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Michael Moore

Monday, Nov 30, 2009 9:50 PM UTC2009-11-30T21:50:00Zl, M j, Y g:i A T

Moore a sign of things to come for Obama?

A prominent liberal breaks, in a big way, with the president over his Afghanistan policy

Michael Moore speaks at a news conference in Washington

Filmmaker Michael Moore speaks at a news conference "to challenge President Obama and the Democrats to stand strong on healthcare reform that includes a public option", in Washington September 29, 2009. REUTERS/Molly Riley (UNITED STATES ENTERTAINMENT POLITICS HEALTH) (Credit: Reuters)

On Tuesday night, President Obama is set to announce that he’s sending additional U.S. troops to Afghanistan — about 30,000 of them. Indeed, White House Press Secretary Robert Gibbs said Monday that the president has already given the order, though for now Gibbs wouldn’t say what the actual order was.

Michael Moore, however, wants to stop him. In an open letter published on his Web site Monday, Moore decried Obama’s decision, saying he’ll now be known as “the new war president.” The director wrote:

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Alex Koppelman is a staff writer for Salon.  More Alex Koppelman

Monday, Jan 9, 2012 8:30 PM UTC2012-01-09T20:30:00Zl, M j, Y g:i A T

Michael Moore and the Oscars get it right

The Academy's documentary category has been a horrible mess for years. The controversial new rules can only help

Stills from "The Interrupters" and "Senna"

Stills from "The Interrupters" and "Senna"

As multiple media sources have reported over the last two days, under proposed new Academy rules, only films that have been reviewed by the New York Times or the Los Angeles Times will be eligible for the best documentary Oscar. But that’s not the real story, and it’s not nearly as dumb as it sounds.

“Everybody’s getting excited about something that’s not the real headline,” explains filmmaker and blogger AJ Schnack, a co-founder of the documentary-centric Cinema Eye Honors awards. “The headline is that the Academy is making big changes to the way it selects and nominates documentary films, and based on what I know so far, those changes are overwhelmingly positive.”

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Andrew O

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Sunday, Mar 6, 2011 10:07 PM UTC2011-03-06T22:07:00Zl, M j, Y g:i A T

Michael Moore: “America is not broke”

The documentary filmmaker was in Wisconsin yesterday, slamming Republicans for cutting union benefits

Michael Moore:

Michael Moore has a message for Wisconsinites:

Contrary to what those in power would like you to believe — so that you’ll give up your pension, cut your wages, and settle for the life your great-grandparents had — America is not broke.

The claim came at the beginning of a speech delivered by the documentary filmmaker and liberal firebrand at the Wisconsin State Captiol yesterday. Over the course of 30 minutes, Moore railed against Republicans, who he accused of misleading the American public when they claim that government can’t afford to spend money on expenditures like pensions and union wages. You can watch the entire speech below.

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Wednesday, Dec 23, 2009 1:08 AM UTC2009-12-23T01:08:00Zl, M j, Y g:i A T

Directors of the decade: No. 6: Michael Moore

Whether you love him or want to punch him in the mouth, he is rallying the troops in the rhetorical civil war

Michael Moore (at right) and former President George W. Bush in a still from "Farenheit 911"

Michael Moore (at right) and former President George W. Bush in a still from "Farenheit 911"

Michael Moore is the only documentary filmmaker besides Ken Burns the average American has heard of, and he’s more of an active presence in American life than Burns, because even when he’s not making or promoting a new film, he’s on TV and the Internet beating the drum for a cause or tormenting the foes of all he deems good and decent. He is a media-age phenomenon as well as a filmmaker, his presence on the pop culture radar screen a life-as-mass-media-performance-art-project in the vein of previous practitioners, some important, others merely shameless: Andy Warhol, Muhammad Ali, Madonna, Norman Mailer, Gore Vidal, Tiny Tim.

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Matt Zoller Seitz

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Wednesday, Sep 23, 2009 10:23 AM UTC2009-09-23T10:23:00Zl, M j, Y g:i A T

Michael Moore and the evils of free enterprise

In "Capitalism: A Love Story," the filmmaker takes to the bullhorn to decry corporate greed -- and promote himself

Michael Moore

Michael Moore

Michael Moore’s ostensible subject has always been his fury at the injustices wrought against hardworking American citizens. And it’s possible that, in his early days as a filmmaker, that was his true motivation. But 20 years after “Roger & Me,” “Capitalism: A Love Story” proves that Michael Moore’s greatest subject is himself. This is a love story, all right, but it has less to do with the flaws of capitalism than it does with Moore’s unwavering fondness for the sound of his own voice, and for what he perceives as his own vast cleverness.

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Stephanie Zacharek is a senior writer for Salon Arts & Entertainment.  More Stephanie Zacharek

Friday, May 30, 2008 10:09 AM UTC2008-05-30T10:09:00Zl, M j, Y g:i A T

Did humor save the left at its darkest hour?

How did Stephen Colbert become a progressive political force? Theodore Hamm discusses "The New Blue Media," the rise of netroots and their role in the next administration.

Did humor save the left at its darkest hour?

When future historians write of the long months between the terrorist attacks on the World Trade Center and the U.S.-led invasion of Iraq, there will most likely be a chapter about the overwhelming failure of the mainstream political media to properly question the Bush administration during the buildup to a failed war. Journalists who should have acted as government watchdogs instead acted largely as yes men, spuriously debating what should be done about Saddam Hussein’s weapons of mass destruction.

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