In defense of the burqa ban

Women win if France votes this week to outlaw the conservative Islamic garment, says a Muslim feminist commentator

Topics: Islam, Religion, Broadsheet, Love and Sex,

In defense of the burqa banA woman wears a burqa as she walks on a street in Saint-Denis, near Paris, in April.

This week, French lawmakers are expected to vote on a proposed law that would criminalize the burqa, bringing to a head more than a year of heated debate over the conservative Islamic veil in contemporary France. Although the full head and body covering is worn by fewer than 2,000 of the country’s 3.5 million Muslims, the movement to ban it has touched off a volatile discussion about issues of immigration, integration and the rights of women. Nonetheless, a recent poll showed that eight in 10 people in France support slapping a ban on the veil.

On this side of the Atlantic, however, conversations about European burqa bans have fractured more predictably along political lines. You would be hard pressed to find an American feminist clamoring to see the burqa outlawed, and that perspective has certainly been absent from Broadsheet — until now. Ahead of parliament’s vote on Tuesday, we went to Mona Eltahawy, an Egyptian-born journalist who calls herself “a liberal, a Muslim and a feminist,” to better understand the argument for a ban.

Why do you support a ban on the burqa in France?

I support banning the burqa because I believe it equates piety with the disappearance of women. The closer you are to God, the less I see of you — and I find that idea extremely dangerous. It comes from an ideology that basically wants to hide women away. What really strikes me is that a lot of people say that they support a woman’s right to choose to wear a burqa because it’s her natural right. But I often tell them that what they’re doing is supporting an ideology that does not believe in a woman’s right to do anything. We’re talking about women who cannot travel alone, cannot drive, cannot even go into a hospital without a man with them. And yet there is basically one right that we are fighting for these women to have, and that is the right to cover their faces. To tell you the truth, I’m really outraged that people get into these huge fights and say that as a feminist you must support a women’s right to do this, because it’s basically the only kind of “right” that this ideology wants to give women. Otherwise they get nothing.



It seems that if you tried to ban something like the burqa in the United States, you’d immediately have people screaming that it was a huge violation of personal freedom. What makes the European context different?

To be really crude about it, in the United States, if you do anything and say that it’s because it’s my religious belief, there is some kind of hallowed ground that you cannot touch, because everybody must be able to do what they want in religion. And to make an equally crude generalization of what happens in Europe, they spent some 500 years fighting over religion and trying to get rid of the church in their lives, so the last thing they want is to justify anything in terms of religion. So it’s the opposite obsession almost — to keep religion out of everything.

But what really disturbs me about the European context is that the ban is driven almost solely by xenophobic right wingers who I know very well don’t give a toss about women’s rights. What they’re doing is they’re hijacking an issue that they know is very emotive and very easy to sell to Europeans who are scared about immigration, Europeans who are scared about the economy, Europeans who don’t understand people who look and sound different than them. They’ve taken advantage of this and done it very well. I’m very disappointed with the left wing and liberals in Europe for not speaking up and saying, the burqa ban has everything to do with women’s rights. We are fighting against an ideology that does not believe in women’s rights, and we will not allow the right wing to hijack this issue for their own purposes.

It seems like another group we rarely hear from in this debate is the women who actually wear the burqa.

These women will tell you that they see this as the true Islam. And my response to that would be, who told you that’s how our religion wants you to look? Because if you look around, the majority of Muslims in the world do not look like this. I have met Muslim women who have a very elaborate explanation for why they wear the burqa — they say that women are candy or diamond rings or precious stones who have to be hidden away in order to appreciate their worth. And I’m appalled! We should talk about this because if we’re really going to discuss this as feminists, is that something a feminist should be defending? That a woman is a piece of candy?

Do you think that banning the burqa will actually do anything, practically speaking, to help Muslim women from very conservative communities?

What I hope it will do is that it will create a situation where a woman can say to a man, look, you know that I have to go out and work so that we can continue to live here, and I can’t go out with my face covered, even though you want me to, because that’s what the law says. I hope the law gives women this kind of out. I have no idea if that’s actually going to happen or not.

Ryan Brown is a writer living in Boston.

Featured Slide Shows

  • Share on Twitter
  • Share on Facebook
  • 1 of 11
  • Close
  • Fullscreen
  • Thumbnails

    Ten spectacular graphic novels from 2014

    Beautiful Darkness by Fabien Vehlmann & Kerascoët
    Kerascoët's lovely, delicate pen-and-watercolor art -- all intricate botanicals, big eyes and flowing hair -- gives this fairy story a deceptively pretty finish. You find out quickly, however, that these are the heartless and heedless fairies of folk legend, not the sentimental sprites beloved by the Victorians and Disney fans. A host of tiny hominid creatures must learn to survive in the forest after fleeing their former home -- a little girl who lies dead in the woods. The main character, Aurora, tries to organize the group into a community, but most of her cohort is too capricious, lazy and selfish to participate for long. There's no real moral to this story, which is refreshing in itself, beyond the perpetual lessons that life is hard and you have to be careful whom you trust. Never has ugly truth been given a prettier face.

    Ten spectacular graphic novels from 2014

    Climate Changed: A Personal Journey Through the Science by Philippe Squarzoni
    Squarzoni is a French cartoonist who makes nonfiction graphic novels about contemporary issues and politics. While finishing up a book about France under Jacques Chirac, he realized that when it came to environmental policy, he didn't know what he was talking about. "Climate Changed" is the result of his efforts to understand what has been happening to the planet, a striking combination of memoir and data that ruminates on a notoriously elusive, difficult and even imponderable subject. Panels of talking heads dispensing information (or Squarzoni discussing the issues with his partner) are juxtaposed with detailed and meticulous yet lyrical scenes from the author's childhood, the countryside where he takes a holiday and a visit to New York. He uses his own unreachable past as a way to grasp the imminent transformation of the Earth. The result is both enlightening and unexpectedly moving.

    Ten spectacular graphic novels from 2014

    Here by Richard McGuire
    A six-page version of this innovative work by a regular contributor to the New Yorker first appeared in RAW magazine 25 years ago. Each two-page spread depicts a single place, sometimes occupied by a corner of a room, over the course of 4 billion years. The oldest image is a blur of pink and purple gases; others depict hazmat-suited explorers from 300 years in the future. Inset images show the changing decor and inhabitants of the house throughout its existence: family photos, quarrels, kids in Halloween costumes, a woman reading a book, a cat walking across the floor. The cumulative effect is serene and ravishing, an intimation of the immensity of time and the wonder embodied in the humblest things.

    Ten spectacular graphic novels from 2014

    Kill My Mother by Jules Feiffer
    The legendary Pulitzer Prize-winning cartoonist delivers his debut graphic novel at 85, a deliriously over-the-top blend of classic movie noir and melodrama that roams from chiaroscuro Bay City to Hollywood to a USO gig in the Pacific theater of World War II. There's a burnt-out drunk of a private eye, but the story is soon commandeered by a multigenerational collection of ferocious women, including a mysterious chanteuse who never speaks, a radio comedy writer who makes a childhood friend the butt of a hit series and a ruthless dame intent on making her whiny coward of a husband into a star. There are disguises, musical numbers and plenty of gunfights, but the drawing is the main attraction. Nobody convey's bodies in motion more thrillingly than Feiffer, whether they're dancing, running or duking it out. The kid has promise.

    Ten spectacular graphic novels from 2014

    The Motherless Oven by Rob Davis
    This is a weird one, but in the nervy surreal way that word-playful novels like "A Clockwork Orange" or "Ulysses" are weird. The main character, a teenage schoolboy named Scarper Lee, lives in a world where it rains knives and people make their own parents, contraptions that can be anything from a tiny figurine stashable in a pocket to biomorphic boiler-like entities that seem to have escaped from Dr. Seuss' nightmares. Their homes are crammed with gadgets they call gods and instead of TV they watch a hulu-hoop-size wheel of repeating images that changes with the day of the week. They also know their own "death day," and Scarper's is coming up fast. Maybe that's why he runs off with the new girl at school, a real troublemaker, and the obscurely dysfunctional Castro, whose mother is a cageful of talking parakeets. A solid towline of teenage angst holds this manically inventive vision together, and proves that some graphic novels can rival the text-only kind at their own game.

    Ten spectacular graphic novels from 2014

    NOBROW 9: It's Oh So Quiet
    For each issue, the anthology magazine put out by this adventurous U.K.-based publisher of independent graphic design, illustration and comics gives 45 artists a four-color palette and a theme. In the ninth issue, the theme is silence, and the results are magnificent and full of surprises. The comics, each told in images only, range from atmospheric to trippy to jokey to melancholy to epic to creepy. But the two-page illustrations are even more powerful, even if it's not always easy to see how they pertain to the overall concept of silence. Well, except perhaps for the fact that so many of them left me utterly dumbstruck with visual delight.

    Ten spectacular graphic novels from 2014

    Over Easy by Mimi Pond
    When Pond was a broke art student in the 1970s, she took a job at a neighborhood breakfast spot in Oakland, a place with good food, splendid coffee and an endlessly entertaining crew of short-order cooks, waitresses, dishwashers and regular customers. This graphic memoir, influenced by the work of Pond's friend, Alison Bechdel, captures the funky ethos of the time, when hippies, punks and disco aficionados mingled in a Bay Area at the height of its eccentricity. The staff of the Imperial Cafe were forever swapping wisecracks and hopping in and out of each other's beds, which makes them more or less like every restaurant team in history. There's an intoxicating esprit de corps to a well-run everyday joint like the Imperial Cafe, and never has the delight in being part of it been more winningly portrayed.

    Ten spectacular graphic novels from 2014

    The Shadow Hero by Gene Luen Yang and Sonny Liew
    You don't have to be a superhero fan to be utterly charmed by Yang and Liew's revival of a little-known character created in the 1940s by the cartoonist Chu Hing. This version of the Green Turtle, however, is rich in characterization, comedy and luscious period detail from the Chinatown of "San Incendio" (a ringer for San Francisco). Hank, son of a mild-mannered grocer, would like to follow in his father's footsteps, but his restless mother (the book's best character and drawn with masterful nuance by Liew) has other ideas after her thrilling encounter with a superhero. Yang's story effortlessly folds pathos into humor without stooping to either slapstick or cheap "darkness." This is that rare tribute that far surpasses the thing it celebrates.

    Ten spectacular graphic novels from 2014

    Shoplifter by Michael Cho
    Corinna Park, former English major, works, unhappily, in a Toronto advertising agency. When the dissatisfaction of the past five years begins to oppress her, she lets off steam by pilfering magazines from a local convenience store. Cho's moody character study is as much about city life as it is about Corinna. He depicts her falling asleep in front of the TV in her condo, brooding on the subway, roaming the crowded streets after a budding romance goes awry. Like a great short story, this is a simple tale of a young woman figuring out how to get her life back, but if feels as if it contains so much of contemporary existence -- its comforts, its loneliness, its self-deceptions -- suspended in wintery amber.

    Ten spectacular graphic novels from 2014

    Through the Woods by Emily Carroll
    This collection of archetypal horror, fairy and ghost stories, all about young girls, comes lushly decked in Carroll's inky black, snowy white and blood-scarlet art. A young bride hears her predecessor's bones singing from under the floorboards, two friends make the mistake of pretending to summon the spirits of the dead, a family of orphaned siblings disappears one by one into the winter nights. Carroll's color-saturated images can be jagged, ornate and gruesome, but she also knows how to chill with absence, shadows and a single staring eye. Literary readers who cherish the work of Kelly Link or the late Angela Carter's collection, "The Bloody Chamber," will adore the violent beauty on these pages.

  • Recent Slide Shows

Comments

0 Comments

Comment Preview

Your name will appear as username ( settings | log out )

You may use these HTML tags and attributes: <a href=""> <b> <em> <strong> <i> <blockquote>