George W. Bush

Politics as crack cocaine

Novelist Stephen Elliott talks about John Kerry the guitar strummer and avid reader, George W. Bush the magnetic caveman, and his own loopy new book about the 2004 campaign.

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Politics as crack cocaine

Stephen Elliott is the author of “Happy Baby,” a dark, lyrical novel about juvenile institutions, drugs, abuse and S/M, inspired in part by his childhood as a ward of the state of Illinois. (Salon’s review called it “a most impressive little novel … heartbreakingly and bewilderingly alive.”) In the summer of 2003, having garnered attention for his essay on Howard Dean in the Believer, Elliott improbably turned political commentator, dropping everything to follow the candidates and bring together two great American traditions: the presidential election and the cross-country road trip. His deeply unconventional and heartfelt book on the campaign, “Looking Forward to It: Or How I Learned to Stop Worrying and Love the American Political Process,” was released this month by Picador, and the result is a gonzo, do-it-yourself look at the winding road to Election Day.

When you wrote the piece about Dean last September, were you thinking of it as a one-off, or the beginning of something bigger?

Ever since 2000, when I followed [Ralph] Nader, I wanted to get back on the trail, to write a book about it. I was ready to walk away from everything I had to go follow this campaign on my own dime. I thought, I’ve got $20,000 in the bank, and I could just go blow it! Fortunately, when the article came out, I was able to get an actual book advance.

How much was that?

Fifty thousand dollars — which surprisingly doesn’t go that far when you’re trying to keep up with the candidates. Alex Pelosi [director of the documentary film "Journeys With George"] told me that her travel cost half a million dollars, which I could never afford. I would be the only guy on the campaign bus who wasn’t getting on the plane. I’ve read “Fear and Loathing: On the Campaign Trail” six or seven times — it’s a kind of gold standard — but Hunter Thompson had total access, and all I had was my advance.

What was it about the 2000 campaign that made you think, OK, next time around I’ve got to do this?

It was my first time writing nonfiction. I was traveling through the deep South, and I’d send these e-mails from the Nader trail, just dispatches to my friends. And the editor from the Sun literary magazine [in North Carolina] got in touch and said he wanted to run my e-mails. It was the first moment of, “Oh, I can write nonfiction like that?” Because I didn’t think that that was a publishable thing that I was doing — just off-the-cuff, full of lies and creativity. For instance, I wrote one dispatch about how I was at a press conference with George Bush, and he had just come from executing somebody in Texas. And he’d pulled the switch on the guy, but the switch didn’t work. So he had taken out a pocket knife and stabbed the guy instead — and he’d shown up at the press conference covered in blood. And Gore responded to this by promising to clean up pornography on the Internet. So I’d send out dispatches like that: partly what I was doing, and partly this made-up thing.

At any point did you think, OK, now I’m a journalist?

Selling the book, probably. But then I had to actually write it, and I totally didn’t know what I was doing at all. The first week on the campaign I thought, I don’t see how this can possibly work. And even if I can do this, how can I do this for a year?

Was this the same moment at which you realized the other journalists weren’t really going to let you crash on their hotel room floor?

Right! They had no respect for me — I was definitely way down at the bottom of the totem pole. Nobody gave a shit — “Oh, you write novels? Isn’t that interesting. I’m going to be the next Adam Nagourney.” I’d done nothing in my life that would have impressed them. I’m thinking, “What am I doing here? Everyone hates me, I’m alone, it’s fucking cold, and the people in New Hampshire suck.”

You do come across in the book as the scrappy outsider.

These guys, they travel with all these bags! I never brought more than two changes of clothes even if I was on the road for a month. I gave up my apartment. You get so lonely. And let me tell you, you start to freak out. So I called my girlfriend, and she broke up with me.

Is this the person you call “demon woman”?

Yeah. She broke up with me on Super Tuesday — on the day Dean finally won his first state. Can you believe it? She was always trying to undermine the book.

You wrote that “politics is about getting outside of yourself and your own problems for a little while and fully immersing yourself in the lies and deceit of others.” Is that the appeal of following a presidential campaign?

People who don’t want to deal with their own issues get into politics. It’s completely consuming, like compulsively washing your hands. Once I was hooked on presidential politics, I was totally fucked forever. It’s like crack.

Seriously, how did you end up becoming politically active?

Being a ward of the court, I had an intimate relationship with the state — I’ve seen firsthand what effect the state has on the people that are in its charge. So when the state is low on money, I know what budget cuts mean: When you’re a ward of the court, it means worse food, less staff, unhygienic facilities and home closures. I know the direct impact of all these things. So that may be what drove me to politics.

You’ve mentioned as a personal turning point California’s Proposition 21, which made it easier to try young offenders in adult court.

Prop. 21 was started to help [former California Gov.] Pete Wilson in his 2000 presidential run. And once he wasn’t running anymore — nobody wanted him — it stayed out there like a weed. It came up for a vote and passed, and tens of thousands of children went to jail as adults and the judges couldn’t even stop it from happening. So you have all these kids now who don’t belong in adult institutions — which is actually much more expensive than putting them in the children’s facilities — and the children are coming out damaged, more likely to be repeat offenders. Outrageous. And I just realized that if I had worked full-time, I could have stopped that bill. But I didn’t have anything to do with it. It was my wakeup call: If you’re not political, and you don’t pay attention, bad things happen, there are consequences. And if you participate, you can have an effect.

What was your situation like growing up?

I left home when I was 13, after my mother died, and slept on a rooftop for a year. I got arrested, and since I didn’t know my father’s new address, the state took custody of me. The first place they put me in had 30 kids to a room. Everyone thinks it’s about inspiration and volunteers — it’s not! It’s about money, and getting more funding, which we won’t under this administration.

Is this book meant to be consciousness-raising, or your own personal journey, going on this road trip for yourself in a way?

I was doing this to figure out where I stood. I was trying to understand what my feelings were about the American electoral process and about this campaign and about the last campaign. Could I live with what happened in 2000, and could I live with what would happen in 2004 without participating in it? Could I vote for these guys — for Kerry or Dean or any of these people who seem so far removed from my ideals, which are, you know, slightly left of the Haymarket riots? And what makes the campaign so much fun is that you’re learning at such a pace, immersed in information all the time. So I went out to figure out who I am, to have a great time, and somebody’s given me the money to do what I want. But I was aware that I would also be educating readers.

From the start, you were much more excited about Dean than Kerry.

I think a lot of liberals were so disappointed with Bush, with our actions in 2000 — we didn’t pay attention, didn’t think there was a difference between Bush and Gore, and we were proven drastically wrong — that we pinned our hopes on Dean. We made him out to be more than he was. He was never the hero of the story. He was the antiwar candidate, but he never had to vote against the war, never had to take a stand. If he had been in Kerry’s position, would he really have voted against it?

But you seemed so skeptical of Kerry, at least initially.

A politician to the core. He’s such a boring person to listen to, and I was like, if he wins, I’m going to have to spend a lot more time with him, and that’s going to really suck. And he ran such a dirty campaign in Iowa against Howard Dean. But then you get involved in the general election, and you see that however Kerry was fighting Dean, it’s nothing compared to how dirty a fighter Bush is. To paraphrase Hunter Thompson, the worst thing that Kerry has ever done Bush does every day of his life as a matter of policy. [Laughs.] Plus, when I had a chance to talk to Kerry on the bus one-on-one, I did like him. He’d play guitar for us on the road. And he’s a voracious reader: He’s always got six books going at a time.

What was he reading when you last saw him?

Actually, “Fear and Loathing: On the Campaign Trail.”

You were there for the demise of the Dean campaign in Iowa.

To bring all these people from out of state to knock on everybody’s doors — 4,000 kids in orange hats — nobody ever told these kids to shave, nobody trained them. I mean, clean them up! Now I think Kerry was truly the best pick to go up against Bush.

But how do you feel about this business of voting for the candidate who seems most likely to win?

It’s totally screwed up. That was one of the ideas I wrestled with on the trail: If we vote for someone because they’re electable and then they don’t win, then we’ve fucked ourselves, we totally threw away our vote. Everyone who voted for Gore over Bill Bradley because they didn’t think Bradley could win, well, they got screwed.

I have to admit that I’ve always bought into the idea of the campaign being seamless, this polished political machine that you see glamorous glimpses of on the nightly news. But there are truly unsexy scenes in your book, where you go to see Kerry give a stump speech in some dingy venue, and there’s nobody there …

There were moments when less than 10 people showed up, and you’re on the outskirts of some tiny town. Like at the College Convention, all these kids were there for Kerry, waving signs and shouting, “Go, Kerry, go!” And he comes running down from the green room, and he’s supposed to turn right and head to the stage — but instead he runs left and bails through these students and heads straight to the bathroom and closes the door. And he’s in there for, like, 20 minutes, and these kids are shouting, “Go, Kerry, go!” cheering on the candidate in the bathroom. These are not moments you see on television.

You told me that at one point you were sleeping in your car.

Oh, I did a lot of that. But when I was on the bus I would stay at a hotel with the candidates because that’s where the press were staying, and if I was going to get any good information it was going to be over awful garlic chicken wings with Jodi Wilgoren at the hotel bar in Cleveland while Al Gore’s upstairs giving John Kerry $6 million. But when I wasn’t on the bus, I’d be in my car, trying to keep up, hitting 100 when I know the president’s going 90 just to stay ahead.

What did you think of Bush in person?

I kept thinking how strong he is — like, if we were cavemen, I would want him to guard my cave. In the audience at Bush events, there’s a lot of anger, but with Bush himself there’s this calm, this animal magnetism.

Actually, the chapter about trailing Bush is structured in this very conscious, literary way, with shifts in perspective: Second, then first, then third person …

I liked the idea of pretending that the reader’s getting three different points of view when they’re all really coming from the same voice, the same person. You can have so much fun with the narrative in these things — and still, I felt that what I was doing was more honest than most journalism.

So you do think that.

I’ve decided! Because these people feel like they have to give equal time to the people who are telling the truth and the people who are telling lies. So you open up USA Today, and here’s the press release I got this morning from one of the campaigns, and here’s a quote from the spokesperson for the Bush campaign — these are people who are paid to lie, so calling them for a quote is ridiculous. At least with my book, if I think somebody’s lying I say that I think they’re lying.

But that’s partly due to the fact that you’re writing this one long project, and you don’t have to maintain any of these relationships.

That totally freed me up — I didn’t have to make friends, I wasn’t constrained in that way with these sources.

How do you see the divide between your nonfiction and your fiction?

The nonfiction is happy-go-lucky, and the fiction is really dark — and I don’t know which is truer to who I am. My fear is that the fiction is me, and the nonfiction is who I pretend to be.

The tone of your fiction is so personal, and much of it deals with S/M  “Happy Baby,” in particular. Do you consider yourself a submissive?

What? It’s complicated. Maybe? Yes? I’m blushing!

Is there a link between S/M and politics?

Oh, completely! People who have that incredible need for power are often the ones searching for, you know, the punishing mother figure. With Republicans especially, there’s all this guilt associated with sex, and S/M feeds on that. And hypocrisy.

You told me that your next book may be a novel told from the perspective of a human shield in Iraq. You even thought for a brief time that you would go over and join them.

I felt this was masochism in the political process: This is the way masochists protest, lying spread-eagled on top of a building while waiting for a bomb to fall on them. You just go to this place where you sit and you wait — a month, two months, maybe the bomb comes. And there’s something weird and beautiful about that, I think. I just thought, Wow, I can understand that. I was a hair away. But it was too great a sacrifice. I wanted to protest — but you have to have a life to come back to.

Alex Mar is an editor at Rolling Stone.

Guess who’s coming to dinner?

George and Laura Bush dine with the Obamas

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Judy Gold

Emmy Award-winning actress and comedian Judy Gold is best known as the star of her two critically acclaimed off-Broadway shows, "The Judy Show - My Life As A Sitcom," and "25 Questions For A Jewish Mother." Judy has had her own comedy specials on HBO, Comedy Central and Logo. She appears regularly on Tru TV's World"s Dumbest. Check out www.JudyGold.com and follow her on Twitter at @JewdyGold.

Using Bush’s playbook

"Karl Rove politics" aren't quite dead: Obama's strategy in 2012 will mirror W's in 2004

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Using Bush's playbookGeorge W. Bush and Barack Obama (Credit: Reuters/Larry Downing)

Barack Obama’s presidency was born from nothing so much as his repudiation of George W. Bush’s administration — its policies and politics, its style and tone. One of Obama’s most effective 2008 stump speech refrains was his promise to end the era of “Scooter Libby justice, ‘Brownie’ incompetence and Karl Rove politics.”

But the political dynamics for winning a second presidential term often differ markedly from winning the first. So don’t be surprised by many eerie parallels between Obama’s 2012 reelection bid and Bush’s 2004 campaign. The president may not rely upon “Karl Rove politics” in the strictest sense, and nobody would confuse David Axelrod with Rove. But Obama’s reelection route and rhetoric may bear more than a few Rovian hallmarks.

Now that Mitt Romney has won the Republican nomination, two key features prevail over the 2012 campaign — and both were also plainly evident in 2004. First, the incumbent president’s reelection fortunes are far from certain; and, second, the incumbent faces a decent but nevertheless weak challenger who is further hampered by internal problems within his party’s coalition.

Because incumbents can’t run for reelection promising “change,” and because “hope” during a lingering recession was also off the menu, the Obama campaign’s 2012 theme of  “forward” — a word that often follows “plow,” mind you — was the best available alternative. That said, and substituting the economy for terrorism, Obama is implicitly if not explicitly advancing the same theme Bush did in 2004: America suffered a tough blow, but the situation could have been worse and, more to the point, under my stewardship the nation is steadily regaining its footing.

This counterfactual campaign theme — vote for me not because of what happened, but what might have but didn’t — is a common thread for Bush and Obama. It’s not an uplifting message, but it sufficed in 2004 and Obama is counting on it working again in 2012.

Politics 101 further dictates that when an incumbent’s reelection is in doubt, he must go negative against the challenger. Obama political operatives in the White House and at the Democratic National Committee long ago made it abundantly clear they were willing to do just that. Team Obama may not go negative against Romney to the degree the Bush camp did against John Kerry in 2004. (By mid-summer 2004, 75 percent of Bush’s TV ads were negative attacks on Kerry.) But don’t be surprised if attacks on Romney’s record and even character are plentiful, harsh and relentless. In 2008, America saw candidate Obama’s toothy grin; four years later, expect to see President Obama’s fangs.

Expect the Obama camp to emphasize two major critiques of Romney: that he is a flip-flopper willing to say anything or reverse any position to win; and that he is an economic royalist whose personal and public life suggest a person incapable of understanding the lives and struggles of average Americans. Again — note the unusual parallels with 2004.

Although Romney is a Republican former governor and Kerry was at the time his state’s Democratic junior U.S. senator, the two Massachusetts pols make for similar targets. Each man is an extraordinarily rich preppie and Ivy Leaguer. Each represents the liberal wing of his respective party. Each has shown a propensity for ruining an otherwise valid point with sloppy, backfiring language. And each has a reputation for lacking political spine.

The flip-flop frame is candidate character assassination of the first order. Like the lone negative number in a string of multiplied positives, the critique that nobody can trust any statement or claim made by a politician has the potential to negate every accomplishment or promise. If it sticks, it can be fatal, as Kerry learned in 2004.

Obama and the Democratic National Committee know their electoral history and, sure enough, last November — a year before the election and two full months before a single Iowan had caucused — the DNC released a four-minute “Mitt vs. Mitt” ad and its accompanying website with the damning tag line, “the story of two men trapped in one body.” The site is a brilliant homage to the Bush campaign’s 2004 windsurfer attack ad and the devastating, 11-minute ad the Republican National Committee produced chronicling Kerry’s “evolution” on Iraq.

And then there is what might be called “the Willard factor”: Romney as Richy Rich, the Monopoly Guy with the Bain Capital background and the Swiss bank account. His bio would be political gold to Romney’s opponent any election cycle, but it’s gold-plated platinum in the first full presidential campaign following the biggest economic crisis since the Great Depression, the rise of the Occupy Wall Street movement, and the long overdue national debate over income inequality.

Again, the wealth-personified line of attack mirrors the out-of-touch, Martha’s Vineyard yoke the Bush team put around Kerry’s neck in 2004. Right on cue, in the first public event of his reelection campaign, last week Obama attacked Romney by name and invoked the economic disconnect card with relish. “He sincerely believes that if CEOs and wealthy investors like him make money the rest of us will automatically prosper as well,” said Obama of Romney, adding that “corporations aren’t people – -people are people.” (For the record, Kerry is actually wealthier than Romney, who would become one of the richest men ever to occupy the White House, should he win.)

Obama will also try to shift the national debate toward areas of strength, as Bush did. Historically, this meant the same strategy, but with inverse implications for each party: The so-called mommy party Democrats would encourage voters to focus on more favorable kitchen-table economy issues — healthcare, jobs, education — and away from less favorable “daddy party” Republican issues surrounding foreign wars abroad and culture wars. Because Obama is net-positive in foreign policy approval and net-negative on the economy, rather than mirroring by inversion, Obama will try to duplicate Bush’s shift-in-emphasis in 2004. GOP complaints that Obama is politicizing the killing of Osama bin Laden reveal Republican fears that Obama is going to play the terrorism card in 2012 just like Bush did eight years ago.

The 2004 parallels extend beyond message. Obama will be amply resourced and enjoy a field technology by virtue of his campaign’s state-of-the-art Web, donor, volunteer and social media innovations. Remember the Bush reelection campaign’s vaunted “72-hour” voter turnout model? That seems like an Edsel compared to the Ferrari the Obama team will be sporting this summer and fall. Among the perquisites modern presidential incumbents enjoy is the option to test-drive the best mobilization machines before anyone else.

Finally, what most connects Obama 2012 to Bush 2004 is the stability of the electoral map itself. Only three states — two net to Bush — flipped from one party to the other between 2000 and 2004; only nine states flipped between 2004 and 2008. Split the difference and a good, back-of-the-napkin over-under for number of states likely to flip between 2008 and 2012 is six. And thus, like the lead sailboat during a windless race, Obama doesn’t need or want conditions to change much from 2008: He merely has to replicate the map that swept him into office, with the burden of figuring out how to shake up the Electoral College falling to Romney, just as it did for Kerry against Bush. Even Karl Rove’s mapping of the 2012 election concedes this reality.

The 2008 election was memorable; to borrow the title of one best-selling chronicle, it was a “game changer.” But 2012 will not be. In many respects, it will be a game repeater, with Obama playing Bush to Romney’s Kerry of 2004. The president may be asking Americans to look “forward” in 2012, but the best preview of his reelection campaign can be found by looking backward eight years.

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The Bushies are back

Missed the neocons? Don't worry: Mitt Romney's getting the band together again

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The Bushies are back (Credit: Reuters/Win McNamee)

There was good reason for Republicans to cry foul over the Obama campaign’s advertisement highlighting the president’s killing of Osama bin Laden; the GOP has lost its decades-long edge on national security. According to a Washington Post poll, “By a margin of more than 2 to 1, Americans say the president’s handling of terrorism is a major reason to support rather than oppose his bid for reelection.”

Republicans lost their popularity on security issues for one reason: George W. Bush’s foreign policy was a disaster. And yet, the party’s nominee, Mitt Romney, has assembled a foreign-policy team composed almost exclusively of individuals with the same war-always mentality and ideology that served Bush — and the United States — so poorly. In some cases, the exact same men responsible for Bush’s catastrophic national security policies are advising Romney. The former Massachusetts governor could have included some of the pragmatists and realists from the George H.W. Bush administration. Instead, a Romney presidency seems like it would be Bush 43 all over again.

Richard Grenell, who served as United Nations spokesman under Bush, may be gone from the Romney campaign after an uproar over his sexuality, but there are plenty more former Bushies. First off, there are Romney’s “special advisors.” There’s Michael Chertoff, W.’s Homeland Security director. Chertoff oversaw DHS’s failures during Hurricane Katrina, and amassed unprecedented powers of secrecy. Next up is Eliot Cohen, counselor to the State Department for Bush’s last two years and on the Defense Policy Advisory Board for the president’s entire term. Cohen was an adamant supporter of the Iraq War and advised Bush directly on the issue. Or take Cofer Black, the man who infamously said to Bush in September 2011 about al-Qaida that “When we’re through with them they will have flies walking across their eyeballs.” Black went on to become chairman of Blackwater, where he resigned after the company illegally bribed Iraqi officials.

Then there are the 13 “working groups” composed of equally worrisome individuals. The Middle East and North Africa Working Group is co-chaired by Bush’s Assistant Secretary of Defense Mary Beth Long, and Meghan O’Sullivan, Bush’s special assistant and deputy national security advisor for Iraq and Afghanistan. The remaining co-chair is Walid Phares, who never worked for Bush but advised Lebanese warlords in the 1980s. Romney has reportedly promised Phares a top job in his administration, despite his virulently anti-Islamic views.

All told, Romney lists 37 holdovers from the George W. Bush administration — the very same administration he and all other Republican candidates barely referenced during their many debates because it was so discredited and toxic, even to the Republican base.

It didn’t have to be this way. There are, in fact, people in Republican circles who are sensible on international affairs. The Cato Institute, in particular, has experts that could dramatically change the direction of American foreign policy. Men like Justin Logan and Christopher Preble were prescient on Iraq and a host of other issues. Similarly, the Center for the National Interest (formerly the Nixon Center) has a host of solid scholars, including ones like Dimitri Simes and Geoffrey Kemp, who have valuable government experience in the Nixon and Reagan administrations, respectively, and a history of perceptive analysis. Richard Haass, president of the Council on Foreign Relations, would have been another good pick.

So why aren’t guys like this being tapped? Why is the GOP sticking with a discredited foreign-policy approach rather that looking to its own past for wiser counsel? “Most of the realists and pragmatists have simply been driven out of the Republican Party,” says Stephen Walt, who writes a blog at Foreign Policy and teaches at Harvard. “The neoconservatives have been driving the agenda since Bush was elected and they remain well-entrenched.”

Another factor is that the Republican Party’s base remains strongly militaristic and reluctant to recognize limits on American power. Jon Huntsman’s failed presidential campaign illustrated that problem. The good news is that nobody seems to be calling for nation-building and occupying foreign countries in the mold of Iraq and Afghanistan. But that’s the only lesson that seems to have been learned from the last decade of foreign-policy debacles.

Finally, it may just be that the United States has too much power to change course. While the Unites States has undoubtedly made disastrous decisions in the last decades, it is so powerful that it is largely insulated from the consequences of them. If Romney’s foreign-policy advisor list is anything to go by, a Romney administration would have to teach the U.S. all over again about the problems with trying to police the world. Prepare for Bush redux.

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Jordan Michael Smith writes about U.S. foreign policy for Salon. He has written for the New York Times, Boston Globe and Washington Post.

Bush aide blasts torture

Philip Zelikow tried to warn Bush on interrogations. Now he's penned an authoritative article on how he was ignored

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Bush aide blasts torture (Credit: Reuters/Jim Young)

The Bush administration hasn’t heard the last from Philip Zelikow. After the rediscovery last week of his long lost 2006 anti-torture memo, Zelikow, a former State Department official, has written arguably the most damning article yet about U.S. government’s interrogation policies from 2001 to 2009. The article, called “Codes of Conduct for a Twilight War,” will be released in a forthcoming issue of the Houston Law Journal, and was obtained exclusively by Salon. Says Zelikow in an email: “I’m not aware of other accounts that combine historical, policy and legal approaches to” the subject of the Bush administration’s interrogation methods.

Based on published histories and his firsthand observations, and adapted from a lecture delivered in November, the article calls the administration’s rationale for its use of torture — which he nonetheless insists only on calling “extreme interrogation” and “coercive methods” — “radical,” “an amazing contention,” “untenable and extreme,” “unsustainable,” “an unprecedented program of coolly calculated dehumanizing abuse and physical torment,” and, finally, simply a “mistake.” He concludes: “This was a collective failure of American public leadership, in which a number of officials and members of Congress (and staffers) of both parties played a part, endorsing a CIA program of physical coercion without any precedent in U.S. history.”  In fact, “The only defense against criminal prosecution would be that officials acted in good faith reliance on the advice of their government lawyers.”

Part of what makes Zelikow’s analysis so damning and definitive is its judiciousness. The article is deeply empathetic of the uniquely fearful situation under which the Bush administration was initially operating. Zelikow calls the Sept. 11 attacks a “collective trauma” and a “shoc[k] to mass beliefs.” He notes that Bush and others spent time in burn units, morgues and with survivors of the attacks. One traumatic experienced often overlooked — overlooked because it appeared in Stephen Hayes’ stenographic biography of Dick Cheney — was that the vice-president’s daughter was (falsely, it turns out) told that her house with her children in it had tested positive for anthrax. Similarly, Cheney and National Security Advisor Condoleezza Rice were told that they and others had been exposed to an extremely lethal toxin in a particular area of the White House — and might soon die as a result. “The alarms did not stop and they too were not abstract … The pressure on Bush and his senior advisers was so direct because so much of the response had to be invented and improvised,” the article reads.

An additional factor in the power of the article is Zelikow’s credibility and history. Before entering government, he was a civil rights lawyer in Texas battling the Ku Klux Klan and then a highly esteemed Harvard historian specializing in U.S. foreign policy — he co-authored one book with Rice. He then served on the National Security Council under President George H.W. Bush and directed the 9/11 Commission before becoming counselor to Rice at the State Department from 2005 to 2007. He currently volunteers part-time on the President’s Intelligence Advisory Board under President Obama.

Such bipartisan, establishment credentials render the breakdown and conclusion of this article all the more damning. He believes that what should have been a political and moral question — should the United States torture captives? — became strictly a legal matter left up to government lawyers, few of whom had any experience with these issues, and who had to take the necessity of extreme measures as a given. “These lawyers then became secular priests, granting absolution to the supplicant policymakers,” Zelikow writes.

The problems began when the Office of the Vice President and the CIA took central roles in policymaking. Cheney felt himself above the rest of the National Security Council, bypassing Rice and other traditional channels of national security policymaking. Ad-hoc decision-making and improvisation became “a habit of thought,” which seemed initially to pay off in the security of the nation, as well as in Bush’s political standing and self-confidence.

With Cheney and CIA head George Tenet “the key entrepreneurs in setting codes of conduct for the War on Terror,” it was essentially left to their obsequious lawyers to decide, in secret, on the interrogation methods America should employ. Bush even told the Senate’s Intelligence Committee chairman that “the vice president should be your point of contact … [He] has the portfolio for intelligence activities.” Decisions were made to jettison international treaties. By December 2001, the CIA was already interested in reverse-engineering methods “heretofore used only to treat Americans to resist enemy torture.” When a senior al-Qaida member was captured in March 2002, the prototype for the administration’s torture policies was already developed. “So, for the first time in American history, leaders of the U.S. government carefully devised ways and means to torment enemy captives.”

Zelikow notes that “None of the policy or moral issues connected with these choices appear to have been analyzed in any noticeable way.” Perhaps worst of all, no serious consideration was given to weighing the costs of benefits of the torture program, with reference to relevant historical precedents and/or examinations of the respective French, British and Israeli experiences in dealing with captured terrorists. “Bush and Rice should have insisted on this,” Zelikow writes.

The 52-page article observes the successes of Obama’s counterterrorism policies after repudiating the use of torture. On the basis of the empirical evidence then, “[t]here is no evident correlations between intelligence success and the available of extreme interrogation methods,” no matter what Bush and Cheney claim. Finally, “The program’s costs — which include the high-level effort expended in order to establish, maintain, and defense the program — appear on the evidence so far to have well outweighed any unique value the program might have had as a method of counterterrorism intelligence collection.” This is apart from the damage to America’s international standing and corrosion of its traditional values.

Zelikow concludes his analysis by arguing that, although the Obama administration has the right to wage war and use extralegal methods to defeat al-Qaida, its claim of that authority to defeat “associated forces” is unwarranted. “The U.S. government should publish and explain any overarching policy and legal documents that guide and confine the conduct of deadly operation against its foreign enemies … the executive branch of the U.S. government has a duty to articulate the scope of its warfare to the Congress and the public.” The Bush administration’s unprecedented elevation of torture to national policy may be history, but the job to get U.S. foreign policy in line with its constitutional and moral obligations is far from over.

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Jordan Michael Smith writes about U.S. foreign policy for Salon. He has written for the New York Times, Boston Globe and Washington Post.

Thomas Kinkade, the George W. Bush of art

The rise and fall of Thomas Kinkade, the Painter of Light™ in a decade of bad faith

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Thomas Kinkade, the George W. Bush of art

News of Thomas Kinkade’s death arrived on the same day I received in the mail a vintage teacup on which I had spent a ridiculous amount of money. It has a cottage painted on it. Kinkade, whose work has long exerted a morbid fascination for me (to the concern of all my friends), specialized in cottages. So some part of me understands the appeal, I guess, but, damn: Those paintings make my corneas hurt. And yet, I could barely stop looking at them.

Kinkade was only 54, and his family told the media that he died of “natural causes.” This comes after years of reports of drunken public misbehavior: cursing at people who tried to save him from falling off bar stools, heckling Siegfried & Roy, grabbing a woman’s breasts at a publicity event and, most memorably, urinating on a Winnie the Pooh statue at the Disneyland Hotel while proclaiming, “This one’s for you, Walt!” There were DUI arrests. Also, his manufacturing company declared bankruptcy two years ago, and former franchisees of the once-ubiquitous Thomas Kinkade Signature Galleries won settlements against him for fraud.

That’s quite a fall for a man who frequently spoke of his Christian faith and family values when asked to comment on the mammoth success of his brand in the early 2000s. “When I got saved, God became my art agent,” Kinkade explained in a 2004 video. He went from a childhood in Placerville, Calif. (invariably characterized as “hard-scrabble”) to an apprenticeship selling his work in supermarket parking lots to his apotheosis as the nation’s “most profitable” artist, the Painter of Light™, and multimillionaire. He was profiled in the New Yorker by Susan Orlean.

I first learned about the dark side of the Painter of Light™ — sorry, couldn’t resist that one — when I reviewed “his” novel, “Cape Light,” in 2002. The novel, first in a series, was produced much as his paintings are: by a semi-industrial process in which low-level apprentices embellish a prefab base provided by Kinkade. He wasn’t the only artist to work in this way; he wasn’t even the only novelist. To the best of my knowledge, his novels — heartwarming, fuzzily pious tales of small-town life — have been coming out ever since, one more facet of a lifestyle brand that, at its most ambitious, included an entire Thomas Kinkade-themed housing development.

My review was just a goof intended to amuse Salon’s readers, but after it appeared, I began to receive emails from people who had sunk their life savings in Thomas Kinkade Signature Galleries (essentially, mall and shopping-district outlets for his prints) and been fleeced. I didn’t really understand how the financial architecture of Kinkade’s gallery empire worked, and I sure didn’t share their taste in wall art, but these people struck me as decent and sincere. They’d believed in Thomas Kinkade — not just in the man or the company, but in the ethos supposedly represented by his work, one in which (to quote Kinkade’s introduction to “Cape Light”) “people have the time to savor life’s simple pleasures” and lead “deep, satisfying lives.”

My conversations with these victims made me uneasy. Was there some relationship between the franchisees’ naivete, perhaps even their willful self-delusion, and their terrible taste? Was it hopelessly snobby to wonder that? What about Kinkade himself? He seemed to be at best a hypocrite and at worst a crook. Was there a meaningful connection between his bad conscience and his bad art? German thinkers of the 1930s would have said so, and they had plenty of opportunity to observe bad fascist art up close. Hermann Broch maintained that someone who chooses to make kitsch is “ethically depraved, a criminal willing radical evil.” The novelist Milan Kundera believes kitsch to be the natural expression of totalitarianism. That’s a lot of moral weight to place on a bunch of garish cottage paintings, but Kinkade was always the first to present his work as a form of ideology.

I felt compassion for the ripped-off gallery operators, and at the same time I was aware that quite a few of them had probably also fallen for the similarly sanctimonious, bogus folksiness of George W. Bush, thereby subjecting our nation to one of the worst presidents in its history. Kinkade and Bush struck me as of a piece, probably because they had both borrowed from Ronald Reagan in promising that we could get back to a better way of life that never existed in the first place. In nearly every encounter with the press, Kinkade delivered a diatribe against the art-world “establishment” that had shut him out. They were “elites” touting unfathomable, downer junk to hardworking people who needed uplift instead. Art snobs were the aesthetic counterparts of the so-called liberal elites, a group that surely included me.

At the same time, I must admit that I, too, like a cottage. Granted, I like the stylized, art-deco kind painted on bone china, rather than the insanely detailed and phosphorescently lit specimens in Kinkade’s pictures. And I’m in little danger of equating my new teacup with a Brancusi just because it’s cheerier. Nevertheless, I suspect that my idea of what’s pleasing about a cottage isn’t too different from that of Kinkade’s fans: an aura of harmless coziness, of modest domestic beauty and comfort not too cut off from the past. It’s as if we’re speaking the same word, but in different languages.

I suspect this is why Kinkade’s paintings have exerted their weird, hypnotic effect on me. They are so preposterous (especially the stream-side ones; he really needed to sit down with an architect and go over the basics of drainage), so awful. And yet I can still detect — beneath that cacophony of hollyhocks and cobblestones and snapdragons — the whisper of something intelligible. I’m pretty sure I know why the hordes of Kinkade collectors love his work, even if I don’t like it myself. Kinkade’s paintings are irredeemably false, like all kitsch, but through them you can just barely glimpse the honest desires they seek to exploit, sinking under the dreck.

Kundera defined kitsch as “the absolute denial of shit,” meaning it offers an airbrushed, sterilized, sentimentalized view of the world. From that, it doesn’t necessarily follow that art wallows in shit, but art doesn’t exist for the primary purpose of denying it, either. Kitsch is, first and foremost, a lie; its very existence is founded on bad faith.

Kinkade, like Bush, peddled a falsely simplified image of the world — one without mildew or flooded basements, for one thing — which, no surprise, turned out to be plastered over a whole lot of stinky stuff. The true believers, the ones who bought into these men the most during the 2000s, ended up paying some of the highest prices, from the Kinkade acolytes who invested in his gallery Ponzi scheme to the working-class red-staters who sent off their kids to die in a pointless war. Bad taste, harmless as it may seem, can end up costing you a lot.

Further reading

Los Angeles Times obituary for Thomas Kinkade

Susan Orlean’s 2001 profile of Thomas Kinkade for the New Yorker

A 2006 Los Angeles Times story documenting Kinkade’s business problems

Salon’s Janelle Brown visits Hiddenbrooke, a Kinkade-theme housing development in Northern California

Laura Miller reviews “Cape Light,” a novel by Thomas Kinkade and Katherine Spencer

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Laura Miller

Laura Miller is a senior writer for Salon. She is the author of "The Magician's Book: A Skeptic's Adventures in Narnia" and has a Web site, magiciansbook.com.

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