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Thursday, Sep 29, 2005 4:53 PM UTC2005-09-29T16:53:00Zl, M j, Y g:i A T

The new new world

Charles C. Mann's monumental retelling of pre-Columbian American history, "1491," illuminates the existence of civilizations as populous and sophisticated as those of the European latecomers.

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My father can’t prove it, but he’s convinced that one of his grandfathers was half Cherokee, and he can produce faded old pictures of his mother showing high, angled cheekbones that are distinctively non-European. My mother’s side of the family has long taken outsize pride in having an ancestor who was the first governor of Baja, Calif.; only recently did we come across clear evidence that we were actually the adopted poor relations of this family, that is, not Spanish nobility but mestizos of mixed race.

I’d always been curious about this Native American blood flowing in my veins, but like most Americans, I felt confused trying to make sense of the legacy of the people who lived in the Americas before Europeans showed up. The stories we were fed as kids, starting with the tale of the happy local Indians showing up in Plymouth for the first Thanksgiving, always had a bogus, Disney-filtered feel to them, yet there was no alternative narrative beyond the famous image of a proud old Indian, Iron Eyes Cody, shedding a tear at the rape of his people’s land. This weeping-Indian image, too, presented pity and guilt in lieu of a real understanding of who these people were and how they lived. There was always a sense that Native Americans had been robbed not only of their land, but of their historical importance as well. Yet, any such thoughts got lost in a gooey, dreamy kind of Indian chic, summed up by those phantasmagorical peyote scenes Oliver Stone tossed into his “Doors” movie.

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Steve Kettmann, a regular contributor to Salon, is the author of "One Day at Fenway: A Day in the Life of Baseball in America."  More Steve Kettmann

Friday, Feb 10, 2012 9:45 PM UTC2012-02-10T21:45:00Zl, M j, Y g:i A T

Salman Rushdie fears nothing

The famed author opens up to Salon about new threats, his just-finished memoir and his forthcoming TV show

Writer Salman Rushdie attends an event in the Joan Fuster state library in Barcelona

Writer Salman Rushdie attends an event in the Joan Fuster state library in Barcelona, March 31, 2009.  (Credit: ©Gustau Nacarino / Reuters)

Plates and glasses are cleared away, and a hush descends on the packed private dining room of a fancy Manhattan Indian restaurant; a distinguished writer — the star of the evening’s event — is about to give a reading. The iPad in his hands bathes his familiar features in a soft, electric glow that complements the muted lights and blinking candles spaced around the room.

As Salman Rushdie intones his own elegant prose in a rich, musical British accent, a soundtrack plays softly but distinctly in the background. If the music seems particularly well-selected — if its rhythms subtly match the story’s turning points — that’s because it was commissioned expressly for the purpose.

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Emma Mustich is an assistant editor at Salon. Follow her on Twitter: @emustichMore Emma Mustich

Thursday, Feb 9, 2012 1:00 AM UTC2012-02-09T01:00:00Zl, M j, Y g:i A T

In defense of fact checking

A controversial writer and his fact checker battle in a new book. Too bad neither gets close to the truth

Jim Fingal and John D'Agata

Jim Fingal and John D'Agata  (Credit: Margaret Stratton)

Fact checking is a subject that many people speak of with blithe confidence despite knowing very little about it. In truth, there’s nothing like going through a 5,000-word story with an exceptionally thorough fact checker to make you aware of just how often all of us talk confidently about subjects on which we are completely, or mostly, wrong. What’s obvious, what everybody knows, what’s only common sense: Much of this stuff turns out, under scrutiny, to melt away into fable, propaganda and wishful thinking. And that includes a lot of what people assume about fact checking.

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Laura Miller

Laura Miller is a senior writer for Salon. She is the author of "The Magician's Book: A Skeptic's Adventures in Narnia" and has a Web site, magiciansbook.comMore Laura Miller

Tuesday, Feb 7, 2012 7:00 PM UTC2012-02-07T19:00:00Zl, M j, Y g:i A T

Salon readers: Tell us your love woes

Next week, our Valentine's Day experts will prescribe classic literature for your problems. Here's how to submit

Authors Jack Murnighan and Maura Kelly.

Authors Jack Murnighan and Maura Kelly.

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Love woes are timeless — so why not look to literature’s most lasting works for advice on how to deal with them?

In their new book, “Much Ado About Loving,” authors Maura Kelly and Jack Murnighan do just that. Next week, in honor of Valentine’s Day, we’re bringing their expertise — and the innumerable literary examples at their fingertips — to you.

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Monday, Feb 6, 2012 9:00 PM UTC2012-02-06T21:00:00Zl, M j, Y g:i A T

Charles Dickens and the Facebook generation

As Dickens turns 200, a novelist reads him for the first time, and laments that peers have become so self-obsessed

dickens200

 (Credit: Wikipedia/iStockphoto)

On Feb. 7, 1812, Portsmouth, England, received Charles John Huffam Dickens — a pomegranate-colored, squealing, slick-haired baby boy. Portsmouth is (and was) a teeming small city. In 1812 it was a major port for the British Royal Navy. Today, it has a higher population density than London.

Dickens was born at No. 13 Mile End Terrace, Landport. His mother, of course, had no anesthetic. He was named, in part, for Christopher Huffam, an oar-maker in London — now perhaps the most famous oar-maker of all time.

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Pauls Toutonghi is the author of the novels "Red Weather" and "Evel Knievel Days," which will be published in July by Random House/Crown.  More Pauls Toutonghi

Monday, Feb 6, 2012 3:00 AM UTC2012-02-06T03:00:00Zl, M j, Y g:i A T

“Behind the Beautiful Forevers”: Real-life Indian epic

A legendary journalist's first book tells of lives, loves and quarrels in a Mumbai shantytown

Katherine Boo

Katherine Boo

There are cult filmmakers and cult novelists, but Katherine Boo may be the world’s only cult journalist. Although a recipient of the Pulitzer Prize and a MacArthur Fellowship, she’s not a marquee name in her profession. Yet those discerning readers who have latched onto her work — particularly her articles for the New Yorker — are obsessed with it. (The TV and movie producer J.J. Abrams, of all people, once interrupted an interview to rhapsodize for 10 minutes about Boo. “Do you know her?” he asked reverently.) And now, at last, Boo has published her first book.

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Laura Miller

Laura Miller is a senior writer for Salon. She is the author of "The Magician's Book: A Skeptic's Adventures in Narnia" and has a Web site, magiciansbook.comMore Laura Miller

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