Bullying snob demands the governorship

Meg Whitman and her sons seem to think their wealth entitles them to whatever they want, including high office

Topics: Meg Whitman, War Room, 2010 Elections, California,

Bullying snob demands the governorshipMeg Whitman, after winning the Republican nomination for governor of California, speaks to reporters after a post-primary election celebration in Anaheim, Calif., Wednesday, June 9, 2010. (AP Photo/Reed Saxon)(Credit: Reed Saxon)

We don’t know exactly what’s true in the charges that have been flung against various members of Meg Whitman’s family, and against the Republican gubernatorial candidate herself. What we do know, however, is that she and each of her sons have been accused of atrocious acts that bear a surprising family resemblance.

The candidate herself has been accused of shoving an employee while she was in charge at eBay. Apparently, a staff member named Young Mi Kim was helping Whitman prepare for an online interview. Whitman seems to have been unhappy with Kim’s briefing, and either shoved her, or “physically guided her” out of the room. The resulting lawsuit was settled out of court and included a confidentiality agreement.

As Alex Pareene wrote yesterday, we recently found out that one of Whitman’s sons, Griffith Rutherford Harsh V, was arrested in 2006 for battery, after breaking a woman’s ankle at a bar in Palo Alto. Harsh, who was 21 at the time, apparently pushed Victoria Sanchez after she knocked off his hat and said, “Fuck your fraternity.” Harsh disputed the story, saying she had pushed him and then stumbled, but a security guard corroborated Sanchez’s account. Whitman bailed her son out, and charges were eventually dismissed.

Griff Harsh’s younger brother Will, meanwhile, was supposedly banned from an eating club at Princeton, where he was a student, for using the n-word. As it’s reported, he had already been put on notice for picking a fight with a bouncer, and the racial slur was the last straw.

Obviously, we’re relying on hearsay somewhat here, especially in the last case. And is it even appropriate to be talking about Whitman’s children?

I don’t feel too guilty about that. Political families are generally taboo subjects because they’re vulnerable without being relevant — in other words, easy targets for journalistic bloodsport. But the Harsh boys are neither vulnerable nor irrelevant. They’re in the news exactly because they’ve been picking on people who aren’t their own size, and their mother has too.



The Harshes apparently had a reputation for lording it over their fellow Princeton students based on their wealth and their parentage. Whitman is Princeton’s most prominent living donor. The university divides up its undergraduates into colleges, of which there were five until recently. The brand-new sixth college was funded with a $30 million gift from Whitman, and is named after her. (The dining hall is called “Community Hall,” not for the university community but for the eBay community.)

So, like their mother who got sick of an employee’s yapping, the Harshes seem to have thought that they owned the damn place and could do what they pleased. A sense of entitlement doesn’t live in the DNA, but it sure seems to have been passed down from mother to sons.

This is important because Whitman’s entire campaign is built around her class privilege. She can’t stop talking about it, though obviously she uses different words to describe it. Whitman is constantly talking about applying her CEO savvy to run California like a business. Her campaign introduced her to voters with TV ads about her time as an executive. “People who worked with Meg Whitman trust her to lead,” says one ad. A former colleague testifies, “Meg knew what she was doing.” She has an ability, says another, “to figure out what the right thing to do is.”

Whitman, in other words, is running on her class position. (And she’s spent $91 million so far. She’ll almost certainly break the record for self-funding by November.) It’s literally the centerpiece of her campaign: as a really rich lady, she has access to secret knowledge about how to fix the broken state government. I see a new campaign slogan: Meg Whitman 2010 — Putting Californians in Their Place.

Gabriel Winant is a graduate student in American history at Yale.

More Related Stories

Featured Slide Shows

  • Share on Twitter
  • Share on Facebook
  • 1 of 11
  • Close
  • Fullscreen
  • Thumbnails

    "Roman Candle" turns 20: Secrets of Elliott Smith's accidental masterpiece (slideshow)

    Elliott and the friends with whom he recorded in middle school in Texas (photo courtesy of Dan Pickering)

    "Roman Candle" turns 20: Secrets of Elliott Smith's accidental masterpiece (slideshow)

    Heatmiser publicity shot (L-R: Tony Lash, Brandt Peterson, Neil Gust, Elliott Smith) (photo courtesy of JJ Gonson photography)

    "Roman Candle" turns 20: Secrets of Elliott Smith's accidental masterpiece (slideshow)

    Elliott and JJ Gonson (photo courtesy of JJ Gonson photography)

    "Roman Candle" turns 20: Secrets of Elliott Smith's accidental masterpiece (slideshow)

    "Stray" 7-inch, Cavity Search Records (photo courtesy of JJ Gonson photography)

    "Roman Candle" turns 20: Secrets of Elliott Smith's accidental masterpiece (slideshow)

    Elliott's Hampshire College ID photo, 1987

    "Roman Candle" turns 20: Secrets of Elliott Smith's accidental masterpiece (slideshow)

    Elliott with "Le Domino," the guitar he used on "Roman Candle" (courtesy of JJ Gonson photography)

    "Roman Candle" turns 20: Secrets of Elliott Smith's accidental masterpiece (slideshow)

    Full "Roman Candle" record cover (courtesy of JJ Gonson photography)

    "Roman Candle" turns 20: Secrets of Elliott Smith's accidental masterpiece (slideshow)

    Elliott goofing off in Portland (courtesy of JJ Gonson photography)

    "Roman Candle" turns 20: Secrets of Elliott Smith's accidental masterpiece (slideshow)

    Heatmiser (L-R: Elliott Smith, Neil Gust, Tony Lash, Brandt Peterson)(courtesy of JJ Gonson photography)

    "Roman Candle" turns 20: Secrets of Elliott Smith's accidental masterpiece (slideshow)

    The Greenhouse Sleeve -- Cassette sleeve from Murder of Crows release, 1988, with first appearance of Condor Avenue (photo courtesy of Glynnis Fawkes)

  • Recent Slide Shows

Comments

0 Comments

Comment Preview

Your name will appear as username ( settings | log out )

You may use these HTML tags and attributes: <a href=""> <b> <em> <strong> <i> <blockquote>