceland!

Chokin' on Chuck

Fox Searchlight/Jessica Miglio

Sam Rockwell in “Choke.”

Maybe the secret to adapting Chuck Palahniuk’s novels into movies is not to take them so damn seriously. If David Fincher’s “Fight Club” became a problematic monument in American film history by outdoing its source material in paranoid portentousness — and by overwhelming it with cinematic technique — then actor-turned-director Clark Gregg’s adaptation of Palahniuk’s “Choke” (which I covered briefly from Sundance last January) takes an entirely different approach. Pretty much dumping any effort at high-minded social satire, Gregg’s “Choke” is a fantastical sex farce, and a highly amusing one at that, without being the least bit momentous or memorable.

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Andrew O

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Monday, Jan 28, 2008 8:18 PM UTC2008-01-28T20:18:00Zl, M j, Y g:i A T

Sundance hands out hardware

Park City's big prizes go to the atmospheric Canadian-border drama "Frozen River" and the inspirational Katrina doc "Trouble the Water."

Sundance hands out hardware

Scenes from “Frozen River” and “Trouble the Water”

Film-festival awards, with the partial and occasional exception of the Palme d’Or at Cannes, have all the aesthetic significance and marketplace impact of yesterday’s bus transfer. Very often the most intriguing premieres and highest-profile titles aren’t in competition (again, Cannes is an exception), and very often both jury and audience awards tend to land on a film that excels in no particular area, but doesn’t offend anybody or piss anybody off.

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Andrew O

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Wednesday, Jan 23, 2008 7:42 PM UTC2008-01-23T19:42:00Zl, M j, Y g:i A T

Blood on the streets

"Made in America," an operatic history of the Crips-Bloods feud, generates heat at Sundance. Plus: Palahniuk's "Choke" makes much of Jesus' foreskin.

Blood on the streets

Made in America

PARK CITY, Utah — We’re into the homestretch here at Sundance, with the mountains bathed in that Western combination of brilliant sunshine and crippling cold, the kind of cold that freezes car-door locks, not to mention any iPhones or BlackBerrys left outside for more than 10 minutes. After numerous ritual proclamations of sobriety and abstinence, the buyers are now rushing to spend money like a bunch of drunks running from the 12-step meeting to last call.

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Andrew O

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Friday, Apr 20, 2001 8:37 PM UTC2001-04-20T20:37:00Zl, M j, Y g:i A T

The company of men

Admirers of "Fight Club" author Chuck Palahniuk convene to discuss art, life, masculine pain and why groin kicks are very, very popular.

The company of men

Entering the wood-paneled hall, it’s tempting to check the surrounding faces for telltale signs: mushy black eyes, hospital-shaven heads, the acknowledging smirk on a bruised face. In advance of “Postcards From the Future,” the first-ever Chuck Palahniuk conference, no one seems quite certain who will show up in the sleepy northwestern Pennsylvania town of Edinboro, nor what form their dedication to the cult-favorite author of “Fight Club” might take.

“It’s kinda weird,” says Amy Dalton, coauthor of the Chuck Palahniuk.net Web site, one of the conference’s sponsors, “because I’m a little bit afraid of some of these people. I try to think that they’re just like me, and they’re interested in this writer. But there’re people on this other [online] message board who are really ‘fight clubbing’ it — not like the guys on our board saying ‘Why isn’t there a fight club in Omaha?’ These people are really doing it!”

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Justin Hopper is the music editor of the Pittsburgh City Paper.   More Justin Hopper

Wednesday, Nov 24, 1999 5:00 PM UTC1999-11-24T17:00:00Zl, M j, Y g:i A T

Susan Faludi coaches “Fight Club” author

As the two compare notes, Chuck Palahniuk gets prepped for an appearance on "Politically Incorrect."

It was to be a meeting of two millennial media icons. Susan Faludi was reading from her new book on the disappointed and disenfranchised modern American male, “Stiffed,” to a standing-room-only crowd at Powell’s, Portland, Ore.’s massive indie bookstore. In the audience was Chuck Palahniuk, whose novel on the disappointed and disenfranchised modern American male, “Fight Club,” had just opened in its film version. He and Faludi were planning to compare notes after the reading. As Palahniuk and I stood together (in a
section, as it turned out, of books on sailing, hunting and other manly pursuits), he showed me an article by Faludi in which she’d praised “Fight Club,” calling it “the male ‘Thelma and Louise.’”

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Diana Abu-Jaber is the author of "Arabian Jazz" and is writer-in-residence at Portland State University.  More Diana Abu-Jaber

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