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Daniel Asa Rose

Sunday, Jun 17, 2007 1:00 PM UTC2007-06-17T13:00:00Zl, M j, Y g:i A T

Bad news dad

Twenty years after raising two boys with my first wife, I'm doing it again with my second. So don't call me a grump if I'm not charmed by every damn Little Leaguer or cute story about spitting.

Bad news dad

I rather enjoy having kids. Again. All over again. After having two boys with my first wife, to raise to adulthood, having two more boys with my new wife, to raise to adulthood. Doing the same things. Mostly the very same things. Day after day. Year after year.

Don’t get me wrong, I’m mostly rapturous about doing it again in my 50s. And, it goes without saying, I hold them more dear than life itself. So back off, OK, and let me tell you the few things I rather … disenjoy … about doing it again?

Bone-dissolving baby wail in lieu of a drum roll, please.

The devoted attention required for details.

I’m one of those dads who’s pretty good at seeing the big picture. Like kids need an inoculation every 10 or 20 years or so. It isn’t vital that I be kept in the loop of every detail, say when I’m on the phone trying to assure a prospective baby sitter’s mother that there are no molesters in our household while my offspring is talking at me, as follows:

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Thursday, Oct 20, 2011 12:00 AM UTC2011-10-20T00:00:00Zl, M j, Y g:i A T

Inside “Maus”

25 years later, Art Spiegelman gives us a behind-the-scenes look at his seminal Holocaust graphic novel

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This article appears courtesy of the Barnes & Noble Review.

Among those of a certain age, is there a soul who doesn’t remember how brilliantly “Maus” lit up the night when it burst upon the scene in 1986? A deeply serious comic strip of the Holocaust before the category of graphic novel was common coin, with Jews depicted as timorous mice and Nazis as bestial cats, “Maus” was scandalous in concept, jaw-dropping in execution, and, beneath its transgressive exterior, humbling in its rigorous yet gentle understanding of the victims of one of the seismic events of the 20th century.

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Thursday, Aug 11, 2011 12:19 AM UTC2011-08-11T00:19:00Zl, M j, Y g:i A T

“Ladies and Gentlemen: Stories”: Human cruelty, explored

A new book from the author of "Mr. Peanut" delves into the dark interactions between men and women

"Ladies and Gentlemen: Stories": Human cruelty, explored
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Cruelty comes in all kinds of colors. There’s blithe cruelty that makes light of itself. Gross cruelty that makes no excuses for itself. Passive-aggressive cruelty (which is really just aggressive cruelty without the courage to admit it). And the coup de cruelty: careless, casual cruelty that cuts so finely it barely leaves a surface wound. But beneath the surface, the damage can be deep indeed.

Barnes & Noble Review All these kinds, but mostly the last, are on dark display in the interactions between the characters of Adam Ross’ collection of stories, “Ladies and Gentlemen,” his first book to be published since his debut novel, “Mr. Peanut,” landed last June to wildly mixed reviews. In keeping with his theme, he has chosen the perfect epigraph to introduce a work that addresses the issue in all its guises: “Cruelty, like every other vice, requires no motive outside of itself; it only requires opportunity” (George Eliot).

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Thursday, Jan 20, 2005 6:48 PM UTC2005-01-20T18:48:00Zl, M j, Y g:i A T

Is “doggie style” hyphenated?

My stint as a copy editor at a skin mag taught me more than I ever wanted to know about the sexual proclivities of the American public.

Is "doggie style" hyphenated?

Let us call him “Mr. Green”: a varnished old rogue in a stained ascot. At a New York writers party featuring various penniless scribes crushed into a room the size of a janitor’s closet, Mr. Green watched as I spoke touchingly of my wife’s second pregnancy and the financial burdens presented thereby. Then he asked if I wanted freelance work.

“Copy-editing jerk-off letters for a skin mag,” Green said. “Your eyes will glaze over but the money’s grand.”

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