Latin America
100 years of solitude — on crack
Latin America's McOndo literary movement drags the butterflies of magical realism into Burger King. With Jorge Franco's narco-saga "Rosario Tijeras," it may have found its first masterpiece.
The fantastic, picturesque, mango-happy lifestyle — flying grandmothers, 100-year rainfalls, butterfly storms — that saturated the Latin American literary landscape in the 1970s has made its permanent exit. The characters in more recent Latin American novels are middle-class city dwellers with TV sets and Internet connections. If people fly, it is because they’re on airplanes or drugs.
The parade of literary fashion invariably passes, and Gabriel García Márquez’s Macondo, the folksy fictional village that embodied and, in part, defined the notion of magical realism, has been replaced by McOndo, a contemporary Latin American literary trend of gritty, urban realism, its name a takeoff on García Márquez’s Macondo and a combination of the words “McDonald’s,” “Macintosh” and “condo.” The writers of McOndo are the first generation of Latin Americans to have grown up watching TV. Whereas García Márquez set his novels in a tropical nowhere, these writers frame their stories in an easily recognizable pop-entrenched downtown, crowded, polluted and throbbing with sex, drugs, money and death.
Alberto Fuguet, the young Chilean author who is responsible for coining the word “McOndo,” respects García Márquez but resents the idea that to be perceived as Latin American one must write like him. Fuguet said that American magazines consistently rejected his fiction, and expressly criticized it for “not being Latin American enough.” The message Fuguet said he was getting was essentially, “Add some folklore and a dash of tropical heat then come back later.” Fuguet and several other so-called McOndians, most notably Pedro Juan Gutierrez, Mario Mendoza and Edmundo Paz Soldán, came back (in a wave of recent and forthcoming English translations), but their work in no way resembles García Márquez’s. If anything, their style is a cross between Raymond Chandler and Charles Bukowski — Chandler in their depiction of the city as a kind of protagonist, Bukowski in their appetite for large doses of provocative, unsavory details: fucking a corpse in a junkyard, peeing on a former lover’s face, scenes of mass masturbation.
This generation has yet to produce a standout, world-class figure as the one before did, but many hopes have been pegged on Jorge Franco. In 2000, Franco’s “Rosario Tijeras,” which has just been translated into English, won Spain’s most prestigious literary prize. As reported by Silvana Paternostro in the magazine Críticas, Franco made an extraordinary deal with his publishing house in order to get the manuscript into print, promising to pay for all promotion and publicity himself. He peddled the book personally, dropping it off at newspapers and magazines. “He ran into the wife of the editor of El Tiempo, Colombia’s main newspaper, in an elevator and gave her a copy, asking if she would pass it on to her husband,” Paternostro wrote. “Two weeks later, he got an admiring phone call from the editor, who promised to do something. But Franco never thought the editor would dedicate an entire column to ‘Rosario Tijeras.’” The book sold out in two days and since then has has sold more than 300,000 copies in Latin America and Spain — unprecedented for any Colombian writer other than García Márquez.
“Rosario Tijeras” is set in the Medellín of Franco’s youth, the Medellín of the mid-’80s when drug lord Pablo Escobar controlled the city and its government through violence. When people die in the book it is not because of beautiful, biblical butterfly plagues, but because of acts of street crime — narco-terror. There were four murders a day, but Escobar was raking in more than a million dollars a day from cocaine shipments to Miami. Teenage killers, paid in pocket money for every cop killed, dipped their bullets in holy water before going to work.
The book, which will be adapted as a Spanish-language film this year, is a contribution to McOndo realism, to noir literature, but also to the female action hero genre. One thinks of “La Femme Nikita” especially, watching this gun-toting, crack-snorting junkie street waif, this glamorous urban wild child, as she sexualizes female domination. Rosario, like most femmes fatales in the genre, functions less as a beacon of strength than as a construction of male erotic fantasy.
While Franco offers little insight into gender politics, he cleverly blurs the distinction between Rosario’s sexual power and her political power. Rosario reigns from a lower class for which the trafficking of narcotics is the means of rising. Antonio and Emilio belong to the “decent” upper class, which, in the face of the drug war, has been battered and bribed into submission. The way in which Antonio and Emilio are “destroyed, diminished, dragged down and brutalized” by their addictive love for Rosario — seductive, toxic, druglike love — could easily be an allegory for the process by which the Colombian upper class lost control of its country.
The drug war (which, coincidentally, broke out in 1967, the same year García Márquez’s “One Hundred Years of Solitude” was published) is the unmentioned axis around which the story moves. Franco addresses the political implications of his story subtly, as if his primary goal is a realistic depiction of the city, and whatever such a representation suggests or implies is incidental. The only place where Franco becomes heavy-handed is in his persistent reiteration of Rosario’s deadliness. “Breath rhymes with death,” Rosario exclaims … this from a woman whose “kisses taste like death,” who fires bullets at people immediately after making out with them and who is finally shot while embraced in a kiss.
For Franco, though, it is crucial that the chronic violence that corroded the country be reflected in literary form, and ultimately what allows Rosario to personify her country is her intimacy with death, her fearlessness in the face of it. When her brother, an infamous drug lord, dies, she and his friends party with his dead body. “We took him to his favorite places, we played the music he liked, we got drunk, we got high, we did everything he liked,” Rosario says. Once he is buried, Rosario periodically visits the cemetery in order to change the CD on the stereo inside her brother’s grave. Pop music comes from within the tomb and is played by a sound system camouflaged by the surrounding flowers.
Franco depicts street crimes, bar brawls, police brutality and poverty, and yet at times his world — one of profound disillusionment and anger — appears just as grotesque and fantastical as does his literary forefathers’ magical ones. Whereas magical realism was a form premised upon nostalgia for a premodern world that has passed or is passing away, Franco’s literary style shrilly acknowledges the presence of modernity: He depicts a recognizable society shaped and permeated by pop culture, mass media, urban growth and the forces and influence of globalization. To return to the present is to reckon with a reality that is, for many, absent of enchantment and magic. As Max Weber once put it, the realistic novel constitutes the “disenchantment of the world,” and in moving from magical realism to realism, in emerging from under the long shadow of García Márquez, this Colombian author attempts to do justice to his profound disillusionment.
Editor’s note: This story has been corrected since its original publication.
Rachel Aviv has reviewed books for the Providence Journal, the New York Sun and the American Literary Review. She is a senior at Brown University. More Rachel Aviv.
The threat to Mexico’s machismo culture
As the nation's first major female presidential candidate, Vazquez Mota is challenging a slowly changing boy's club
Josefina Vasquez Mota (Credit: AP Photo/Alexandre Meneghini) MEXICO CITY — At El Mirador, a cantina frequented by Mexico’s political and economic elite, you can see a fine selection of spirits and a menu that features dishes like pickled pigs’ feet and beef tongue tacos.
But what you won’t see are women.
El Mirador, a relic from the country’s machista past, politely refuses to serve them. The bathroom has only a urinal and a sink.
Continue Reading CloseThe man who could beat Chavez
A charismatic governor has emerged as the first legitimate threat to the Venezuelan president's 13-year tenure
Henrique Capriles Radonsk (Credit: AP Photo/Ariana Cubillos) MAIQUETIA, Venezuela — An hour’s drive from Caracas, thousands of people gathered in this coastal barrio at Venezuela’s national airport, which was recently given the dubious honor of being the worst in Latin America.
Clad in blue T-shirts and waving tiny red, yellow and blue flags, the lively crowd sang and danced, waiting for the arrival of the man who is the first serious threat to President Hugo Chávez in his 13-year tenure.
The roots of Bain Capital in El Salvador’s civil war
Romney tapped El Salvador's wealthy families, including one linked to right-wing death squads
Mitt Romney (Credit: Jessica Rinaldi / Reuters) A significant portion of the seed money that created Mitt Romney’s private equity firm, Bain Capital, was provided by wealthy oligarchs from El Salvador, including members of a family with a relative who allegedly financed rightist groups that used death squads during the country’s bloody civil war in the 1980s
Bain, the source of Romney’s fabulous personal wealth, has been the subject of recent attacks in the Republican primary over allegations that Romney and the firm behaved like, in Rick Perry’s words, “vulture capitalists.”One TV spot denounced Romney for relying on “foreign seed money from Latin America” but did not say where the money came from. In fact, Romney recruited as investors wealthy Central Americans who were seeking a safe haven for their capital during a tumultuous and violent period in the region.
Continue Reading CloseJustin Elliott is a reporter for ProPublica. You can follow him on Twitter @ElliottJustin More Justin Elliott.
Chavez reveals he is fighting cancer after surgery
Venezuela's president confirms that trip to Cuba was to remove a tumor
In this frame grab taken from Venezolana de Television, VTV, Venezuela's President Hugo Chavez delivers a televised speech aired from Cuba, Thursday, June 30, 2011. Chavez said he underwent a second surgery in Cuba that removed a cancerous tumor. It was unclear when and where the message was recorded. (AP Photo/Ariana Cubillos)(Credit: AP) Venezuelan President Hugo Chavez revealed that he is fighting cancer after having a tumor removed in Cuba, raising uncertainty about Venezuela’s political future even as he assured his country he expects to fully recover.
Chavez was noticeably thinner and paler as he appeared on television Thursday night, reading from a prepared speech with a serious and at times sad expression. He said he is resolved to “be victorious in this new battle that life has placed before us.”
Chavez’s admission shook the political landscape of a country he has dominated for his more than 12 years in power, and who had vowed to win re-election next year and govern for another decade or more.
Continue Reading CloseObama to leave Latin America early
The President will cut his trip short presumably due to the escalating situation in Libya
U.S President Barack Obama waves at the Centro Cultural La Moneda Palace before his speech to Latin America in Santiago, Chile, Monday March 21, 2011. Obama is in Chile as part of a three-country, five-day tour of Latin America. (AP Photo/Roberto Candia)(Credit: AP) President Barack Obama is cutting his trip to Latin America short, and will leave Wednesday morning, hours before his originally scheduled departure.
The White House says Obama will leave El Salvador, the final stop on his five-day trip, after holding a conference call with his national security team to discuss the situation in Libya.
THIS IS A BREAKING NEWS UPDATE. Check back soon for further information. AP’s earlier story is below.
President Barack Obama opened the final leg of his Latin American tour Tuesday in El Salvador, a critical partner on immigration and narcotics wars, issues of increasing concern to the United States.
Continue Reading ClosePage 1 of 73 in Latin America