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Monday, Mar 20, 2006 12:26 PM UTC2006-03-20T12:26:00Zl, M j, Y g:i A T

“The Night Watch”

Sarah Waters' grand new novel chronicles love, sex and obsession among four Britons in crumbling World War II London.

"The Night Watch"

“The Night Watch,” Sarah Waters’ new novel, is like one of those cinematic melodramas of the late 1940s and early 1950s, directed by Douglas Sirk — and inspiring Todd Haynes’ 2002 homage, “Far From Heaven.” (Actually, it’s most like the wartime films made by Powell and Pressburger in the U.K., but most Americans aren’t familiar with those.) It’s big, handsome, somewhat soapy and burnished to a superior gloss. Because they are British, Waters’ characters are even more stoic and thwarted by convention than their American counterparts. The novel begins just after World War II and everyone in it is so used to bucking up and being heroic that they can’t quite break loose of their stalwart postures.

Waters tells the stories of four Londoners, going backward in time. We first see them rummaging around the wreckage of their lives in 1947, then at the tail end of the war in 1944, and finally in 1941, where we learn about the mistakes, illusions and leaps of faith that lead them to their stunned condition at the book’s beginning. The keystone of the story is Kay Langrish, an ambulance driver and medic who works the night watch during the Blitz, saving lives and pulling body parts out of London houses after they’ve been pulverized by German bombs.

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Laura Miller

Laura Miller is a senior writer for Salon. She is the author of "The Magician's Book: A Skeptic's Adventures in Narnia" and has a Web site, magiciansbook.comMore Laura Miller

Thursday, Jul 21, 2011 12:30 PM UTC2011-07-21T12:30:00Zl, M j, Y g:i A T

Reviewing the Tea Party historical drama

The straight-to-DVD "Courage, New Hampshire" is a tale of justice, godliness and wildly varying accents

Pre-Tea Party tea people

Pre-Tea Party tea people

Despite the heavenly perfection of the free market, Hollywood, mysteriously, refuses to provide family-friendly entertainment that is, shall we say, correct, politically. While it may seem like the entertainment industry is devoted to profit above all else, and is therefore engaged in giving the people what they want, the truth is those show business freaks are shoving their liberal values down America’s throat, as evidenced by “Glee” and Lady Gaga’s appearance on “American Idol.”

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Alex Pareene

Alex Pareene writes about politics for Salon. Email him at apareene@salon.com and follow him on Twitter @pareene  More Alex Pareene

Thursday, Jun 2, 2011 12:35 AM UTC2011-06-02T00:35:00Zl, M j, Y g:i A T

“Doc”: A cutthroat legend comes alive

A brilliant new novel reimagines the lives of the mythical figure and his bloody cohorts in the Old West

"Doc": A cutthroat legend comes alive

Barnes & Noble ReviewDoc Holliday, Bat Masterson, Wyatt Earp, and Earp’s many brothers are known to most of us as they have been shaped successively by sensationalist journalism, dime novels, movies, and TV series. Though biographies of varying degrees of seriousness have also been written of most of these men, their lives might best be suited to fiction; only it can adequately convey the animating tincture of myth that has made them momentous.

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Tuesday, May 24, 2011 6:25 PM UTC2011-05-24T18:25:00Zl, M j, Y g:i A T

History Channel hires reality show guru for Bible series

"Survivor" producer Mark Burnett tackles noncontroversial religious text, promises no historical context

And in the beginning, there was Richard Hatch.

And in the beginning, there was Richard Hatch.

The History Channel: not just for documentaries about Hitler anymore. In an effort to appeal to those millions of Americans who would rather watch contestants eat dung in a jungle with Jeff Probst egging them on than watch another documentary about something that happened before they were born, the channel has brought in reality show producer Mark Burnett to create a 12-hour scripted drama about the Bible. Previously, Burnett’s biggest shows to date have been “Survivor,” “The Apprentice” and “The Voice”… all of which sound like Sunday school stories themselves when you stop to think about it.

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Drew Grant is a staff writer for Salon. Follow her on Twitter at @videodrewMore Drew Grant

Saturday, Apr 9, 2011 1:01 AM UTC2011-04-09T01:01:00Zl, M j, Y g:i A T

“The Princess of Montpensier”: A delicious French bodice-ripper

A gorgeous cast and a vivid glimpse of 16th-century love and life make "Princess of Montpensier" a delight

A still from "The Princess of Montpensier"

A still from "The Princess of Montpensier"

Every name-brand French director has to take on the historical costume drama sooner or later — and don’t start groaning about it, either. You only think you don’t like this kind of movie, and as Bertrand Tavernier’s “The Princess of Montpensier” reminds us, when it’s done well this is a uniquely satisfying genre. Freely adapting a well-known 17th-century novella by Madame de La Fayette (which is set almost a century earlier, during the devastating civil war between French Catholics and Protestant reformers), Tavernier has created a sweeping and intimate spectacle that’s rich with bodice-ripping passion, grim and bloody battle scenes, fascinating historical detail and the peculiar romantic philosophy of the Renaissance.

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Andrew O

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Tuesday, Jan 4, 2011 3:01 PM UTC2011-01-04T15:01:00Zl, M j, Y g:i A T

What Michele Bachmann doesn’t know about history

Her version of America's founding is no more sophisticated than a comic book populated by superheroes and villains

Michele Bachmann claimed last week that Gore Vidal's novel "Burr" turned her against the Democratic Party

Michele Bachmann claimed last week that Gore Vidal's novel "Burr" turned her against the Democratic Party

At a rally last week, Republican Rep. Michele Bachmann playfully confessed to having campaigned for Jimmy Carter in 1976. Waiting for the laughter to subside, she went on to say that it was as a junior (elsewhere she has said senior) at Minnesota’s Winona State College, sitting on a train and trying to work her way through Gore Vidal’s 1973 bestseller, “Burr,” that she gave up on the volume in her hand and all at once converted to the Republican Party. Vidal’s book was, Bachmann asserted, a founder-hating tome, apparently so violent in its anti-American rhetoric that it redirected her whole system of belief.

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Andrew Burstein and Nancy Isenberg are Professors of History at Louisiana State University and coauthors of "Madison and Jefferson." (Random House, 2010).  More Andrew Burstein and Nancy Isenberg

  More Nancy Isenberg

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