Romance novels need a canon
"Bet Me" by Jennifer Crusie
A contemporary romantic comedy set to Elvis Costello and lots of luxurious and sinful sugary treats. Read the whole essay.
The best three days I ever spent on the clock were the three days I spent in Detroit with Ernie Harwell, the longtime voice of the Detroit Tigers, in 2002, his last year in the broadcast booth.
Harwell died Tuesday at 92, eight months after announcing that he had terminal cancer that he would not treat. John Lowe of the Detroit Free Press, in what will surely be the definitive obituary, quotes Harwell at the time: “I’m ready to face what comes. Whether it’s a long time or a short time is all right with me because it’s up to my Lord and savior.”
I grew up not listening to Ernie Harwell but to the man who replaced him in the Brooklyn Dodgers booth in 1950, Vin Scully. I hadn’t come to know Harwell until 1999, when baseball broadcasts were still streamed online for free and Harwell had returned to the radio side after five years on TV. Like generations of Michiganders, I quickly fell for his warmth, his charm, his knowledge of the game, his old-timey broadcast voice.
When he announced that 2002 would be his last season, I wanted to write about him, so I got in touch with him through the Tigers, asking if I could come to Detroit for a few days, hang out with him, shadow him. A day or so later there was a voicemail message. That incredible voice was right on my phone! I saved it for as long as I could. I wish I still had it:
“King, this is Ernie Harwell from Detroit. I don’t know that there’s much to write about me, but sure, come on up.”
I had planned to write about a fundamental shift in the way people follow baseball, about how Harwell was one of the last of the old radio men who were identified with a team as much as any player, often more than any player. Now, with most games on TV, far more games on national TV, larger squads of announcers and the Internet providing more baseball information than any one person could ever absorb, fans weren’t dependent on that one broadcaster to serve as the conduit to their team.
Yes. Well, it seemed interesting in my head. A little of that stuff made it into the piece, but after about 10 minutes with Ernie Harwell, I knew that my story couldn’t be about anything but Ernie Harwell.
It’s hard to talk about what kind of guy Ernie Harwell was without sounding like you’re talking about a guy on the night of the day he died. But it was just as hard when he was still alive. I spent three days with him, and he was unfailingly kind, generous, cheerful, energetic, positive and humble. And not just with me. At 84 years of age, he was tireless, making sure as he roamed the ballpark — which he did a lot — that every fan who wanted a moment with him — and there were many — got the moment he or she wanted.
I talked to a lot of people about Ernie Harwell that summer, and in the eight years since then I’ve talked to more people about him and I’ve heard and read many things said about him, and I’ve never heard a hint that the man I came to know in those three days wasn’t the genuine article. It may be that there has never been an unkind word said about Ernie Harwell.
Jon Miller, the ESPN and San Francisco Giants announcer, was hurrying across a field when I sidled up to him asking if I could talk to him for a minute. He kept walking as he asked what I wanted to talk about. “Ernie Harwell,” I said, and he stopped on a dime. All of a sudden, I had his attention and he grew animated as he told stories about Ernie.
Mike Shannon, the longtime St. Louis Cardinals broadcaster, was pressed for time just before a game one day but he told me to sit in the press box and wait for him. Minutes before the first pitch, he leaned out the door of his radio booth. “Where’s the guy who wanted to talk about Ernie Harwell?”
Ty Cobb liked Ernie Harwell, for crying out loud. Ty Cobb didn’t like anybody.
“He’s so generous with his time,” I wrote back then, “that a reporter in town for three days to research a story on him confesses on the third day that he’s just about run out of questions to ask.” That reporter was me, of course. We were sitting in an empty broadcast booth in the Comerica Park press box when I told him that. He looked out at the field for a few seconds, then started throwing out some suggestions, things I might want to ask about.
It sounds silly to say, but after spending time with Ernie I told myself that I would try to be a better person, more generous, more cheerful, more optimistic, more kind. More like Ernie Harwell. I failed miserably at this, of course, but I’ve returned to that thought fairly often over the years, and I like to think I’ve moved just a tiny bit in an Ernie-like direction.
Here’s the story I wrote about Ernie. I think I worked harder on it than on anything I’ve ever written. I did things I never do. I made outlines, wrote things on index cards and arranged and re-arranged them.
I swung for the fences, wanting to do justice to the living legend and the time I’d had with him. I used a flamboyant structure, organizing the piece around Ernie’s call of a single game, weaving his epic story between snippets of a thoroughly ordinary contest between two lousy teams, the Tigers and the Kansas City Royals.
I’m not sure it worked. But you don’t get to hang out with the greats that often, and it’s less often that you end up liking them. I wasn’t going to write just another piece about Ernie Harwell in his last year.
A few days after it ran he sent me an e-mail thanking me for the piece. “Best thing that’s ever been written about me,” he wrote. I’m sure he said that to every single person who ever wrote a story about him. And here’s the thing: I’m sure he meant it every time.
"Bet Me" by Jennifer Crusie
"Welcome to Temptation" by Jennifer Crusie
Another of Crusie's romantic comedies, this one in the shadow of an ostentatiously phallic water tower. Read the whole essay.
"A Gentleman Undone" by Cecilia Grant
A Regency romance with beautifully broken people and some seriously steamy sex. Read the whole essay.
"Black Silk" by Judith Ivory
A beautifully written, exquisitely slow-building Regency; the plot is centered on a box with some very curious images, as Edward Gorey might say. Read the whole essay.
"For My Lady's Heart" by Laura Kinsale
A medieval romance, the period piece functions much like a dystopia, with the courageous lady and noble knight struggling to find happiness despite the authoritarian society. Read the whole essay.
"Sweet Disorder" by Rose Lerner
A Regency that uses the limitations on women of the time to good effect; the main character is poor and needs to sell her vote ... or rather her husband's vote. But to sell it, she needs to get a husband first ... Read the whole essay.
"Frenemy of the People" by Nora Olsen
Clarissa is sitting at an awards banquet when she suddenly realizes she likes pictures of Kimye for both Kim and Kanye and she is totally bi. So she texts to all her friends, "I am totally bi!" Drama and romance ensue ... but not quite with who she expects. I got an advanced copy of this YA lesbian romance, and I’d urge folks to reserve a copy; it’s a delight. Read the whole essay.
"The Slightest Provocation" by Pam Rosenthal
A separated couple works to reconcile against a background of political intrigue; sort of "His Gal Friday" as a spy novel set in the Regency. Read the whole essay.
"Again" by Kathleen Gilles Seidel
Set among workers on a period soap opera, it manages to be contemporary and historical both at the same time. Read the whole essay.