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Wednesday, Feb 4, 2009 11:11 AM UTC2009-02-04T11:11:00Zl, M j, Y g:i A T

Bereft

Getting a note of appreciation from John Updike could buoy you up for weeks. Now who's left to bless us?

Bereft
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Ten a.m. A phone call from my daughter’s school, and instantly the father’s mind goes to Dark Foreboding, but no — this is her teacher calling to say that the child scored 96 on the spelling test. The child’s instant reward is the phone call home and the words of praise. She sits at her desk pretending not to listen, basking in the acclaim. Well done.

Having begotten a good speller is no small matter to a writer. Writing is an act of paying attention, and if you don’t care about the difference between “their” and “there” or “needle” and “noodle,” then I am sorry for you.

The teacher’s praise of my child is a large moment in the day. I live with fear as any parent does. I know people who’ve gone through catastrophes — schizophrenia, the suicide of a child — the skin shrivels at the words, and so the life of a parent is one of constant wordless prayer. Today, my child scored 96 on spelling. A good day.

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Garrison Keillor is the author of the Lake Wobegon novel "Liberty" (Viking) and the creator and host of the nationally syndicated radio show "A Prairie Home Companion," broadcast on more than 500 public radio stations nationwide. For more columns by Keillor, visit his column archive.  More Garrison Keillor

Wednesday, Feb 15, 2012 1:00 AM UTC2012-02-15T01:00:00Zl, M j, Y g:i A T

The beautiful banality of high school

A John Hughes-esque book details the failed romance of a "jocky" boy and an "arty" girl

WhyWebrokeUp_AF

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This article appears courtesy of The Barnes & Noble Review.

This novel, the fourth that Daniel Handler, better known for the novels he wrote under the name Lemony Snicket, which rival those written by a woman named Rowling in copies sold, has written under his own name, is arguably his first explicitly targeted toward older teens. Though the first two Handler novels featured high school and college-age protagonists, their subject matter (homicide and incest) made them more the province of literary adults.

Barnes & Noble ReviewThe subject of “Why We Broke Up” — the unlikely romance between a “jocky” boy and a girl he insists, despite her protests, on calling “arty” — would sit comfortably next to any classic John Hughes movie. But the execution is a master class in the things books do best: It’s loaded with sly, beautifully produced illustrations by Maira Kalman and Handler’s exquisitely wrought sentences, brimming with charm and surprise, whether describing invented plots to classic films, clothes coming off a dry-cleaning rack, or the gorgeous banality, beauty and terror of high school life.

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Amy Benfer is a freelance writer in Brooklyn, N.Y.  More Amy Benfer

Tuesday, Feb 14, 2012 9:15 PM UTC2012-02-14T21:15:00Zl, M j, Y g:i A T

Demi’s last night out

When did Demi Moore know she and Ashton were done? Maybe when she tried and tried, but still couldn't rise from bed

demi

 (Credit: AP/Salon)

The party is in the Hollywood Hills, at someone’s house that looks familiar, or maybe all these houses look alike to me at this point. We’re outside by the pool and the air smells of citronella and night-blooming jasmine. I’m drinking a Red Bull and watching a couple of girls in sundresses leap into the shimmering water, the thin fabric revealing their underwear, both of them shrieking loudly to make sure everybody pays attention.

They are lovely, those girls.

The music is so loud it pulses inside my chest, as if it’s replacing my heart, which would be fine with me. Two guys come up and start dancing. They look exactly the same, androgynous and pretty, with floppy hair. It’s a look I like, feel strong against, and we all three sway together.

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Alix Ohlin is the author of the novel "The Missing Person" and the collection "Babylon and Other Stories." A new novel, "Inside," and a story collection, "Signs and Wonders," are forthcoming from Knopf this spring.  More Alix Ohlin

Tuesday, Feb 14, 2012 9:15 PM UTC2012-02-14T21:15:00Zl, M j, Y g:i A T

One day you’re in

When Seal and Heidi Klum split, no one survives on the "Project Runway" set unless they get a little crazy

seal_klum

 (Credit: AP/Salon)

The old crew was back to work for the first time since Season 9 ended, and the new hires were cracking the “Make it work” jokes that the rest of us had gotten sick of five years ago. Even Tim seemed a little apologetic when he said it these days. He’d gotten too much sun the day before and was pinker than usual. “Just … make it work, I guess,” he told the makeup artist.

The casting episodes were always awkward, no proper sets or dressing rooms in the hotels and a desperate mass of humanity clutching garment bags in the hallways. And now everyone tiptoeing around Heidi, looking to see if she’d changed since the news broke, peering for bags under her eyes, or deepened lines around her mouth. If she looked older, she must be unhappy. If she didn’t, maybe the entire thing was a stunt to sell more albums. Women in this business are never just sad, they’re one step closer to the grave.

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Caitlin Horrocks is the author of the story collection "This Is Not Your City" (Sarabande). Her fiction has been published by the New Yorker and in the 2011 edition of Best American Short Stories.  More Caitlin Horrocks

Tuesday, Feb 14, 2012 9:15 PM UTC2012-02-14T21:15:00Zl, M j, Y g:i A T

Pitch and catch

It must've been awkward for Tom Brady and Gisele Bundchen after she blamed his teammates for losing the Super Bowl

tom_gisele

 (Credit: AP/Salon)

“You shouldn’t have said it.”

“Yes.”

“I wish you wouldn’t have.”

“I did.”

“That’s what I’m saying.”

“I’m sorry.”

“I know. I’m not mad.”

“You shouldn’t be.”

“I’m not.”

“It’s just that the man wouldn’t stop.”

“You shouldn’t start with people who won’t stop.”

“I know. I’m mad at myself.”

“You shouldn’t be. Be mad at him.”

“I am mad at him, too.”

“Right. You should be.”

“He started talking about you and he wouldn’t stop.”

“That’s what they do.”

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Ben Greenman is an editor at the New Yorker and the author of several acclaimed books of fiction, including "Superbad," "What He's Poised To Do" and "Celebrity Chekhov." His fiction, essays and journalism have appeared in numerous publications, including the New York Times, the Washington Post, the Paris Review, Zoetrope: All Story, McSweeney's and Opium.  More Ben Greenman

Tuesday, Feb 14, 2012 9:15 PM UTC2012-02-14T21:15:00Zl, M j, Y g:i A T

Love’s fumbles

How did three celebrity fights go down? Belle Boggs, Ben Greenman, Caitlin Horrocks & Alix Ohlin imagine the scenes

tom_gisele

 (Credit: AP/Salon)

It’s Valentine’s Day, perhaps the sappiest day of the year for couples. But it’s also a good day to remember that being part of a couple is hard — and that no one other than those two people truly understands what goes on or why it works.

So Salon asked four top novelists to look at celebrity couples in the news recently either for a split or a disagreement and imagine the back story. What went wrong? What was really said?

Just click on the links below to read the stories:

Whip-It by Belle Boggs and Richard D. Allen

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