Rape in Berlin: Facing the truth
Thousands of German women were sexually assaulted near the end of WW II. Brutal payback, a war crime or both?
Topics: Soviet Union, Beyond the Multiplex, Russia, Violence Against Women, Germany, World War II, Movies, Entertainment News

Strand Releasing
Nina Hoss in “A Woman in Berlin.”
At first glance, Max Färberböck’s World War II melodrama “A Woman in Berlin” is exactly the kind of worthy but unremarkable foreign-language movie likely to come and go quickly, hitting a few big-city theaters on its way to DVD. But however and wherever you see it, “A Woman in Berlin” is a distinctive achievement, a World War II movie unlike any other and one of the few films ever to address a topic that makes almost everyone want to look away: What happens to women in wartime.
Since long before the time of Helen of Troy — who was Helen of Sparta until the Trojan prince Paris snatched her — women’s bodies have been among the principal spoils of war. Even in the modern age, when women are theoretically regarded as human beings rather than property, this old pattern has reasserted itself on a regular basis. “A Woman in Berlin” is based on the notorious 1953 memoir by a woman who called herself Anonyma. She was among the thousands of girls and women who were repeatedly raped by occupying Russian soldiers amid the smoldering ruins of Berlin during the chaotic final stages of World War II. As many of the younger and more attractive women did, Anonyma turned to a Red Army officer for protection, preferring to be a kept woman rather than the sex toy of any random infantryman.
There are numerous emotional and political complications to this story, and Färberböck’s ruthless, ravishing film doesn’t shirk any of them. As played by ice-blond German starlet Nina Hoss (whose makeup and wardrobe remain immaculate through all the abuse), Anonyma is not some dewy-eyed innocent but rather a hardcore Nazi true believer, who assumes the stories about Jewish death camps and Ukrainian village massacres are communist propaganda. As the film makes clear, the Red Army arrives in Berlin in a collective foul mood. Millions of their comrades have died fighting the Germans, who had committed numerous atrocities during their occupation of the Ukraine and western Russia. None of that justifies raping civilian women, but it clearly created a climate where indiscriminate anti-German violence was seen as pure payback.



Comments
143 Comments