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Monday, Jan 15, 2007 8:01 AM UTC2007-01-15T08:01:00Zl, M j, Y g:i A T

Exclusive Daily Download: “The Perfect Me,” Deerhoof

An exclusive download from San Francisco's critical favorites.

A band that plays fractured pop songs and features a cute Japanese woman (Satomi Matsuzaki) for a lead singer may seem like the definition of a critics’ favorite, but San Francisco’s Deerhoof are charming enough for the casual music fan to enjoy as well. As is common with Deerhoof tunes, “The Perfect Me,” from the band’s upcoming “Friend Opportunity,” sounds like five different songs crashing into each other, as the guitars, vocals, percussion and keyboards all jostle for space. It’s a great example of Deerhoof’s kitchen sink approach to songwriting.

– D.M.

Monday, Feb 13, 2012 4:28 PM UTC2012-02-13T16:28:00Zl, M j, Y g:i A T

At the CPAC-Occupy beer summit

Over drinks, foot soldiers of the left and right explore what they agree on: more than you'd think

VIDEO
At the CPAC-Occupy beer summit

At the CPAC-Occupy beer summit (Credit: Eddie Becker)

In my report on the Conservative Political Action conference in Washington I wrote that the Occupiers and the CPAC crowd “barely know how to talk to each other.”

But they’re trying.

My colleague Eddie Becker was there when it happened at CPAC this weekend. A couple of Tea Party militiamen understood that if you buy a few cold ones and start talking, you may discover you have some things in common (along with some huge differences).  There have been other friendly encounters of these two movements. In Richmond Virginia for example.

This video is 15 minutes long. Its worth the wait to see Occupiers and Tea Partiers trying to get to the heart of the problem.

Jefferson Morley is the Washington editor of Salon and author of the forthcoming book, Snow-Storm in August: Washington City, Francis Scott Key, and the Forgotten Race Riot of 1835 (Nan Talese/Doubleday).  More Jefferson Morley

Monday, Feb 13, 2012 3:48 PM UTC2012-02-13T15:48:00Zl, M j, Y g:i A T

Our non-withdrawal from Afghanistan

Despite the alleged 2014 end date, the military has ramped up its construction of long-term bases

A helicopter lands near U.S. soldiers at the Forward Operating Base Bostic  in Kunar, Afghanistan

A helicopter lands near U.S. soldiers at the Forward Operating Base Bostic in Kunar, Afghanistan (Credit: Reuters/Erik de Castro)

This originally appeared on TomDispatch.

In late December, the lot was just a big blank: a few burgundy metal shipping containers sitting in an expanse of crushed eggshell-colored gravel inside a razor-wire-topped fence. The American military in Afghanistan doesn’t want to talk about it, but one day soon, it will be a new hub for the American drone war in the Greater Middle East.

Next year, that empty lot will be a two-story concrete intelligence facility for America’s drone war, brightly lit and filled with powerful computers kept in climate-controlled comfort in a country where most of the population has no access to electricity. It will boast almost 7,000 square feet of offices, briefing and conference rooms, and a large “processing, exploitation and dissemination” operations center — and, of course, it will be built with American tax dollars.

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Nick Turse is the associate editor of TomDispatch.com and the winner of a 2009 Ridenhour Prize for Reportorial Distinction as well as a James Aronson Award for Social Justice Journalism. His work has appeared in the Los Angeles Times, the Nation, In These Times, and regularly at TomDispatch. This story is a joint investigative project of Salon, AlterNet, and Brave New Foundation.  More Nick Turse

Monday, Feb 13, 2012 1:00 PM UTC2012-02-13T13:00:00Zl, M j, Y g:i A T

“We don’t need someone to think”

Behind the scenes at CPAC: Who needs to agree on a presidential nominee? The strategy is to rule through Congress

VIDEO
Grover Norquist CPAC

Grover Norquist, conservative general, explains it all. (Credit: Jeff Malet)

On Friday evening, conservatives and Occupy forces talked trash outside the Conservative Political Action Committee conference (CPAC) in Washington, D.C. To my right stood two Occupy soldiers, Michael and Mo, both African-American, shouting slogans about the 1 percent. To my left, a cluster of jacket-and-tied CPAC men shouted sound bytes about freedom  In between them stood a line of grim-looking, blue-suited officers of the Metropolitan Police Department, both white and African-American, quite possibly thinking, These people are nuts.

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Jefferson Morley is the Washington editor of Salon and author of the forthcoming book, Snow-Storm in August: Washington City, Francis Scott Key, and the Forgotten Race Riot of 1835 (Nan Talese/Doubleday).  More Jefferson Morley

Monday, Feb 13, 2012 12:53 PM UTC2012-02-13T12:53:00Zl, M j, Y g:i A T

How rough it’s gotten for Mitt

When not completely melting down is considered good news, you’ve got a problem

Mitt Romney

Republican presidential candidate Mitt Romney speaks at a caucus, Saturday, Feb. 11, 2012, in Portland, Maine. (AP Photo/Robert F. Bukaty)  (Credit: AP)

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The fact that Mitt Romney scored two straw poll victories over the weekend is not, by itself, bad news for his campaign. But the fact that the entire political world knows he did is.

If things were going the way Romney and his campaign wanted them to be going (and the way they believed they were going until about a week ago), the straw votes at CPAC and in Maine on Saturday would have been campaign footnotes, two more lay-ups for a candidate well on his way to uniting the Republican Party. Instead, they made for headline news, two desperately needed and somewhat surprising victories for a feeble front-runner.

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Steve Kornacki

Steve Kornacki writes about politics for Salon. Reach him by email at SKornacki@salon.com and follow him on Twitter @SteveKornacki  More Steve Kornacki

Monday, Feb 13, 2012 12:30 PM UTC2012-02-13T12:30:00Zl, M j, Y g:i A T

The Grammys’ most memorable moments

Adele, Glen Campbell and the Boss triumph, Whitney's remembered -- but what was Nicki Minaj up to?

VIDEO
Adele

Adele poses backstage with her six awards at the 54th annual Grammy Awards on Sunday, Feb. 12, 2012 in Los Angeles. Adele won awards for best pop solo performance for "Someone Like You," song of the year, record of the year, and best short form music video for "Rolling in the Deep," and album of the year and best pop vocal album for "21." (AP Photo/Mark J. Terrill)  (Credit: AP)

The Grammys have always trod the line between dull veneration of industry success and outrageous celebration of rock-and-roll excess. But this year, with the losses of Etta James, Clarence Clemons, Gil Scott-Heron and Amy Winehouse, the show had an even tougher time finding the right pitch than Coldplay’s Chris Martin did.

The specter of death would have hung heavily over the proceedings even if Whitney Houston hadn’t died suddenly the day before. But the singer’s untimely demise Saturday gave an unavoidable air of sorrow to the proceedings, a grim dose of reality that couldn’t help crashing into the fantasy realm of Lady Gaga scepters and Nicki Minaj eyelashes. That’s why the most memorable aspects of the broadcast weren’t just the loudest or the tackiest. They were sad, they were weird, they were sometimes awful; sometimes, they were even fantastic. And they were dominated by two big-throated ladies – the troubled diva from Newark and Adele, the whiskey-voiced British blonde. And though we loved The Civil Wars’s one-minute of perfection and were baffled by Rihanna’s “When Harry Met Sally” hair and got weepy over Paul McCartney and company’s poignant and timely “Golden Slumbers/Carry That Weight,” these are Salon’s top-10 biggest moments of the night.

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Mary Elizabeth Williams

Mary Elizabeth Williams is a staff writer for Salon and the author of "Gimme Shelter: My Three Years Searching for the American Dream." Follow her on Twitter: @embeedubMore Mary Elizabeth Williams

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