U2′s crazy manager wants to go after tech firms
Apple, Microsoft and others have had their "snouts" in the trough for too long.
Topics: Music, Copyright, Intellectual Property, Entertainment News
Here’s proof that associating with reasonable people doesn’t do much for one’s own faculties of reason: Paul McGuinness, longtime manager of U2, that rocking font of geopolitical pragmatism, is demanding that the tech industry pay piracy reparations to the music business.
Microsoft, Google, Apple, Yahoo, AOL and other Internet firms have “built multibillion dollar industries on the back of our content without paying for it,” McGuinness said yesterday at a music conference in Cannes. The record industry, he argues, ought to forget about prosecuting individual music thieves and should instead save itself by going after tech industry hogs: “We must shame them into wanting to help us. Their snouts have been at our trough feeding free for too long.”
Whoa! Behold a man of wondrous self-regard, a fellow so certain of his own inflated self-view that he’s willing to go out there and just say it: That Internet thing the world’s so in love with these days, with your Facebook and your MySpace and your YouTubes, all of that, it wouldn’t have happened if it weren’t for me! So pay up!
(And parenthetically — and not to get too personal here — but isn’t it a little pot-kettle for a band manager to be calling other businesses parasites?)
What McGuinness wants from the tech industry isn’t exactly clear. It seems he’s seeking some kind of revenue-sharing model with ISPs, whereby they’d pay the music business in return for their members’ getting access to music.
Note that this is not by definition a crazy idea: You could say McGuinness is calling for something like the collective music license that groups like the Electronic Frontier Foundation have long been promoting. In that model, the music industry would essentially allow people to trade all the music they want on the Internet. People would then pay a fee — say $5 a month, presumably through their ISPs — which would go into a general music-sharing fund.
Money in that fund would be distributed to the record companies, and thereby to artists, according to statistics on how often songs are trading online (so U2 and Justin Timberlake would get a lot more of the dough than, say, Yael Naim). This is basically the same model that radio stations use to compensate artists.
Farhad Manjoo is a Salon staff writer and the author of True Enough: Learning to Live in a Post-Fact Society. More Farhad Manjoo.



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