Rove’s nightmare

If Karl Rove told federal officials in 2003 he wasn't involved in outing Valerie Plame, he could face charges.

Topics: CIA, Karl Rove,

To understand why Karl Rove is believed to be in grave danger of indictment for his role in the Wilson leaks, let’s return to the earliest days of the investigation. If Rove is found criminally liable for lying, then the falsehoods that led to his downfall may well have been uttered during the weeks when his old friend and client John Ashcroft was still in charge of the leaks probe — and before the case was turned over to the special counsel, U.S. Attorney Patrick Fitzgerald.

During the autumn of 2003, after repeated requests from the CIA, Ashcroft finally exercised his duty as attorney general to investigate the disclosure of Valerie Plame Wilson’s identity by administration officials to various journalists. Although the CIA first notified the Justice Department as early as July 30 of a potentially serious crime — namely, a violation of the Intelligence Identities Protection Act — Justice didn’t open an investigation until the end of September, after the CIA informed the department that it had completed its own review of the facts.

For three months, until Ashcroft decided to recuse himself, the investigation remained under his control, despite the well-founded suspicions of Rove’s involvement. Ashcroft willfully ignored his own inherent conflict in overseeing a case that might lead to an indictment of Rove, who had assisted his political campaigns in Missouri and had directed the process that led to his appointment as attorney general. Only after repeated protests from Democrats in Congress, strong editorial comment on the unseemliness of Ashcroft’s conduct, and polls showing public demand for an independent counsel did he finally recuse himself from the Wilson matter.

By then, however, the investigation had already begun, and Rove, among others in the White House, was already on record publicly denying any involvement in the leaks. Indeed, those denials by Rove himself and White House press secretary Scott McClellan returned to haunt them and the president earlier this year, following evidence provided by Time magazine reporter Matthew Cooper about his July 2003 conversation with Rove concerning the Wilsons.

So now we know the truth about Rove’s role — or at least part of the truth — and we know that he wasn’t being honest back then. The question is what he may have told the FBI agents assigned to investigate the matter during those autumn weeks, before Ashcroft turned over the case to Fitzgerald in late December.



On Oct. 24, 2003, the Washington Post reported that Rove and McClellan, among dozens of others, had submitted to FBI interrogation about the leaks. Two months later, the Post quoted administration officials saying that Rove had been among the very first people to be interviewed by the FBI in pursuit of information about the case.

Back then, Rove might well have assumed that the case would be buried without any undue inconvenience to him. The president had publicly predicted, after all, that the perpetrators of the leak were unlikely to be identified. There was no reason, at the outset, to think that an independent-minded prosecutor would take over from Ashcroft a few months later.

If Rove told the FBI agents the same story that he and McClellan were telling the press, then he might have set himself up for a felony charge of lying to a federal law enforcement official. And if he lied, then he need not have been under oath to have committed a crime.

Another intriguing possibility in the leaks case brings back the baroque personality of right-wing pressroom denizen Jeff Gannon, born James Guckert.

The New York Times reported Friday that in addition to possible charges directly involving the revelation of Valerie Wilson’s identity and related perjury or conspiracy charges, Fitzgerald is exploring other possible crimes. Specifically, according to the Times, the special counsel is seeking to determine whether anyone transmitted classified material or information to persons who were not cleared to receive it — which could be a felony under the 1917 Espionage Act.

One such classified item might be the still-classified State Department document, written by an official of State’s Bureau of Intelligence and Research, concerning the CIA’s decision to send former ambassador Joseph Wilson to look into allegations that Iraq had tried to purchase uranium from Niger. Someone leaked that INR document — which inaccurately indicated that Wilson’s assignment was the result of lobbying within CIA by his wife, Valerie — to right-wing media outlets, notably including Gannon’s former employers at Talon News. On Oct. 28, 2003, Gannon posted an interview with Joseph Wilson on the Talon Web site, in which he posed the following question: “An internal government memo prepared by U.S. intelligence personnel details a meeting in early 2002 where your wife, a member of the agency for clandestine service working on Iraqi weapons issues, suggested that you could be sent to investigate the reports. Do you dispute that?”

Gannon later hinted, rather coyly, that he had learned about the INR memo from an article in the Wall Street Journal. He also told reporters last February that FBI agents working for Fitzgerald had questioned him about where he got the memo. At the very least, that can be interpreted as confirming today’s Times report about the direction of the case.

All such speculation about criminal indictments must be tempered with caution. Nobody outside Fitzgerald’s office can be certain what charges he is considering or whose fate he is mulling over. Even the highest-ranking figures in the Bush White House, which would deprive others of their constitutional rights and has already done so, deserve the presumption of innocence.

But certain persons in this government committed a serious offense against the national security of the United States to serve political partisan ends — and they don’t deserve to get away with it.

Joe Conason is the editor in chief of NationalMemo.com. To find out more about Joe Conason, visit the Creators Syndicate website at www.creators.com.

More Related Stories

Featured Slide Shows

  • Share on Twitter
  • Share on Facebook
  • 1 of 11
  • Close
  • Fullscreen
  • Thumbnails

    Ten spectacular graphic novels from 2014

    Beautiful Darkness by Fabien Vehlmann & Kerascoët
    Kerascoët's lovely, delicate pen-and-watercolor art -- all intricate botanicals, big eyes and flowing hair -- gives this fairy story a deceptively pretty finish. You find out quickly, however, that these are the heartless and heedless fairies of folk legend, not the sentimental sprites beloved by the Victorians and Disney fans. A host of tiny hominid creatures must learn to survive in the forest after fleeing their former home -- a little girl who lies dead in the woods. The main character, Aurora, tries to organize the group into a community, but most of her cohort is too capricious, lazy and selfish to participate for long. There's no real moral to this story, which is refreshing in itself, beyond the perpetual lessons that life is hard and you have to be careful whom you trust. Never has ugly truth been given a prettier face.

    Ten spectacular graphic novels from 2014

    Climate Changed: A Personal Journey Through the Science by Philippe Squarzoni
    Squarzoni is a French cartoonist who makes nonfiction graphic novels about contemporary issues and politics. While finishing up a book about France under Jacques Chirac, he realized that when it came to environmental policy, he didn't know what he was talking about. "Climate Changed" is the result of his efforts to understand what has been happening to the planet, a striking combination of memoir and data that ruminates on a notoriously elusive, difficult and even imponderable subject. Panels of talking heads dispensing information (or Squarzoni discussing the issues with his partner) are juxtaposed with detailed and meticulous yet lyrical scenes from the author's childhood, the countryside where he takes a holiday and a visit to New York. He uses his own unreachable past as a way to grasp the imminent transformation of the Earth. The result is both enlightening and unexpectedly moving.

    Ten spectacular graphic novels from 2014

    Here by Richard McGuire
    A six-page version of this innovative work by a regular contributor to the New Yorker first appeared in RAW magazine 25 years ago. Each two-page spread depicts a single place, sometimes occupied by a corner of a room, over the course of 4 billion years. The oldest image is a blur of pink and purple gases; others depict hazmat-suited explorers from 300 years in the future. Inset images show the changing decor and inhabitants of the house throughout its existence: family photos, quarrels, kids in Halloween costumes, a woman reading a book, a cat walking across the floor. The cumulative effect is serene and ravishing, an intimation of the immensity of time and the wonder embodied in the humblest things.

    Ten spectacular graphic novels from 2014

    Kill My Mother by Jules Feiffer
    The legendary Pulitzer Prize-winning cartoonist delivers his debut graphic novel at 85, a deliriously over-the-top blend of classic movie noir and melodrama that roams from chiaroscuro Bay City to Hollywood to a USO gig in the Pacific theater of World War II. There's a burnt-out drunk of a private eye, but the story is soon commandeered by a multigenerational collection of ferocious women, including a mysterious chanteuse who never speaks, a radio comedy writer who makes a childhood friend the butt of a hit series and a ruthless dame intent on making her whiny coward of a husband into a star. There are disguises, musical numbers and plenty of gunfights, but the drawing is the main attraction. Nobody convey's bodies in motion more thrillingly than Feiffer, whether they're dancing, running or duking it out. The kid has promise.

    Ten spectacular graphic novels from 2014

    The Motherless Oven by Rob Davis
    This is a weird one, but in the nervy surreal way that word-playful novels like "A Clockwork Orange" or "Ulysses" are weird. The main character, a teenage schoolboy named Scarper Lee, lives in a world where it rains knives and people make their own parents, contraptions that can be anything from a tiny figurine stashable in a pocket to biomorphic boiler-like entities that seem to have escaped from Dr. Seuss' nightmares. Their homes are crammed with gadgets they call gods and instead of TV they watch a hulu-hoop-size wheel of repeating images that changes with the day of the week. They also know their own "death day," and Scarper's is coming up fast. Maybe that's why he runs off with the new girl at school, a real troublemaker, and the obscurely dysfunctional Castro, whose mother is a cageful of talking parakeets. A solid towline of teenage angst holds this manically inventive vision together, and proves that some graphic novels can rival the text-only kind at their own game.

    Ten spectacular graphic novels from 2014

    NOBROW 9: It's Oh So Quiet
    For each issue, the anthology magazine put out by this adventurous U.K.-based publisher of independent graphic design, illustration and comics gives 45 artists a four-color palette and a theme. In the ninth issue, the theme is silence, and the results are magnificent and full of surprises. The comics, each told in images only, range from atmospheric to trippy to jokey to melancholy to epic to creepy. But the two-page illustrations are even more powerful, even if it's not always easy to see how they pertain to the overall concept of silence. Well, except perhaps for the fact that so many of them left me utterly dumbstruck with visual delight.

    Ten spectacular graphic novels from 2014

    Over Easy by Mimi Pond
    When Pond was a broke art student in the 1970s, she took a job at a neighborhood breakfast spot in Oakland, a place with good food, splendid coffee and an endlessly entertaining crew of short-order cooks, waitresses, dishwashers and regular customers. This graphic memoir, influenced by the work of Pond's friend, Alison Bechdel, captures the funky ethos of the time, when hippies, punks and disco aficionados mingled in a Bay Area at the height of its eccentricity. The staff of the Imperial Cafe were forever swapping wisecracks and hopping in and out of each other's beds, which makes them more or less like every restaurant team in history. There's an intoxicating esprit de corps to a well-run everyday joint like the Imperial Cafe, and never has the delight in being part of it been more winningly portrayed.

    Ten spectacular graphic novels from 2014

    The Shadow Hero by Gene Luen Yang and Sonny Liew
    You don't have to be a superhero fan to be utterly charmed by Yang and Liew's revival of a little-known character created in the 1940s by the cartoonist Chu Hing. This version of the Green Turtle, however, is rich in characterization, comedy and luscious period detail from the Chinatown of "San Incendio" (a ringer for San Francisco). Hank, son of a mild-mannered grocer, would like to follow in his father's footsteps, but his restless mother (the book's best character and drawn with masterful nuance by Liew) has other ideas after her thrilling encounter with a superhero. Yang's story effortlessly folds pathos into humor without stooping to either slapstick or cheap "darkness." This is that rare tribute that far surpasses the thing it celebrates.

    Ten spectacular graphic novels from 2014

    Shoplifter by Michael Cho
    Corinna Park, former English major, works, unhappily, in a Toronto advertising agency. When the dissatisfaction of the past five years begins to oppress her, she lets off steam by pilfering magazines from a local convenience store. Cho's moody character study is as much about city life as it is about Corinna. He depicts her falling asleep in front of the TV in her condo, brooding on the subway, roaming the crowded streets after a budding romance goes awry. Like a great short story, this is a simple tale of a young woman figuring out how to get her life back, but if feels as if it contains so much of contemporary existence -- its comforts, its loneliness, its self-deceptions -- suspended in wintery amber.

    Ten spectacular graphic novels from 2014

    Through the Woods by Emily Carroll
    This collection of archetypal horror, fairy and ghost stories, all about young girls, comes lushly decked in Carroll's inky black, snowy white and blood-scarlet art. A young bride hears her predecessor's bones singing from under the floorboards, two friends make the mistake of pretending to summon the spirits of the dead, a family of orphaned siblings disappears one by one into the winter nights. Carroll's color-saturated images can be jagged, ornate and gruesome, but she also knows how to chill with absence, shadows and a single staring eye. Literary readers who cherish the work of Kelly Link or the late Angela Carter's collection, "The Bloody Chamber," will adore the violent beauty on these pages.

  • Recent Slide Shows

Comments

0 Comments

Comment Preview

Your name will appear as username ( settings | log out )

You may use these HTML tags and attributes: <a href=""> <b> <em> <strong> <i> <blockquote>