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Monday, Mar 22, 2004 10:49 PM UTC2004-03-22T22:49:00Zl, M j, Y g:i A T

The secret history of secrecy

The closing of the American government.

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Every time our nation faces a threat to national security there is a powerful tension between the need to keep the people informed and the need to keep the enemy in the dark.

Such a threat presented itself on 9/11. Three thousand innocent people died and America’s isolation as a continental power protected by two oceans ended. The ruthlessness of our enemies and our vulnerability to their unconventional weapons became frighteningly clear.

After 9/11, many have proposed the view that there is a natural conflict between secrecy and openness, a balancing act between civil liberties and national security. Under this theory, the decision must be how many of our democratic principles we should sacrifice for our security. When the choice is presented as one of survival of the nation against an abstract principle, the outcome is predetermined.

But history reveals the fallacy of this analysis. Excessive secrecy does not lead to improved national security. Time and again, just the opposite has proved true. Of course, there are secrets worth protecting, but a culture of secrecy has led to regrettable policy choices, wasted resources and a decline in public trust.

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John Podesta, former chief of staff to President Clinton, is president and CEO of the Center for American Progress, a nonpartisan research and educational institute in Washington, DC. Judd C. Legum is Deputy Research Director. More information can be found on the Center'swebsite.

This article is adapted from a speech delivered by John Podesta on March 10, 2004 at the Woodrow Wilson School of Public and International Affairs at Princeton University.   More John D. Podesta

  More Judd C. Legum

Thursday, Jan 19, 2012 10:45 PM UTC2012-01-19T22:45:00Zl, M j, Y g:i A T

Marky Mark saves the universe!

The "Contraband" star suggests he could have stopped 9/11 -- and inspires a genius viral art explosion online

SLIDE SHOW

Mark Wahlberg’s insensitive comments about 9/11 have sparked incredulity everywhere from Twitter to the cover of the New York Post. Earlier this week, in an interview with Men’s Journal, the actor seemed to confuse himself with Chuck Norris:

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Emma Mustich is an assistant editor at Salon. Follow her on Twitter: @emustichMore Emma Mustich

Saturday, Jan 7, 2012 6:12 PM UTC2012-01-07T18:12:00Zl, M j, Y g:i A T

An “incredibly close” screening

A preview of “Extremely Loud and Incredibly Close” turns into group therapy for post-9/11 New Yorkers

A movie that asks are we ready to talk about 9/11?

A movie that asks are we ready to talk about 9/11?

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I knew all those years of sitting in darkened theaters on sunny afternoons, awash in movies new and old, stale popcorn and gallons of diet soda, would pay off some day. For one, there was the woman I met in 1975 at the late, lamented Carnegie Hall Cinema during a Mel Brooks double feature. She came and sat next to me when a guy kept bothering her during “Blazing Saddles” and we wound up dating — until she lit out for a career in the hinterlands, acting in summer stock.

But as lovely as she was, that’s not the payoff I mean. All that time reading about and watching movies didn’t just prepare me for romance, or Jeopardy and Trivial Pursuit, if it comes to that. (Quick—the address of Charles Foster Kane’s love nest with Susan Alexander? 185 West 74th Street.)

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Michael Winship is senior writing fellow at Demos and a senior writer of the new series, Moyers & Company, airing on public television.   More Michael Winship

Saturday, Dec 24, 2011 2:00 PM UTC2011-12-24T14:00:00Zl, M j, Y g:i A T

How the feds fueled the militarization of police

Billions in post-9/11 taxpayer dollars have paid for combat-style gear on display in the Occupy crackdowns

Police in riot gear move to another location at the port facilities in Longview, Wash., Wednesday, Sept. 21, 2011.

Police in riot gear move to a location at the port facilities in Longview, Wash., Wednesday, Sept. 21, 2011.  (Credit: AP/Don Ryan)

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The militarization of America’s metropolitan police forces was on full display in recent months as police from Los Angeles to New York cracked down on Occupy protests, decked out in full SWAT gear and occasionally using strange pieces of military hardware.

Less well known is that police forces in small towns and far-flung cities have also been stocking up on heavy equipment in the years since Sept. 11, 2001.

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Justin Elliott

Justin Elliott is a Salon reporter. Reach him by email at jelliott@salon.com and follow him on Twitter @ElliottJustin  More Justin Elliott

Friday, Dec 23, 2011 8:34 PM UTC2011-12-23T20:34:00Zl, M j, Y g:i A T

“Extremely Loud & Incredibly Close”: Post-9/11 trauma, made cute and dull

The sentimental bestseller "Extremely Loud & Incredibly Close" becomes a dreary Tom Hanks-Sandra Bullock weeper

Thomas Horn and Tom Hanks in "Extremely Loud and Incredibly Close"

Thomas Horn and Tom Hanks in "Extremely Loud and Incredibly Close"

A few weeks ago I wrote a largely negative review of Kenneth Lonergan’s long-delayed “Margaret,” a sprawling and ambitious attempt at weaving a multi-character cinematic tapestry about life in post-9/11 New York. I stand by every word, but I also understand why a group of critics and cinephiles have campaigned to get “Margaret” on the awards-season radar screen, in the face of Fox Searchlight’s evident decision to abandon it on the curb like a stillborn hamster. “Margaret” is coming back to New York’s Cinema Village this weekend, and if you’re in the neighborhood and want to see a flawed, big-hearted, intermittently marvelous and maddening epic about the legacy of 9/11, go check it out. You certainly won’t find any such grand emotions in “Extremely Loud & Incredibly Close,” which renders Jonathan Safran Foer’s best-selling 2005 novel into unconvincing Hollywood mush.

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Andrew O

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Friday, Oct 14, 2011 12:00 PM UTC2011-10-14T12:00:00Zl, M j, Y g:i A T

Insiders voice doubts about CIA’s 9/11 story

Former FBI agents say the agency's bin Laden unit misled them about two hijackers

Tom Kean, George Tenet, Richard Clarke

Tom Kean, George Tenet, Richard Clarke. Inset: The Pentagon on fire after an aircraft crashes into it, Sept. 11, 2001.

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A growing number of former government insiders — all responsible officials who served in a number of federal posts — are now on record as doubting ex-CIA director George Tenet’s account of events leading up to the Sept. 11, 2001, attacks on the United States. Among them are several special agents of the FBI, the former counterterrorism head in the Clinton and Bush administrations, and the chairman of the 9/11 Commission, who told us the CIA chief had been “obviously not forthcoming” in his testimony and had misled the commissioners.

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Rory O’Connor is an award-winning journalist, author and filmmaker, and co-founder and president of the international media firm Globalvision. Producer-writer Ray Nowosielski made his documentary debut directing "Press for Truth" in 2006. Co-founder of the media production company Banded Artists, he also was a senior producer for Globalvision.   More Rory O'Connor and Ray Nowosielski

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