Food

Mister bean

Ken Albala, author of "Beans: A History," discusses the social and culinary impact of the humble legume.

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Mister bean

Every food has its fans, and with Ken Albala’s new book, “Beans: A History,” the humble legume may well have found its champion. Over a year spent eating beans on a daily basis, from minuscule rice beans to 4-inch whoppers called gigantes, the culinary historian put his expertise — and his stomach — to work, compiling a detailed family history of the world’s edible beans.

But lest that seem like an avalanche of research to pour into a humble subject, Albala is quick to point out that beans are one of the few foods that appear in nearly every national cuisine, from French cassoulets to Filipino bean and fruit desserts. Pairing a foodie’s curiosity with an academic’s knack for detail, Albala carefully charts the food’s historical arc while also offering recipes in keeping with each era. A simple lentil soup punctuates the tale of the small legume’s role in stabilizing early agriculture in the Fertile Crescent of Mesopotamia, while tepary beans, native to North America’s indigenous cultures, show up both in both a hearty stew and haute “slow food” dishes.

Still, Albala’s work is at its best when he dissects the social cues tied up in beans, particularly our tendency to use beans as a metaphor for simpler times and leaner wallets. As a case in point, he contrasts Bill Clinton‘s biography — which details the former president’s love of beans, suggesting humble beginnings to his affluent readers — with an early Clinton campaign jingle aimed at the poor, which dismissed beans in favor of steak.

Salon caught up with Albala at his University of the Pacific office to talk about bean myths, whether to soak or not and why gourmands may be the biggest booster for the lowly legume.

Why do beans matter?

There are very few foods that serve as a unit of analysis across cultures that you can pick up everywhere, but beans are one of those things. Every culture on earth has a staple grain; there’s rice in Asia, wheat and barley in Europe and corn in the American, but beans go next to them all — they’re sort of a universal accompaniment to the grain staple.

Beans are also interesting as a social marker: Almost every culture has some sort of idea about what beans “mean.” In cultures where meat is an important part of the diet, beans are the first thing to go when fortunes improve, so beans become a marker of poverty there and low classes. It is like a unit of social analysis.

I couldn’t keep track of all the beans you wrote about, but it seems safe to say it’s in the three-figures range. How did you find them all?

Cookbooks don’t focus much on beans, so I mostly used agricultural reference works. In the 1970s, there were a lot of books published about introducing new bean species and agricultural techniques to developing nations.

What surprised me is that the beans we eat [in the U.S.] are almost all the exact same species. Black beans and kidney beans and pinto beans and Christmas beans — those are all the same species, and they’re just bred to be different colors and sizes. And, of course, the colors disappear when you cook them. People look at them in packages and think, “Oh, isn’t this beautiful,” but [the bean] turns brown when you cook it.

There are all sorts of beans that are really easy to grow and that are high in protein and low in fat that just have not been discovered. Some people are thinking about growing them, but Americans aren’t bean eaters, really. There are so many species that you don’t see in North America unless you look really, really hard.

Where did you get the recipes you include in the book?

The recipes are mostly all mine, but based on research. My favorite, I’d have to say, is the cassoulet — it’s the longest and most complicated, but if you have the right ingredients, it’s amazing. There’s confit duck legs and sausages, and [the dish] gets brown and crusty and beautiful. I never did get to Toulouse [France] for this book, but someday I will taste a real cassoulet.

In doing my research, I found it fascinating that in different cultures, beans are cooked in completely and utterly different ways. In the Philippines, they’re sweet and put on ice cream. And you find sweet bean paste in Japan, in cakes or frozen as bean pops — which are totally bizarre but great. In Africa, they’re ground up and fried into little cakes. In the U.S., we just think “Beans: You soak them and you cook them,” but they work with almost any flavor. You can pickle them, which makes them sour. You can salt them — like the salted black beans fried with soy or sweetened that you find in Chinese cuisine. Not many foods hold up to as many variations as that.

You include some strange recipes, too: Bean fudge from the Michigan Bean Council, and a bean fruitcake. Did you really try those?

I just put those in because they’re novel and a little gross, though I did make them. Of everything I tried, the thing I’d be least likely to eat again is natto [Japanese beans in a gelatinous mixture]. It was really, really bizarre — but I’ve been tempted to buy it again, just for the fear factor.

By the end of your year of beans, did you have favorites?

I really like tepary beans. They’re not easy to get, and they cost about $20 a pound, but for flavor and texture, they hold up well. They take several hours to cook, but it’s worth every second. But I think lupines are my favorite. Any good Italian grocery store will sell them; they’re called lupini. They’re more like olives — salty and a little sour and bitter — and you can cook them forever and they still remain crunchy. I have an addiction to them.

But one kind I still don’t care much for is lima beans. I didn’t include this in the book, but in cartoons there are a lot of things about beans, and in one cartoon I have, as a torture device, they feed people lima beans — like that’s the worst thing you could do to someone.

One thing that I was really surprised by were just how many different myths and rituals made use of beans; in particular, I was surprised to hear that in ancient Greece there was a concern that killing a bean plant meant killing a soul. Where did that come from?

It comes from Pythagoras; everyone in the ancient world comments on Pythagoras’ being vegetarian and not eating beans. Pythagoras not only wouldn’t eat them, but when [he and his followers] were being invaded, he wouldn’t cross through a bean field and was killed. The idea was that beans [contain] human souls in the process of transmigration. Souls go into the ground and are borne up through the hollow stems of the fava bean plants.

Where would you get that idea in the first place? Well, the rhizobium bacteria on the nodes of the plant’s roots draw nitrogen from the air, and add it back to the soil. But what I didn’t know is that the nodules also have something very much like human hemoglobin, except that it’s in the plant and binds with oxygen and makes it red like blood. So if you pull out a bean plant and break open the little nodes, there’s this “blood” inside. That might be why people thought beans were people being reincarnated.

Every time I cook with dried beans, they inevitably end up dry — and most of my friends report the same problem. What’s the secret to tender beans?

The problem is that the beans you find on the shelf in grocery stores often have been sitting there for a couple of years, and they get really, really tough and hard to cook — sometimes no amount of cooking will save them. Indian grocery stores are the best, not only for the variety but because [Indians] eat beans more often; the inventory moves there.

The universal rule is, if you can get them fresher, the better — dried but fresh. Soak them first overnight, and cook in absolutely plain, ordinary water. Not salt, not vinegar, not flavoring, not anything to start with. When they begin to get soft, then you can add the flavoring, and they’ll absorb it. Sometimes if you add salt, they never get soft. Or if you add some other flavoring, they harden. But I have to admit, I eat them out of a can more often — it’s just easier.

You write about how in Europe, there are bean classifications that denote heirloom varieties, and you even came across a gourmet food competition featuring heirloom bean varieties in San Francisco.

It’s sort of ironic: After so long of being looked down on culturally, beans have found a classy little niche. But it’s never just prepared ordinary pinto beans or navy beans; it’s usually some bizarre species. That’s the strange irony of the slow-food movement — it started as communist and now they’re selling these disappearing foods to gourmets. I don’t think it’s a bad thing because they’re promoting varieties that would otherwise disappear, but it’s kind of a reverse elitism. Traditionally, being elite has [meant] buying expensive stuff, like caviar and Champagne. This is turning all that on its head, saying we’re going to eat the lowest, most common of foods, and we’re assuming that only you can get it.

There are bean societies too, mostly in Europe. Some of them include growers and distributors, and they throw parties once a year and all get drunk and eat beans. Partly it’s financially motivated — I’ve met a few of them at fancy-food shows and things like that, and they all have agents there trying to sell these beans.

Americans aren’t really bean eaters, but beans do seem to show up in our comfort foods — like red beans and rice, and black-eyed peas — in ways that break along lines of race and class. What did you learn about that history?

Well, in some places, beans are stigmatized as immigrant foods. For instance, in Mexico there’s really no stigma about beans, but when Mexicans come to the United States they get called “beaners.” Then what you see is that later generations try to recover the recipes as markers of ethnic pride. To be genuinely African-American you cook black-eyed peas; to be Brazilian, you eat feijoada [a stew made of black beans, pork, onions and cassava]. Whatever it may be, there are things that are eaten traditionally that ethnic groups try to recover.

I think the best way to sell beans would be to use those recipes, the interesting ethnic ways beans are used. Goya has already started that; it began selling primarily to an ethnic market, but that trickled down to all sorts of consumers. Indian dals come in hundreds of forms and use all sorts of interesting beans with different textures and flavors, and those beans are the ones that are going to get people excited. Ethnic recipes and ethnic varieties are the future of beans.

The making of the term ‘pink slime’

A simple nickname that forever changed an entire industry

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The making of the term 'pink slime'FILE - In this March 29, 2012 file photo, the beef product known as lean finely textured beef, or "pink slime," is displayed during a plant tour of Beef Products Inc. in South Sioux City, Neb., where the product is made. Gerald Zirnstein, the microbiologist who coined the term "pink slime," says it came to him in the spur of the moment as he was composing an email to a coworker at the U.S. Department of Agriculture a decade ago. Although it's been used as a filler for decades, the product became the center of controversy only after Zirnstein's vivid moniker for it was quoted in a 2009 New York Times article on the safety of meat processing methods. (AP Photo/Nati Harnik, File)(Credit: AP)

NEW YORK (AP) — “Pink slime” was almost “pink paste” or “pink goo.”

The microbiologist who coined the term for lean finely textured beef ran through a few iterations in his head before pressing send on an email to a co-worker at the U.S. Department of Agriculture a decade ago. Then, the name hit him like heartburn after a juicy burger.

“It’s pink. It’s pasty. And it’s slimy looking. So I called it pink slime,” said Gerald Zirnstein, the former meat inspector at the USDA. “It resonates, doesn’t it?”

The pithy description fueled an uproar that resulted in the main company behind the filler, Beef Products Inc., closing three meat plants this month. The controversy over the filler, which is made of fatty bits of beef that are heated and treated with ammonium to kill bacteria, shows how a simple nickname can forever change an entire industry.

In fact, beef filler had been used for decades before the nickname came about. But most Americans didn’t know — or care — about it before Zirnstein’s vivid moniker was quoted in a 2009 article by The New York Times on the safety of meat processing methods.

Soon afterward, celebrity chef Jamie Oliver began railing against it. McDonald’s and other fast food companies later discontinued their use of it. And major supermarket chains including Kroger and Stop & Shop vowed to stop selling beef with the low-cost filler.

Bettina Siegel, a food blogger who posted an online petition asking the USDA to stop using the filler in school lunches, said the controversy isn’t based on the term alone. She said consumers are just upset that the filler is not what they think they’re getting when they buy “100 percent ground beef.”

But Siegel acknowledges that the name doesn’t hurt her cause, either. She said the term “filled a vacuum” in the public arena about the filler; her petition, “Tell the USDA to STOP Using Pink Slime in School Food” had more than 200,000 signatures within a week.

Beef Products, which makes the filler, blames its plant closings on what it calls unfounded attacks. About 650 jobs will be lost when plants in Amarillo, Texas, Garden City, Kansas, and Waterloo, Iowa close on Friday. Another plant in South Sioux City, Neb., will remain open but run at reduced capacity.

Still, the company, based in South Dakota, said it’s not considering changing the filler’s name. Instead, Beef Products set up a website, beefisbeef.com, to combat what it calls “media-perpetuated myths” about the filler.

Meanwhile, the author of the term “pink slime” makes no apologies about his creation. Zirnstein, who has since left the USDA, said he thinks “pink slime” is a better descriptor than “lean finely textured beef.”

“It says it’s lean. Great. But it doesn’t describe what kind of lean it is,” said Zirnstein, who doesn’t think the product should be mixed into beef. “Textured. What does that mean?”

 

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Did slaves catch your seafood?

Thailand, a major source of fish imported to the US, depends on forced labor for its product

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Did slaves catch your seafood? (Credit: Alena Brozova via Shutterstock)
This article originally appeared on GlobalPost.

PREY VENG, Cambodia, and SAMUT SAKHON, Thailand — In the sun-baked flatlands of Cambodia, where dust stings the eyes and chokes the pores, there is a tiny clapboard house on cement stilts. It is home to three generations of runaway slaves.

Global PostThe man of the house, Sokha, recently returned after nearly two years in captivity. His home is just as he left it: barren with a few dirty pillows passing for furniture. Slivers of daylight glow through cracks in the walls. The family’s most valuable possession, a sow, waddles and snorts beneath the elevated floorboards.

Before his December escape, Sokha (a pseudonym) was the property of a deep-sea trawler captain. The 39-year-old Cambodian, his teenage son and two young nephews were purchased for roughly $650, he said, each through brokers promising under-the-table jobs in a fish cannery.

There was no cannery. They were instead smuggled to a pier in neighboring Thailand, where they were shoved aboard a wooden vessel that motored into a lawless sea. His uncle had fallen for the same scam five years prior and escaped to warn the others. But Sokha told his son, then just 16, that this venture would turn out differently. He was wrong.

“We worked constantly, for no pay, through seasickness and vomiting, sometimes for two or three days straight,” he said. “We obeyed the captain’s every word.”

Near-daily death threats reinforced the captain’s supremacy. So did his Vietnam War-era K-54 pistol, and the night he carved up another slave’s face in view of the crew. “For 20 hours a day, we were forced to catch and sort sea creatures: mackerel, crabs, squid.” It’s back-breaking work, under the searing tropical sun. “But the fish wasn’t for us,” he added.

So who was it all for?

The answer should unsettle anyone who closely examines Thailand’s multi-billion dollar wild-caught seafood industry and the darkest links in its supply chain.

“It’s an export-oriented market. And we know the countries where these products are exported to,” said Lisa Rende Taylor, chief technical specialist with the United Nations Inter-Agency Project on Human Trafficking or UNIAP. “Do the math.”

For Americans, the calculation is worrisome. Thailand is the United States’ second-largest supplier of foreign seafood. Of America’s total seafood imports, one out of every six pounds comes from the Southeast Asian nation.

In 2011 alone, Thailand exported 827 million pounds of seafood worth more than $2.5 billion to the US, according to National Marine Fisheries Service figures. The only nation that consumes more Thai seafood exports is Japan.

Murder is an occupational hazard. But a monotonous job assembling iPads is heaven compared to slavery on a Thai trawler, where conditions are as grueling and violent as any 19th-century American plantation. The lucky escape within a year or so. Less fortunate are those traded several times over for years on end.

Denying that the fruits of forced labor reach the biggest importers of Thai seafood — Japan, America, China and the European Union — has become increasingly implausible.

The accounts of ex-slaves, Thai fishing syndicates, officials, exporters and anti-trafficking case workers, gathered by GlobalPost in a three-month investigation, illuminate an opaque offshore supply chain enmeshed in slavery.

A long trail of offshore operators — slave boats, motherships and independent fishmongers — can obfuscate the origins of slave-caught seafood before it ever reaches the shore. While the industry’s biggest earners rely on clannish and violence-prone fishing crews for raw material, they’re distanced from the worst abuses by hundreds of nautical miles and several degrees of middlemen.

The result is that many Thai factory bosses have no idea who caught the seafood they process for foreign consumers.

There are caveats. The majority of Thailand’s two largest seafood exports to the US — tuna and shrimp — are sourced differently. Most “Thai” tuna is actually imported from overseas and processed for re-export. The shrimp industry, though routinely accused of abusing poor migrants, is at least vulnerable to spot checks on seaside farms.

The same cannot be said for deep-sea trawlers, the favored vessel of slave-driving captains.

The species caught by Thai trawlers legal and illicit alike include sardines, mackerel, cuttlefish, squid, anchovies and “trash fish,” tiny or foul-tasting catch ground into animal food or preserved to create fish sauce. Americans consume these breeds en masse. One in five pounds of America’s imported mackerel or sardines comes from Thailand, according to US government records. For processed fish balls, puddings or cakes — made from trawlers’ trash fish — the figure is one in three pounds. Thai fish sauce supplies nearly 80 percent of the American market.

All that trawler catch ends up in familiar American fare: anchovy pizzas, squid linguine, smoked mackerel salads and fish fillets on ice. Even pets are entangled: trash fish is a common dog- and cat-food ingredient. But industry representatives in Thailand admit there’s often no way to tell whether a particular package of deep-sea fish was caught using forced labor.

Using bar codes, American shoppers can track packaged Thai-exported seafood to its onshore processing facility, said Arthon Piboonthanapatana, secretary general of the Thai Frozen Foods Association. “You can trace it back to the factories.”

But exporters, he said, are not in the business of policing the fishing syndicates that supply their factories. “We only have the power to enforce our members,” Arthon said. “We have no power to enforce other stakeholders such as boats or fishermen.”

American seafood importers consider themselves similarly powerless in overseeing far-flung Thai boats. “Western regulatory agencies have little or no reach, or authority, over various parts of the value chain,” said Gavin Gibbons, spokesman for the National Fisheries Institute, America’s chief seafood trade organization and lobbying group based outside Washington, DC. The institute will promptly respond to allegations against specific factories, he said. But so far, it has not found an effective way to monitor conditions on deep-sea boats catching US-bound fish.

“We have started discussions with our members about just how far an audit could realistically go and whether, perhaps, there are dockside audits that could be developed,” Gibbons said.

The “nature of boats being at sea,” he said, presents a major challenge to industry’s self-policing efforts.

International pressure to rid Thailand’s seafood trade of slavery is mounting. Thailand teeters just above the US State Department’s worst human-trafficking ranking and could be downgraded this summer. Last year, during a visit that vexed Bangkok officials, a UN rapporteur declared that forced labor is “notoriously common” in Thailand’s fishing sector and even alleged police complicity.

“It’s not like monitoring brothels, plantations or factories … all this labor is at sea,” Rende Taylor said. “So it’s essentially a universe where captains are king. Some are out to make as much money as possible by working these guys around the clock and being as cruel as they want to be.”

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Horrors we hide

From slaughterhouses to sweatshops, modern society is constructed to let us ignore atrocities

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Horrors we hideWorkers at a Seagate Wuxi factory in China (Credit: Robert Scoble / CC BY 2.0)

Would Americans eat less meat, and would animals be treated more humanely, if slaughterhouses were made with glass walls and we all could see the monstrous killing apparatus at work? This is the query at the heart of Timothy Pachirat’s new book, “Every Twelve Seconds” — the title a reference to the typical slaughterhouse’s cattle-killing rate.

Before you think this is a column merely about food, recognize that Pachirat’s question isn’t (only) about the immorality of the cheeseburger you had for lunch. It’s about the larger phenomenon whereby modern society has reconstructed itself to hide so many horrific consequences from view.

Calling this the “politics of sight,” Pachirat’s blood-soaked experience inside a slaughterhouse spotlights only the most illustrative example of how we’ve divorced ourselves from the means of producing violence — and how, in doing so, we have made it psychologically easier to support such brutality. Sadly, billions of factory-farmed animals dying barbaric deaths are just one subset of casualties in that larger process.

Today, for example, free trade policies that promote offshoring allow Americans to enjoy consumer goods at ultra-low prices without having to see that those low prices represent companies taking advantage of the developing world’s poverty wages, environmental destruction and human rights abuses. A veritable slave may have assembled the iPad you are reading these words on, but thanks to the supply chain’s geography and Apple’s lack of transparency, you can easily avoid dealing with the ethical implications of that reality.

Another example: Many Americans drive gas-guzzling SUVs, proudly slapping patriotic declarations on their bumpers. This seems perfectly reasonable, but only because many either don’t live near polluted oil-drilling sites or don’t have to personally experience the ramifications of our petroleum-focused military policies. Ultimately, by separating the consequences of gas consumption from the driver, we’ve created the psychological conditions for fossil fuel consumption to seem like an honorable statement of strength rather than an endorsement of environmental degradation and war.

Speaking of war, the politics of sight sculpt our martial policies. We ended conscription, separating most of our fellow citizens from the consequences of military action; we conduct combat via unmanned aerial vehicles that remove the pilot-shooters from the populations being bombed; and both the military establishment and the media themselves suppress photographs of coffins or battlefield viscera that might show us what war really looks like.

Some of this, of course, is an inadvertent byproduct of larger trends like globalization that stretch supply chains across the planet. Some of it comes from a culture narcissism that teaches us to consider only on our immediate surroundings and nothing else. Much of it, though, is a deliberate effort to hide the truth. From the Pentagon’s photo policy to agribusiness now championing so-called ag gag laws to punish activists who expose factory farm atrocities, vested interests are exploiting the fact that “out of sight, out of mind” is a default setting in the human mind.

For his part, Pachirat ends his brave journey unconvinced that, unto itself, removing the veil will be enough to make us a more thoughtful — if not moral — society. He’s almost certainly correct. The atrocities that power modern life are now integral to what we define as the norm. And whether that norm is eating meat, driving massive cars or flippantly waging war, changing the status quo warrants more than just knowledge — it requires the will to change once knowledge is available.

Fortunately, history proves Americans can summon that will. However, without knowledge — without an end to the moment’s deceptive politics of sight — the most important changes can never happen.

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David Sirota

David Sirota is a best-selling author of the new book "Back to Our Future: How the 1980s Explain the World We Live In Now." He hosts the morning show on AM760 in Colorado. E-mail him at ds@davidsirota.com, follow him on Twitter @davidsirota or visit his website at www.davidsirota.com.

Lessons of a reluctant hunter

A transplant to Oregon teaches me about growing up in rural Mexico, killing iguanas and grilling chicken

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Lessons of a reluctant hunterJazmin Rudin with her mother, Esperanza

Jazmin is 27 years old and beautiful. She has the fierce, dark beauty of a Mexican Indian, but she’s tall, and when you see her move, you think Masai warrior or maybe ninja. And it’s true: She does have ninja skills. When I first met Jazmin, she’d just killed a pheasant. She was sitting on the deck talking with a friend when she spotted the bird at the edge of the yard, 20 feet away. She casually picked up a two-by-four and hurled it. The missile hit the pheasant in the head, a neat kill. Jazmin walked over and picked it up. “Dinner,” she said.

She says she doesn’t particularly like killing animals, but she does kill from time to time, if she has good reason. A deer invaded her garden and she killed it with a machete, and she sometimes nets fish in the surf near her home on the coast of Guerrero, Mexico. It’s a skill born from practice and necessity: She grew up rural and poor. Her father abandoned her family when she was 8, and her mother, Esperanza, had to find a way to support seven children. “We ate a lot of natural things,” she says. “Things from the forest.  My brother used to kill iguanas. I’ve got a good iguana recipe if you want it. It’s the best meat as far as I’m concerned. There are two types of iguana: green and black. The black is good to eat. The green is too beautiful to kill. Last winter I found a big black one in my house! Can you believe it? The way you kill them is you step lightly on their heads and then pull on the tail.”

Humans worship athleticism, talent and perfection. We have a fascination with the tiny fraction of people who stand on the other side of the line that separates life from art: the grand master, the prima ballerina. We are drawn to people who embody something of the divine; the ones who, through their grace and inspiration, remind us that to be alive is majestic. Often these heroes in our spotlight are athletes. Sometimes they are leaders — warriors, politicians or rebels. Sometimes they are great chefs or composers or guitarists. But outside the spotlight and the enchantment of our collective worship, there are other artists, who turn mundane actions into magic, who approach humble tasks with perfect artistry. The masters of skills born of necessity and perfected to fulfill a pride that is autonomous from credit or accolades, a pride based on the perfection of the action itself, the economy of movement, the swiftness of results.

Jazmin Rudin is one such person. She possesses the grace and determination to execute any task at hand with astonishing efficiency. For example, she hunts shrimp in the river with a homemade metal spear. ”You take a long sharp piece of metal, filed at the end. It has to be really sharp. You attach that to a piece of surgical tubing so it snaps back to you when you throw it,” she says. She mimes aiming a spear, and remarks that on a good day she can spear two kilos of shrimp this way. I express disbelief. She shrugs.

“It’s a cultural thing. If you learn when you’re really little it’s easy enough. You have to learn because the shrimp are not going to come to your house and knock on your door.” She explains her technique: “The shrimp are under the rocks. You go underwater, and lift each rock. Don’t lift it all the way. You need to lift gently so they don’t see you.” She’s a demonstrative teacher. She talks slowly, and pauses to make eye contact. She’s checking to make sure I understand her. To help me get it, she uses hand motions. “They also like to hide in the roots of the trees that grow into the river; they hang out in there, caved up. Before you go for it, you have to check out all the potential exits they might have.” She mimes looking around and adds, “Sometimes you have to grab them with your hand, which can be prickly. But I say no! You’re for me. I don’t care if you bite me, you’re not escaping me!” She laughs. “But really, it’s all about taking aim. Just like hunting with a gun. When everything is correct you’ve got your shrimp.”

But hunting isn’t Jazmin’s only talent. The lectures on killing iguanas and spearing shrimp are just digressions: I’m here in her Oregon kitchen for a lesson in grilling chicken, estilo Mexicana. She learned this recipe for pollo asado from her mother, who raises chickens. Her mother learned it from her grandmother. Both women have lived their entire lives in the same small Guerrero village. Jazmin describes her grandmother as “muy antiquada,” or very antiquated. “She has Indian ways, folk ways,” Jazmin says. “There’s something a little witchy about her.”

Jazmin starts by butterflying a chicken thigh with a deft stroke of her knife. When I admire her technique she says, “My mother always says: ‘I know how to cook chicken, but you are the chicken maestro.’” There’s too much delight and humor in Jazmin’s countenance for this revelation to sound boastful. Besides, as I watch her demonstration, I realize she’s just stating a truth. “Take the leg,” she says. “Find the thickest part and slice it open, like so. Don’t cut it all the way through. Leave a layer of flesh so that you can fold the meat back. When you fold it open, the bones and meat are on one side, and there’s pure meat on the other side. You want to cut it so both sides are of equal thickness.” She slams the chicken leg flat on her cutting board. “Chickens prepared this way absorb more sauce,” she says and gives me a challenging look. I’m not about to argue with someone who can kill living shrimp with a handmade spear.

After salting the butterflied chicken legs and breasts, she sets the meat aside in a bowl and works on the sauce. “You’ll want to put seven dried chiles guajillos to soak in a bowl of water,” she says, helpfully adding, “It’s important to soak the chiles first, because it helps the chile to retain the red color.” She assembles her spices: powdered oregano, cumin seed, ground cloves and whole peppercorns, which she’ll grind in a stone mortar and pestle, or molcajete. The basalt bowl stands on its own three legs; the grinding stone is the size and texture of an avocado. “In Mexico everyone has the rock,” she says, laughing. “But if you don’t have a molcajete, use the blender. It’s not quite the same, but it works.” To make the sauce, she places two cloves of garlic and strips of wet chile in the molcajete, and then deftly adds spices and water a little at a time. The finished result is a uniform liquid, which she ladles over the chicken.

While the chicken marinates and the grill heats, we talk. Jazmin’s pueblo on the coast of Guerrero sounds a lot like the village in coastal Jalisco where I spent part of my childhood. It’s a rural culture, rooted in farming and fishing and family. Jazmin has always felt different from the other girls in town; she’s never cared for makeup or clothes. “I’m old-fashioned like my grandmother,” she admits. But although her values may be old-fashioned, she’s not exactly a textbook campesina: Her great joy in life is surfing, she raves about Hank Williams III, and she’s taught her dog, Rambo, to ride on the front of her four-wheeler. She married Mark, an older guy from Oregon, when she was 19, so that could help explain her cultural idiosyncrasies. But as I watch Jazmin laugh uproariously at a silly joke, it strikes me that even without the foreign influence, she would have been an oddball. She’s one of those rare individuals who always cleaves true to some inner compass.

“The secret to barbecuing chicken is to make sure the flame isn’t too hot,” she says, holding her hand over the gas grill, which she views with some contempt. We’re standing on a back porch in Bend, Ore., and Jazmin has been waxing poetic about the superiority of Mexican chickens. “In Mexico, we get a chicken that’s been killed that day. And it’s double good when you grill it over real coals; these gas grills have nothing on real charcoal.” She slaps a chicken thigh on the grill. “Keep turning the chicken over and over again,” she instructs. “It’s a totally different style. Not as juicy maybe, but more flavorful.” She’s right; when we pull the chicken off the grill a scant 20 minutes later, the meat has a satisfying, chewy texture and the flavor sings, savory and complex. Jazmin gives me a look, as though to say, “I told you so.”

“What do you call this recipe?” I ask.

“It’s called pollo asado,” she says, grinning. Grilled chicken. The answer is pure Jazmin: no nonsense and uttered with the easy confidence of a maestro. Like any great artist, she knows to let her work speak for itself.

Ingredients

  • 1 chicken, cut into pieces
  • Salt
  • Soy sauce (optional)
  • 7 dried red chiles guajillos
  • 1 teaspoon of ground cloves
  • 1-2 cloves of garlic
  • 1 teaspoon of cumin seed
  • 1 teaspoon of whole peppercorns
  • 1 teaspoon of powdered oregano

Directions

  1. Butterfly chicken.
  2. Splash chicken with soy sauce and sprinkle with salt.
  3. Rinse chiles and put them in a bowl. Fill the bowl with water until the chiles are covered. Let soak for 10 minutes. Reserve water.
  4. When the chiles are the consistency of wet satin, grind or blend them with the garlic and spices.
  5. Add the water left over from soaking the chiles to the spice/chile mixture.
  6. Pour liquid over raw chicken and leave to marinate for an hour.
  7. Heat your grill.
  8. When chicken is marinated and grill is hot, throw your chicken on the grill.
  9. Turn the chicken every minute or two until it’s done.
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Felisa Rogers studied history and nonfiction writing at the Evergreen State College and went on to teach writing to kids for five years. She lives in Oregon’s coast range, where she works as a freelance writer and editor.

Pink slime monster runs amok

The beef product processing industry is in a world of pain. Another scalp for social media?

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Pink slime monster runs amokThe beef ingredient dubbed “pink slime.” (Credit: AP/Beef Products, Inc.)

The battle over “pink slime” is getting messier. Blaming an “unfounded public outcry over the use of boneless lean beef trimmings” in the nation’s commercially sold ground beef supply, meat processor AFA Foods Inc. filed for Chapter 11 bankruptcy protection on Monday. Beef Products Inc. — the South Dakota-based meat titan that invented the pink slime manufacturing process — is also reeling, idling plants in multiple states. In response, Iowa Gov. Terry Branstad, a politician who hails from a state where there is a whole lot of boneless beef extrusion going on, called for a congressional investigation into the causes of the public uproar.

“We have a smear campaign going on against a product that is healthy and safe,” Branstad said. “If they get by with this, what other food products are they going to attack next?”

Score another scalp for social media. Because when Terry Branstad inveighs against “they,” that’s exactly who he’s talking about: the easily outraged masses of Twitter and Facebook. We’ve known about “pink slime” for years. Food Inc. took us into a Beef Products Inc. factory and showed us the repulsive stuff back in 2008. The New York Times referenced the name (coined by a USDA researcher as far back as 2002) and devastatingly punctured the safety claims in a breakthrough piece of reporting in 2009. Celebrity chef Jamie Oliver blasted it on his reality TV show a full year ago.

But only in the last few weeks has pink slime captured the national consumer consciousness, and in doing so provided us with just the latest example of how quickly social media grass fires can become conflagrations with real dollar-and-cents consequences. On March 5, the Daily reported that the USDA was holding firm to its plans to buy 7 million pounds of pink slime for its national school lunch program. The very next day Bettina Siegel, a blogger who writes extensively about food and kids, created a petition on Change.org titled “Tell USDA to Stop Using Pink Slime in School Food.” Within a week the petition had over 200,000 signatories and an Internet frenzy had been born.

Fox News columnist Dan Gainor would have us believe that the real villain here is ABC News, which jumped on the anti-pink slime bandwagon with particular passion, but make no mistake, “pink slime” is a semantic framing that was born for the Twitter era. When you have only 140 characters to spread the news, “pink slime” packs all the wallop you need. The process itself, in which fatty trimmings left over at the slaughterhouse are heated, disintegrated via centrifuge, and then dosed with ammonia, is easy to express in a simple Facebook illustration. We saw it with Susan G. Komen for the Cure and we saw it with SOPA — when the social media masses get a bee in their bonnet, they can’t be stopped.

Certainly, the beef industry knows whom it is blaming.

From the Kansas City Star:

The outrage over pink slime registered the sort of quick and virulent response that seems to characterize a new media age. Janet Riley, spokeswoman for the industry group the American Meat Institute, said she’d never seen anything like it — not with E.coli outbreaks, passing worries about so-called mad cow disease or sundry health studies.

“It’s been a social phenomenon,” she said. “Twitter just made it crazy.”

The beef processing industry is trying to fight back, with websites – Beef Is Beef, Pink Slime Is a Myth – and even a catchy slogan, “Dude, it’s beef.” Pink slime contrarians are also eager to point out that if we want low prices for our burgers and “efficient” use of our beef resources, we should learn to embrace pink slime. But I suspect that the defenders of “lean, finely textured beef” are unlikely to see a social media wave of support break in their favor.

I may be the wrong person to make this argument, as I am a Berkeley, Calif., resident who feeds his children hamburgers made from grass-fed cows raised in Marin. But the questions of whether “pink slime” is safe or efficient or guarantees us low-cost patties are all beside the point. It is impossible to look at the beef trimmings being transformed into pink goo in “Food Inc.” without being revolted. And when American consumers are revolted, they don’t reach for their wallets. Gov. Rick Perry can warn all he wants about how “social media rumors” and “hysteria” threaten to destroy any industry. Maybe that’s even true. But it’s not social media’s fault that pink slime is getting a bad rap. It’s the inherent disgustingness of the process that deserves the blame. When you see it, or think hard about the process that creates it, you just don’t want to eat it.

What’s amazing about the current social media revolution is that it is bringing to pass something that food activists have been dreaming about for decades: If only consumers were more informed about the nature of the industrial food system, they would change their behavior. Well, guess what, with a little help from grass-roots viral marketing, the activists turn out to have been right.

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Andrew Leonard

Andrew Leonard is a staff writer at Salon. On Twitter, @koxinga21.

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