“Be Cool”
Thurman, Travolta and the rest of the star-studded cast do indeed look cool. But where's the heat?
Topics: Movies, Entertainment News
The cover of the press kit for “Be Cool” features a full-length shot of John Travolta and Uma Thurman on a steamy-looking dance floor. Both face the camera, their arms entwined and their eyes closed, lost in music we can almost hear, the vision of their sultry delight is so vivid. It’s a great photograph, and it’s everything you want out of “Be Cool” — and don’t get.
F. Gary Gray’s “Be Cool,” based on Elmore Leonard’s novel, is the sequel to Barry Sonnenfeld’s mischievously entertaining 1995 “Get Shorty,” in which we met Chili Palmer (John Travolta), a mobster who heads out to Hollywood to collect a debt and ends up becoming a hotshot producer. As “Be Cool” opens, Chili wants out of the movie business, and he serendipitously finds himself in the music business instead: He takes young singer Linda Moon (Christina Milian) under his wing, freeing her, unofficially and wholly illegally, from greedy impresario Nick Carr (Harvey Keitel) and an onerous contract. Chili happens to have a friend, the recently widowed Edie Athens (Uma Thurman), who runs an indie record label. The two of them, realizing Moon could be the next big thing, begin engineering her career, undaunted by Russian mobsters, a rap producer’s bullying entourage, and Carr’s sleazy underhandedness.
It’s not always clear what’s going on in “Be Cool” (the screenplay was adapted by Peter Steinfeld), although that doesn’t necessarily matter. But the movie feels more like a cavalcade of personalities than anything resembling a story. Vince Vaughn, Danny DeVito, Cedric the Entertainer, James Woods: These are the actors who get spun through the picture’s revolving door, some of them showing up only for a scene or two just to remind us that they exist. Even Aerosmith’s Steven Tyler — who has, alarmingly, grown to resemble Joan Rivers — takes a bow. The Rock shows up as a bodyguard who’s desperate to become an actor, and he’s extraordinarily charming (as well as incredible to look at — his complexion is so smooth, it looks as if it’s been airbrushed). But because his character is gay, he’s saddled with a bunch of dumb fag jokes; they’re not particularly offensive, but they feel parched and stale. Andre Benjamin — also known as Andre 3000, of OutKast — has a lively bit as a gun-happy member of hip-hop producer Cedric the Entertainer’s posse. He’s expressive and funny, and I wish he’d had more to do. “Be Cool” is so wedged so tight with personalities (as opposed to full-fledged characters) that he just seems shoehorned in.
Stephanie Zacharek is a senior writer for Salon Arts & Entertainment. More Stephanie Zacharek.




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