Salon exclusive: The Abu Ghraib files

Never-published photos, and an internal Army report, show more Iraqi prisoner abuse -- evidence the government is fighting to hide.

Topics: Torture, Abu Ghraib,

Salon exclusive: The Abu Ghraib files

Salon has obtained files and other electronic documents from an internal Army investigation into the Abu Ghraib prisoner-abuse scandal. The material, which includes more than 1,000 photographs, videos and supporting documents from the Army’s probe, may represent all of the photographic and video evidence that pertains to that investigation.

The files, from the Army’s Criminal Investigation Command (CID), include hundreds of images that have never been publicly released. Along with the unpublished material, the material obtained by Salon also appears to include all of the famous photographs published after the Abu Ghraib scandal broke in April 2004, as well as the photographs and videos published Wednesday by the Australian television news show “Dateline.”

The source who gave the CID material to Salon is someone who spent time at Abu Ghraib as a uniformed member of the military and is familiar with the CID investigation.

The DVD containing the material includes a June 6, 2004, CID investigation report written by Special Agent James E. Seigmund. That report includes the following summary of the material included: “A review of all the computer media submitted to this office revealed a total of 1,325 images of suspected detainee abuse, 93 video files of suspected detainee abuse, 660 images of adult pornography, 546 images of suspected dead Iraqi detainees, 29 images of soldiers in simulated sexual acts, 20 images of a soldier with a Swastika drawn between his eyes, 37 images of Military Working dogs being used in abuse of detainees and 125 images of questionable acts.”

The photographs we are showing in the accompanying gallery represent a small fraction of these visual materials. None, as far as we know, have been published elsewhere. They include: a naked, handcuffed prisoner in a contorted position; a dead prisoner who had been severely beaten; a prisoner apparently sodomizing himself with an object; and a naked, hooded prisoner standing next to an American officer who is blandly writing a report against a wall. Other photographs depict a bloody cell.

The DVD also includes photographs of guards threatening Iraqi prisoners with dogs, homemade videotapes depicting hooded prisoners being forced to masturbate, and a video showing a mentally disturbed prisoner smashing his head against a door. Oddly, the material also includes numerous photographs of slaughtered animals and mundane images of soldiers traveling around Iraq.



Accompanying texts from the CID investigation provide fairly detailed explanations for many of the photographs, including dates and times and the identities of both Iraqis and Americans. Based on time signatures of the digital cameras used, all the photographs and videos were taken between Oct. 18, 2003, and Dec. 30, 2003.

It is noteworthy that some of the CID documents refer to CIA personnel as interrogators of prisoners at Abu Ghraib. But no CIA officers have been prosecuted for any crimes that occurred within the prison, despite the death of at least one Iraqi during a CIA interrogation there.

Human-rights and civil-liberties groups have been locked in a legal battle with the Department of Defense since mid-2004, demanding that it release the remaining visual documents from Abu Ghraib in its possession. It is not clear whether the material obtained by Salon is identical to that sought by these groups, although it seems highly likely that it is.

Barbara Olshansky, deputy legal director at the Center for Constitutional Rights, said, “We brought the lawsuit because we wanted to make sure the public knew what the government was doing, particularly at these detention facilities,” and, “It is the public’s right to know.”

Based on a verbal description of the files and images, Olshansky said she believes that the material obtained by Salon represents all of the Abu Ghraib images and video the Pentagon has been fighting to keep confidential. “I’m guessing that what you have is a pretty rare and complete set,” she said.

The Pentagon initially argued in federal court that release of more Abu Ghraib images would violate the privacy rights of the Iraqi prisoners. Later, government lawyers argued that public release of the records might “endanger” soldiers in Iraq because publication of the pictures could incite further violence.

The government’s argument was rejected by a federal district court last September. Judge Alvin Hellerstein said in his ruling, “Terrorists do not need pretexts for their barbarism.” Release of the photographs in the suit has been delayed as the government appeals Hellerstein’s decision.

Meanwhile, military trials of the soldiers who served at Abu Ghraib continue. Next month, two more enlisted men, both dog handlers, will face a military court at Fort Meade in Maryland. No high-ranking officer or official has yet been charged in the abuse scandal that blackened America’s reputation across the world.

Additional reporting by Mark Follman, Page Rockwell and Michael Scherer.

Mark Benjamin is a national correspondent for Salon based in Washington, D.C. Read his other articles here.

More Related Stories

Featured Slide Shows

  • Share on Twitter
  • Share on Facebook
  • 1 of 11
  • Close
  • Fullscreen
  • Thumbnails

    Ten spectacular graphic novels from 2014

    Beautiful Darkness by Fabien Vehlmann & Kerascoët
    Kerascoët's lovely, delicate pen-and-watercolor art -- all intricate botanicals, big eyes and flowing hair -- gives this fairy story a deceptively pretty finish. You find out quickly, however, that these are the heartless and heedless fairies of folk legend, not the sentimental sprites beloved by the Victorians and Disney fans. A host of tiny hominid creatures must learn to survive in the forest after fleeing their former home -- a little girl who lies dead in the woods. The main character, Aurora, tries to organize the group into a community, but most of her cohort is too capricious, lazy and selfish to participate for long. There's no real moral to this story, which is refreshing in itself, beyond the perpetual lessons that life is hard and you have to be careful whom you trust. Never has ugly truth been given a prettier face.

    Ten spectacular graphic novels from 2014

    Climate Changed: A Personal Journey Through the Science by Philippe Squarzoni
    Squarzoni is a French cartoonist who makes nonfiction graphic novels about contemporary issues and politics. While finishing up a book about France under Jacques Chirac, he realized that when it came to environmental policy, he didn't know what he was talking about. "Climate Changed" is the result of his efforts to understand what has been happening to the planet, a striking combination of memoir and data that ruminates on a notoriously elusive, difficult and even imponderable subject. Panels of talking heads dispensing information (or Squarzoni discussing the issues with his partner) are juxtaposed with detailed and meticulous yet lyrical scenes from the author's childhood, the countryside where he takes a holiday and a visit to New York. He uses his own unreachable past as a way to grasp the imminent transformation of the Earth. The result is both enlightening and unexpectedly moving.

    Ten spectacular graphic novels from 2014

    Here by Richard McGuire
    A six-page version of this innovative work by a regular contributor to the New Yorker first appeared in RAW magazine 25 years ago. Each two-page spread depicts a single place, sometimes occupied by a corner of a room, over the course of 4 billion years. The oldest image is a blur of pink and purple gases; others depict hazmat-suited explorers from 300 years in the future. Inset images show the changing decor and inhabitants of the house throughout its existence: family photos, quarrels, kids in Halloween costumes, a woman reading a book, a cat walking across the floor. The cumulative effect is serene and ravishing, an intimation of the immensity of time and the wonder embodied in the humblest things.

    Ten spectacular graphic novels from 2014

    Kill My Mother by Jules Feiffer
    The legendary Pulitzer Prize-winning cartoonist delivers his debut graphic novel at 85, a deliriously over-the-top blend of classic movie noir and melodrama that roams from chiaroscuro Bay City to Hollywood to a USO gig in the Pacific theater of World War II. There's a burnt-out drunk of a private eye, but the story is soon commandeered by a multigenerational collection of ferocious women, including a mysterious chanteuse who never speaks, a radio comedy writer who makes a childhood friend the butt of a hit series and a ruthless dame intent on making her whiny coward of a husband into a star. There are disguises, musical numbers and plenty of gunfights, but the drawing is the main attraction. Nobody convey's bodies in motion more thrillingly than Feiffer, whether they're dancing, running or duking it out. The kid has promise.

    Ten spectacular graphic novels from 2014

    The Motherless Oven by Rob Davis
    This is a weird one, but in the nervy surreal way that word-playful novels like "A Clockwork Orange" or "Ulysses" are weird. The main character, a teenage schoolboy named Scarper Lee, lives in a world where it rains knives and people make their own parents, contraptions that can be anything from a tiny figurine stashable in a pocket to biomorphic boiler-like entities that seem to have escaped from Dr. Seuss' nightmares. Their homes are crammed with gadgets they call gods and instead of TV they watch a hulu-hoop-size wheel of repeating images that changes with the day of the week. They also know their own "death day," and Scarper's is coming up fast. Maybe that's why he runs off with the new girl at school, a real troublemaker, and the obscurely dysfunctional Castro, whose mother is a cageful of talking parakeets. A solid towline of teenage angst holds this manically inventive vision together, and proves that some graphic novels can rival the text-only kind at their own game.

    Ten spectacular graphic novels from 2014

    NOBROW 9: It's Oh So Quiet
    For each issue, the anthology magazine put out by this adventurous U.K.-based publisher of independent graphic design, illustration and comics gives 45 artists a four-color palette and a theme. In the ninth issue, the theme is silence, and the results are magnificent and full of surprises. The comics, each told in images only, range from atmospheric to trippy to jokey to melancholy to epic to creepy. But the two-page illustrations are even more powerful, even if it's not always easy to see how they pertain to the overall concept of silence. Well, except perhaps for the fact that so many of them left me utterly dumbstruck with visual delight.

    Ten spectacular graphic novels from 2014

    Over Easy by Mimi Pond
    When Pond was a broke art student in the 1970s, she took a job at a neighborhood breakfast spot in Oakland, a place with good food, splendid coffee and an endlessly entertaining crew of short-order cooks, waitresses, dishwashers and regular customers. This graphic memoir, influenced by the work of Pond's friend, Alison Bechdel, captures the funky ethos of the time, when hippies, punks and disco aficionados mingled in a Bay Area at the height of its eccentricity. The staff of the Imperial Cafe were forever swapping wisecracks and hopping in and out of each other's beds, which makes them more or less like every restaurant team in history. There's an intoxicating esprit de corps to a well-run everyday joint like the Imperial Cafe, and never has the delight in being part of it been more winningly portrayed.

    Ten spectacular graphic novels from 2014

    The Shadow Hero by Gene Luen Yang and Sonny Liew
    You don't have to be a superhero fan to be utterly charmed by Yang and Liew's revival of a little-known character created in the 1940s by the cartoonist Chu Hing. This version of the Green Turtle, however, is rich in characterization, comedy and luscious period detail from the Chinatown of "San Incendio" (a ringer for San Francisco). Hank, son of a mild-mannered grocer, would like to follow in his father's footsteps, but his restless mother (the book's best character and drawn with masterful nuance by Liew) has other ideas after her thrilling encounter with a superhero. Yang's story effortlessly folds pathos into humor without stooping to either slapstick or cheap "darkness." This is that rare tribute that far surpasses the thing it celebrates.

    Ten spectacular graphic novels from 2014

    Shoplifter by Michael Cho
    Corinna Park, former English major, works, unhappily, in a Toronto advertising agency. When the dissatisfaction of the past five years begins to oppress her, she lets off steam by pilfering magazines from a local convenience store. Cho's moody character study is as much about city life as it is about Corinna. He depicts her falling asleep in front of the TV in her condo, brooding on the subway, roaming the crowded streets after a budding romance goes awry. Like a great short story, this is a simple tale of a young woman figuring out how to get her life back, but if feels as if it contains so much of contemporary existence -- its comforts, its loneliness, its self-deceptions -- suspended in wintery amber.

    Ten spectacular graphic novels from 2014

    Through the Woods by Emily Carroll
    This collection of archetypal horror, fairy and ghost stories, all about young girls, comes lushly decked in Carroll's inky black, snowy white and blood-scarlet art. A young bride hears her predecessor's bones singing from under the floorboards, two friends make the mistake of pretending to summon the spirits of the dead, a family of orphaned siblings disappears one by one into the winter nights. Carroll's color-saturated images can be jagged, ornate and gruesome, but she also knows how to chill with absence, shadows and a single staring eye. Literary readers who cherish the work of Kelly Link or the late Angela Carter's collection, "The Bloody Chamber," will adore the violent beauty on these pages.

  • Recent Slide Shows

Comments

0 Comments

Comment Preview

Your name will appear as username ( settings | log out )

You may use these HTML tags and attributes: <a href=""> <b> <em> <strong> <i> <blockquote>