Sarah Palin

Sarah Palin’s feminist revolution

When the pro-life politician embraced the F-word, she horrified Democrats -- and electrified her fan base

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Sarah Palin's feminist revolution

This is an excerpt from “Big Girls Don’t Cry,” in which author Rebecca Traister uses the 2008 election as a prism through which to examine the past and future of American women in politics, of feminism and women’s political empowerment. The following chapter begins with the final stages of the 2008 presidential campaign, as Sarah Palin began to go off her campaign message and most Democratic women were at the height of their loathing for her. However, there were a few, a tiny band of lifelong feminists, who took up with Palin and helped her kick off her mission to capture the language and symbolism of feminism for the right, a mission that remains very much in play two years later. (Read an interview with Rebecca Traister about the book.)

There were some Democratic women who believed that feminism meant not just gamely defending Palin against sexist criticism, but supporting her full-throttle. A small number of Democratic women, some livid about the florid ways the vice-presidential candidate was being dissed, some convinced that it was a feminist imperative to back any woman running for executive office, and a few still too sore to embrace Obama, were dissenting. They were angry at the national women’s organizations for which some of them had worked and volunteered, and they wanted to make a public stand against them.

In early October Shelly Mandell, the president of Los Angeles NOW, a feminist organizer for more than three decades and chief organizer of the March for Women’s Lives in 2004, introduced Sarah Palin at a speech in California. Making clear that she was appearing personally, not on behalf of the National Organization for Women, Mandell told the crowd that she was there “as a women’s rights activist for 30 years who has worked for all those years to see this day.”

“I’m a lifelong Democrat,” said Mandell. “I don’t agree with Governor Palin on several issues … [but] I know Sarah Palin cares about women’s rights, she cares about equality, she cares about equal pay, and as vice president she will fight for it.” Mandell did not mention that Palin’s running mate had been vocal in his denunciation of the Lilly Ledbetter Fair Pay Act. “It is an honor to call her sister,” Mandell said. “America, this is what a feminist looks like.”

Mandell wasn’t the only one to break with feminist opinion on Palin. Elaine Lafferty, the former editor of Ms. magazine who had volunteered for the Clinton campaign, officially signed on as a McCain consultant soon after he picked Palin. Lafferty, coauthor of a book with her friend and Fox News anchor Greta Van Susteren, had a complicated history with institutional feminism. Her two-year stint at Ms., from 2003 to 2005, had been officially successful; under her stewardship the struggling magazine’s circulation had jumped, and she had published critically lauded stories. But behind the scenes there had been tension between Lafferty and the Feminist Majority Foundation, which had taken control of publishing Ms. in 2001, about her desire to move the magazine in a more broadly popular direction. At the time of her exit from Ms., Lafferty told the New York Observer, “My vision of Ms. was that it would be a thinking woman’s magazine — a feminist magazine for sure, but my vision of feminism is a big tent … as the original Ms. was; they didn’t check membership cards at the door. I don’t believe in dogma, in exclusion or rhetoric. I thought it could be a magazine that invites women into the conversation about how we live today.” Lafferty’s words would resonate three years later, when criticism of feminism’s exclusivity and elitism would be applied by people looking to stretch the movement’s defining boundaries not simply outward, but rightward, and in doing so perhaps permanently explode them.

Lafferty came aboard the McCain campaign as Palin’s unofficial consigliere on all matters feminist and began helping her with, as Lafferty would call it, “a speech that Palin had long wanted to give on women’s rights.” That speech took place on Oct. 21 in Henderson, Nev. Behind Palin stood Lafferty and NOW’s Mandell, along with another NOW dissenter, former Oregon chapter president Linda Klinge, and Lynn Forester de Rothschild and Prameela Bartholomeusz, both vocal Hillary dead-enders and members of the Democratic National Platform Committee. Palin introduced and thanked the group for their bravery before asking the women in the audience, “Are you ready to break the highest, hardest glass ceiling in America?” She next made a point lifted directly from the Obama-embittered PUMAs: “Somehow Barack Obama just couldn’t bring himself to pick the woman who got 18 million votes.”

“American women, Democratic, Republican and Independent should not just let Barack Obama take their votes for granted,” said Palin, sounding like the millions of Democratic women who had tried, with varying degrees of cogency or lunacy, to express this very conviction to their own party peers.

Then came a part of the speech in which the interest of disenchanted Democratic women fused with what was unmistakably Palin’s own experience of feminism.

“When I was a kid Congress passed a law that’s come to be known as Title IX, and that law allowed millions of girls to play sports,” she told the crowd. “Over time, that opened more than just the doors to the gymnasium. Along with other reforms, Title IX helped us to see ourselves and our futures a different way. Women of my generation were allowed finally to make more of our own choices with education and with career, and I have never forgotten that we owe that opportunity to women, to feminists who came before us. We were allowed to be participants instead of just spectators [of] the achievements of others.” This was all pretty remarkable coming from a woman who opposed abortion even in cases of rape and incest. It was downright confounding given that she was running alongside a man who voted 19 times against increasing the minimum wage, who voted against the Violence Against Women Act and against funding for the Office of Violence Against Women, who voted against expanding the Family and Medical Leave Act and to terminate funds for family planning. But she wasn’t done.

Palin assured anyone surprised by her embrace of a feminist history that “equal opportunity is not just the cause of feminists. It’s the creed of our country.” Were she given the honor of serving, she said, “I intend to advance that creed in our own nation and beyond, because across the world there are still places where women are subjugated and persecuted as they were in Afghanistan, places where they’re bullied and brutalized and murdered in honor killings. … No one leader can bring an end to all of those ills, but I can promise you this: These women too will have an advocate and a defender in the 47th vice president of the United states.” As her speech concluded, Shania Twain’s power anthem “She’s Not Just a Pretty Face” blared, and Palin embraced the rogue feminists standing behind her.

When I interviewed Lafferty in 2009 she said that just after the election, a teary-eyed Palin asked her, “Why does Gloria Steinem hate me? [She] was my hero. Why do they hate me? I’m a feminist.” Lafferty was firm with me: “The woman I met during the campaign and that I was on the plane with was a feminist,” meaning that she believed in the professional and economic potential of women, even if she didn’t want to make policy to support it. She also believed in a redistribution of domestic work and had said, after giving birth to Trig, “To any critics who say a woman can’t think and work and carry a baby at the same time, I’d just like to escort that Neanderthal back to the cave.” Even I had to admit that the moment at the end of the vice-presidential debate at which she picked up her infant son had stunned me into silence. I knew the baby was there to advertise Palin’s maternal allure, to protect her from criticism, to hammer home her antiabortion bona fides, but still: Seeing a vice-presidential debate in which one of the participants was holding her infant changed everything. As the feminist columnist Ellen Goodman wrote of Palin early on, “Mom to mayor to governor to veep nominee? There’s one woman who didn’t have trouble raising her hand in class. There’s one woman who didn’t think she had to be twice as good as a man to run. Be careful what you wish for.” In many ways Palin embodied not only feminism’s gains but some of its still unmet aspirations.

The question of whether or not Palin “was a feminist” was one that obsessed and troubled lots of women. Katie Couric and I discussed it during our interview in 2009, during which Couric said, “I wrestle with this. … She’s a successful woman. She’s running the state of Alaska. She was a vice-presidential candidate. Just because she doesn’t believe in choice and she thinks abortion is tantamount to murder. … What is a feminist? Can you be a conservative feminist? I find this so interesting. … I think, ‘OK, maybe she is a feminist.’ Then I think so many of her views indirectly or directly would hurt women. So I go around and around.”

Some of the women associated with the earliest iterations of American feminism had also been involved in the conservative Christian temperance battles. Gail Collins would remind readers in “When Everything Changed” that Republican women had been the strongest proponents of women’s rights, while heavily Catholic working-class Democratic voters had been more reluctant to mess with gender roles. More recently those dynamics had been reversed by the liberal and radical Democratic women who led the midcentury social movements, and by Republican women who fought against modernization of the American family. Phyllis Schlafly opposed the ERA and pushed American women to stay home with their children, and Marilyn Quayle told the Republican convention in 1992, “Most women do not wish to be liberated from their essential natures as women.”

Yet here was not just a candidate, but crowds of Republican women and a few Democratic ones, cheering on Palin’s vision in which personal empowerment had no correlation to progressive policy, and beginning to agitate for a reevaluation of the meaning of feminism. On the day of Palin’s speech about women, former Republican Massachusetts Gov. Jane Swift, the only woman before Palin to give birth while a sitting governor, told Greta Van Susteren, “There are some on the liberal left who believe that only they have … an ability to call themselves feminists. … I think a feminist is someone who believes that women should have equal opportunity to men. … It is someone like me, like Gov. Palin, who hopes that our daughters, if they work hard and play by the rules, can do virtually anything they want to in their life.”

When it came to bullying contests over language, it had never been difficult, historically, to get the feminist movement to hand over its lunch money. Perhaps in part because of its breadth and diversity, perhaps because of a lack of gumption that characterized many on the left in the fourth quarter of the 20th century, perhaps simply because of the manipulative agility of the right, the women’s movement lost almost every serious battle over words and imagery in the 40 years following the second wave. The worst and most damaging defeats had come over the language of reproductive rights, in which abortion opponents had gobbled up the vocabulary of life, loss, morality and emotion, while reproductive rights activists persisted with the limply fungible “choice.”

The word was meant to convey women’s ability to make decisions regarding their own family and reproductive lives, but instead served most frequently as a baseball bat with which pro-lifers could hit feminism in its nuts. If “choice” was really the only word that feminists owned, then didn’t that make every choice a feminist act? If the choice to have an abortion and the choice to continue a pregnancy were equally valid, then why, some women wondered, should the choice to give up a career, or stay in a bad relationship, or get breast implants be disparaged or dismaying? A year after Palin’s appearance on the McCain ticket, the conservative publication Newsmax ran a series of stories on “the newer feminism” that included one with the telling headline “Feminism Now Defined by Each and Every Woman.” No one was quite sure how best to wrest stronger or more assertive language back from the other side.

The word “feminism” itself had not exactly inspired a ferocious defense by its own adherents. For decades the right had successfully demonized women who embraced the label as hirsute succubi, family-scorning and erotically disadvantaged old bags. In 2005 I wrote a story about old-school feminist organizations wondering whether to retire the much maligned word in favor of a new one, and a new generation of women determined to reclaim it. In recent years I had seen young women sporting “This is what a feminist looks like” shirts, and had read with surprise as teen and 20-something celebrities identified themselves as feminists. Now that “feminist” was slowly clawing its way back to cool, Republicans wanted in. Sarah Palin, charismatic mascot of the you-go-girl spirit and the modern cross-party liberation she represented, had awakened in Republican women a desire to claim a piece of feminism as their own, but they were going to fight to remold it to suit their ideology.

Feminism’s history of fluidity and combustibility, which originated with its impossible goal of adequately representing all of the interests of a population that came in innumerable shapes, sizes, colors and identities, also made it legitimately vulnerable to incursions from those of a different ideological caste. The trouble here was that the intruding group was at odds with what was perhaps modern feminism’s only truly immutable core value: a woman’s right and ability to control her own reproduction.

Lafferty wrote in the Daily Beast, “Palin is being pilloried by the inside-the-Beltway Democratic feminist establishment. … Yes, she is anti-abortion. And yes, instead of buying organic New Zealand lamb at Whole Foods, she joins other Alaskans in hunting for food. That’s it.” Lines like this were practically enough to get thoughtful feminists — who, like Lafferty, wanted to expand the appeal of women’s rights advocacy, who wanted more women to proudly celebrate equal opportunity, who wanted to move forward and away from the movement’s reputation as exclusive, elite, white and middle class — to say “Oh, that’s it? Anti-abortion and no lamb from Whole Foods? Well, OK then, welcome!” before pausing to consider, “Wait, what was that first thing again?” That thing was at the heart of a very grave question for women’s rights activists: Could they work productively alongside women and men with antiabortion stances? Could pro-lifers be feminists? As Couric wondered to me in 2009, “Should the feminist movement say, ‘We have certain tenets, but people who are pro-life, we can welcome them. Let’s find our common ground to achieve things in other areas.’”

The trouble was that the goal of outlawing abortion (as well as desires to limit access to birth control and sex education) — not as a matter of personal belief, but as a legislative goal — was not compatible with feminism if feminism in fact meant supporting women’s rights to pursue their life, liberty and happiness on equal footing with men. Not believing in abortion personally was one thing. But preventing other women from exerting full control over their bodies and health, assessing their value as lesser than the value of the fetuses they carried, was, it seemed to me and many others, fundamentally anti-feminist and anti-female.

- – - – - – - – - – - -

Ultimately Palin, like Clinton and Obama before her, was a candidate onto whom millions of voters, and millions of women, had projected their own hopes and dreams and identifications. The fever for Obama had demonstrated the emotional pull of history making. Now I felt a wave coming from the right, coming to wash over feminism.

I was not wrong. Nearly a year to the day that Hillary Rodham Clinton conceded the nomination for the presidency, an organization called the New Agenda would rally its troops in an art gallery in Manhattan for an event called “One for the Herstory Books.” The organization’s founder, 43-year-old former Wall Street trader Amy Siskind, had gained some notoriety in 2008 as one of the vocal Hillary dead-enders angrily pushing to count unofficial primary votes in Michigan and Florida. Though she never officially called herself a PUMA, in the months during which most Democrats had been rallying around Barack Obama in the general election she had worked to organize them, building a media presence for the New Agenda, which she called “a sisterhood of support.” Siskind’s sisterhood differed from the feminist organizations that had preceded it by not taking a position on abortion. As she explained on the group’s website, “For women in this country to have power, we would need to focus on the issues that unite us, and put aside the issues that divide us. … When we come to the New Agenda we ask that you put that issue aside and work together on the 80% of issues that impact all women.”

Siskind’s Wall Street savvy helped to land her a platform. Within weeks of the official formation of the New Agenda she was speaking as “a feminist” on Fox and later on CNN and PBS; she was quoted in the Boston Globe, the Los Angeles Times, the New Republic, the Wall Street Journal, and the Washington Post, and wrote columns for the Daily Beast and the Huffington Post. In these venues Siskind hammered home some fundamental feminist points about the continued wage gap and the toll it takes on both women and men. She assured readers, “The next wave is here. The players are different. The words are different.” Perplexingly, she wrote, “Gone is ‘equal rights.’ … This wave is about reaching down beneath the surface to eradicate the roots of sexism that lie deeply buried in darkness, ignorance and bias … Gone is ‘feminism.’ The word, hijacked by a few into an exclusive clique with liberal, pro-choice rites of entry, is being put to rest.”

Siskind’s feminism had been loosed from ideology, from policy investments that would otherwise tie it to the nominally more progressive party; it was antipathetic to a commitment to reproductive rights. It was supportive not just of Hillary Clinton and Sarah Palin, but of the burgeoning population of conservative female politicians — from Meg Whitman and Carly Fiorina (respectively running for governor and senator in California) to Minnesota congresswoman Michele Bachmann — who did not support economic or social policies that helped women. And it would have an impact on institutional feminism and especially on those feminists who Siskind believed had worked against either Clinton or Palin, like NOW’s Kim Gandy. Siskind would claim that Gandy had secretly backed Obama in the primary. (Gandy campaigned for Hillary.) She would assert that Gandy had not defended Palin. (Gandy issued a statement condemning the “onslaught of double-standards and condescension” heaped on the Alaska governor.) At the annual NOW convention in the summer of 2009 some NOW members who had broken with the organization to support Palin campaigned against Latifa Lyles — the candidate whom Gandy had endorsed to succeed her as NOW president. Lyles lost the election by eight votes out of 400 cast. Gandy told me, “I’ve probably been to 34 national conferences and … this was nasty and vicious and mean in a way I’ve never seen. I think it’s going to be hard healing.”

Something had been stirred up, not simply in the Republican Party, but within feminism. It seemed to me that it was a mistake to ignore it. Palin’s candidacy had empowered Republican women eager to claim their share of the feminist legacy and transform its institutions by making them more amenable to their antiabortion positions and conservative policy positions. In light of the women’s movement’s history of losing battles over language and self-presentation, I feared that Elaine Lafferty might have been on to something beyond the candidate she was referring to when, in the days before the election knocked Palin off a presidential ticket but not out of the American consciousness, she wrote in the Daily Beast, “Will Palin’s time come next week? I don’t know. But her time will come.”

Rebecca Traister

Rebecca Traister writes for Salon. She is the author of "Big Girls Don't Cry: The Election that Changed Everything for American Women" (Free Press). Follow @rtraister on Twitter.

The politicization of the Secret Service scandal

What was once one of the right's favorite government agencies becomes a symbol of waste and moral degradation

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The politicization of the Secret Service scandalPresident Obama, surrounded by members of the Secret Service, upon his arrival in San Diego, Sept. 26, 2011. (Credit: AP/Pablo Martinez Monsivais)

It’s hard to work up much outrage about the Secret Service prostitution scandal, in which 11 members of the president’s elite protective service and various military personnel were found to have picked up escorts in Colombia, where they were doing advance work for the president’s visit. I guess it is probably not a good idea for the people in charge of protecting the president to leave themselves vulnerable to sexual blackmail, but on the other hand we do not live in a John Le Carré novel or “24″ episode, and I don’t think the threat of a honey-trap assassination conspiracy plot is very credible. If members of the Secret Service want to get drunk and hire escorts after work, that is their business. (As Melissa Gira Grant says, the only actual scandal here — and the reason this became an international incident — is that all these guys tried to bilk one of the women out of the money she was owed.)

But the predictable Washington mixture of prurient interest and moral posturing has turned this incident into grist for the scandals-and-investigations mill. And now we have the attempts at somehow making this a winning partisan issue for Republicans. Chuck Grassley, the senator from Iowa who triumphed over adversity and became the ranking Republican on the Senate Judiciary Committee despite being functionally illiterate, would like to know whether any White House staff also slept with escorts that evening. No one has made the claim, but Grassley’s asking just in case. (For a live peek at a future paranoid right-wing myth in its embryonic stage, read the comments on that Washington Times story: “I can just hear those paper shredders going a mile a minute in the white house, and the document forgers are being called in, you know the same ones that did the birth certificate.”) Grassley was on Fox last night to make sure viewers repeatedly heard baseless speculation as to the involvement of White House staff.

Rep. Pete King, Long Island Republican and stalwart publicity monger, has sent Secret Service Director Mark Sullivan a list of 50 questions about the scandal in order to make it appear that he is very seriously investigating this very serious incident.

For those outside Congress, for whom insinuating escort patronage by unnamed White House staff seems a bit of a reach, the game is to attempt to use the scandal to prove some point the fecklessness of Obama as a leader and his shameful failure to make everyone in Washington stop being so awful and wasteful all the time.

NRO’s Mark Steyn, after praising the fiscal discipline of the agent who attempted to bilk his escort (ugh), suggests that the moral of the story is that we pay too much for presidential security, and that all those agents and fancy bullet-proof Suburbans are wastes of taxpayer funds and evidence of broke post-Imperial America’s profligacy. Sarah Palin, who had every right to be personally aggrieved for once, after it was reported that the agent at the center of the scandal wrote gross sexist things about her on Facebook, was among the first to declare that the problem was with the “culture” Obama has created at the White House. (Karl Rove, smarter than most of these people, suggested that politicizing a Secret Service scandal was dumb and counterproductive. Secret Service Director Mark Sullivan, coincidentally, was elevated to his position under George W. Bush.)

The makeup of the Secret Service, obviously, has very little connection to the political party of the person occupying the White House. Like most American law enforcement agencies, it’s primarily white and overwhelmingly male, and, historically, the culture of the agency has had more than a whiff of machismo. These are not exactly the sort of public sector employees right-wingers get off on demonizing.

In fact, the right has had for years a sort of Clint Eastwood-inspired fantasy of the Secret Service agent as folk hero. Decent, hard-working men putting their lives on the line to protect a bunch of elitist ingrates. That ingratiating phony Bill Clinton and his frigid, hectoring monster of a wife weren’t deserving of such stolid, unflinching loyalty and service.

The fullest expression of this fantasy is in this classic chain email that made its way to every inbox in the nation during the second president Bush’s first term. According to this email, attributed to the unnamed author’s former neighbor, the president’s security detail was constantly disrespected by those awful Clintons and their terrible staff. Hillary Clinton was “arrogant and orally abusive.” “She forbade her daughter, Chelsea, from exchanging pleasantries with” agents. “Al Gore resented Bill Clinton and thought he was to centrist. He despised all republicans.” Agents prayed for Bush to win the election, and their reward was the joy they all felt in the presence of President Bush and his amazing, wonderful wife.

This nonsense has its roots in fake anti-Hillary attacks, attributed to imaginary Secret Service members, that Republican operatives spread to sympathetic media voices starting more or less the day Bill took office. Former Secret Service agents do plenty of gossiping and bitching, most frequently to Ronald Kessler, but their complaints don’t tend to track quite so directly to right-wing fantasy narratives.

But a popular trope is of the upstanding agents blanching at being asked to look the other way as libidinous Democratic presidents — Kennedy, Johnson, and Clinton — womanized. (Clinton was said to have threatened to fire agents who stymied his attempts to have trysts with Monica Lewinsky, though the agent who made the claim admitted to having invented it.) The pat moralism of the conservative Secret Service fantasy makes the agency’s lurid misadventure a bit funnier. It also explains why various people have to somehow convince themselves that the Obama administration somehow degraded the agency, through a lack of “management skills” or the widespread embrace of sexual deviance that is the logical end result of repealing the military’s ban on out gays and lesbians.

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Alex Pareene

Alex Pareene writes about politics for Salon and is the author of "The Rude Guide to Mitt." Email him at apareene@salon.com and follow him on Twitter @pareene

Nicolle Wallace’s Palin lesson: Make better stunt Veep picks

A running mate should be prepared, and maybe not about to be indicted (according to rumors)

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Nicolle Wallace's Palin lesson: Make better stunt Veep picksNicolle Wallace (Credit: ABC)

“Game Change” is a movie about how longtime Republican Party communications hack Nicolle Wallace and longtime Republican Party campaign hack Steve Schmidt actually have souls, and brains, and hence feel quite bad for accidentally being responsible for the creation of Sarah Palin, national monster. (Neither felt any qualms about working to get the most irresponsible warmonger currently serving in the Senate elected president, but Sarah Palin was nuts!)

So Wallace, following a 92nd Street Y panel last night, said this:

“There will be pressure to elevate a woman but there will be an equal amount of pressure to pick someone who is prepared,” Wallace said.

And then she said this:

Wallace flagged one female official in particular who she thinks would be a good choice this year.

“Nikki Haley — she’s great,” she said. “She’s the most effective surrogate Romney has.”

If the Sarah Palin problem was a problem of preparation and vetting, Haley … might present some issues? Specifically an odd and mostly unsubstantiated sex scandal and also these rumors that she might at any moment be indicted on tax charges. The tax thing might be bullshit and the affair story was the product of a self-promoting creep but they’re “out there,” as they say.

More important, Haley has been governor of South Carolina since January of 2011. As in very slightly longer than one year. And slightly less time being a governor than Sarah Palin had in 2008. It’s almost as if Wallace is making a pick not based on the principle of Who Would Be Best For the Nation but on demographics and optics?

Wallace also apparently suggested Carly Fiorina, which, lol. Romney/Ex-CEO who famously received a giant golden parachute when she was forced out of her company 2012, everyone! Just the ticket for the new economy.

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Alex Pareene

Alex Pareene writes about politics for Salon and is the author of "The Rude Guide to Mitt." Email him at apareene@salon.com and follow him on Twitter @pareene

Sarah Palin’s Hollywood ending

HBO's "Game Change" presents Palin as simply a bumbling Tina Fey -- and misses the real story of the 2008 campaign

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Sarah Palin's Hollywood endingJulianne Moore as Sarah Palin in HBO's "Game Change" (Credit: HBO Films)

HBO’s “Game Change,” airing this Saturday, is not actually an adaption of the book “Game Change,” by Mark Halperin and John Heilemann. It is “Sarah Palin Goes Rogue,” the movie, with a couple of anecdotes borrowed from the notoriously gossipy account of the 2008 election as a whole. (Or, arguably, it’s an adaptation of Scott Conroy and Shushannah Walshe’s “Sarah From Alaska.”)

That is sort of a shame. The Palin thing is the most heavily over-covered story line of the entire 2008 campaign, so focusing on it might be totally logical from a marketing perspective, but it’s unfortunate from an artistic one. The film re-creates various moments of YouTube campaign ephemera very well — remember when that old white lady called Obama an Arab and McCain looked uncomfortable? When it takes us behind closed doors, it’s to witness scenes any moderately close observer of the election and its aftermath could’ve dreamed up him- or herself. It might have been fun to see a TV movie about the Democratic primary fight; the personality clashes of the disastrous Clinton campaign would have made for entertaining television, and Mark Penn is surely a creature crying out for a grotesque Emmy-winning portrayal by, say, Paul Giamatti.

Instead, McCain has won the nomination three-and-a-half minutes into the film. Soon we’re watching Julianne Moore watch Tina Fey on TV. You remember the “SNL” sketches making fun of Palin, right? In case you don’t, “Game Change” airs lengthy chunks from most of them. It also has tons of actual footage from CNN and MSNBC and Fox News, and it re-creates debates and speeches and the Couric interview and the Charlie Gibson interview and a bunch of other things you saw either live or on YouTube when they happened.

Moore’s performance is not just fair but maybe even flattering. (For one thing, she doesn’t hit those flat upper Midwest vowels as gratingly as the real Palin.) Woody Harrelson plays strategist Steve Schmidt — the film’s protagonist — as a grizzled, “too old for this shit” campaign veteran called back to the trail against his better judgment. Jamey Sheridan is given barely anything to do as Mark Salter, McCain’s “conscience.” Salter, the primary author of his “Maverick” mythos, is limited, after the Palin selection, to making a hilariously over-telegraphed face of concern as everyone else in the war room applauds her first speech.

But the film is about Schmidt and Nicolle Wallace because they were pretty clearly Halperin and Heilemann’s primary sources, and we watch them become horrified by the depths of Sarah Palin’s ignorance at exactly the same time as everyone else in America became horrified by her ignorance.

Because it’s Hollywood, there’s very little politics in the film’s depiction of politics. Policies are simply things for Sarah Palin to write on note cards and not memorize. Operatives confidently declare, in faux Sorkin-ese patter, that if this or that meaningless decision is made, it means “we’ll lose by five.”

There is a sheen of faux cynicism (McCain swears like a sailor!) but it masks complete naiveté: Everyone is basically honorable and decent. Nicolle Wallace — a member of the Bush administration communications team — is sincerely alarmed at the prospect of someone as dangerously ignorant as Sarah Palin in the White House. On election night, she breaks down in tears as she admits to Schmidt that … she didn’t vote. They embrace.

The film subscribes to the simplest theory of Sarah Palin: That she is childlike, vain and incredibly ignorant but also an essentially decent person and wonderful mother. The moments that come closest to “unfair” — Sarah Palin doesn’t know that the head of Great Britain’s government is the prime minister, not the queen — are basically plausible. This isn’t Andrew Sullivan’s conniving, dangerous pathological liar. It’s an overwhelmed working mother whose most unhinged moments are explained by a crash diet. Her convention speech is largely stripped of its snarling attack lines, imagining a world in which it appealed to “the base” because of Palin’s heartfelt commitment to special-needs children and not because she was very good at saying mean things about Obama. (The film actually repeats the bullshit story that her teleprompter broke midway through, and she kept going.) Even when the film has her take a major heel turn — “if I am single-handedly carrying this campaign, I am gonna do what I want!” — after “winning” her debate with Joe Biden (played by video footage of Joe Biden), she is still basically an innocent seduced by the adoration of riled-up crowds and national attention. (Todd Palin barely does anything.)

The constant use of actual news footage adds a bit of verisimilitude but also constantly raises the question of why this lightly fictionalized version of the election actually needs to exist. “Game Change” is not really for serious political junkies, who remember all the stuff that did happen and will scoff at the stuff that didn’t. (At one point, John McCain answers his ringing iPhone in the middle of the night. He used a BlackBerry, HBO.) But if casually politically involved people want to see their assumptions about Sarah Palin reinforced, well, there are still those “SNL” sketches.

In the end, the Republican operatives who foisted Sarah Palin on an unprepared nation are rightly horrified that they created a monster, but at no point does anyone act concerned that their actual candidate was himself an angry, warmongering old crank with extremely fungible principles. Sure, Sarah Palin didn’t know what the Fed did. Do we have any proof John McCain knew what it should’ve done? Maybe everyone actually was totally unfair to poor Sarah Palin.

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Alex Pareene

Alex Pareene writes about politics for Salon and is the author of "The Rude Guide to Mitt." Email him at apareene@salon.com and follow him on Twitter @pareene

The writer behind HBO’s “Game Change”

Salon talks to screenwriter Danny Strong about Sarah Palin and why he considers her a modern-day "Pygmalion'"

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The writer behind HBO's Ed Harris as John McCain and Julianne Moore as Sarah Palin in "Game Change"

In recent years, Danny Strong has become the go-to guy for political drama for HBO. He’s gotten an Emmy nomination and Writers Guild of America award for his screenplay for the 2008 “Recount,” about the 2000 presidential vote in Florida. And now he’s gone back to work with that film’s director, Jay Roach, on the anticipated adaptation of the controversial bestseller “Game Change,” which premieres on HBO Saturday. “Game Change” chronicles Sarah Palin’s rise during the 2008 presidential race and features a superlative performance by Julianne Moore as Sarah Palin, along with Ed Harris as John McCain and Woody Harrelson as McCain’s senior strategist Steve Schmidt. It is already getting pushback from Republicans, who are calling it a political-year propaganda film.

Oddly enough, Strong began his entertainment career playing key roles in cult series – Jonathan Levinson on “Buffy the Vampire Slayer”; Paris’ boyfriend on “Gilmore Girls”; the hopeful copywriter hired after Don Draper stole his idea on “Mad Men.” We caught up with him in Atlanta last week.

Sarah Palin is introduced on about page 350 of John Heilemann and Mark Halperin’s “Game Change,” a book that covered the 2008 Obama, Clinton, McCain and Edwards races as well. Was it always going to be just about her?

It was the director Jay Roach’s concept to just do the Palin story, and I agreed that I thought that was the best approach, for various reasons. One, I thought it was the most exciting story in the book, but not only that, I thought it was one of the most exciting stories in recent American politics. I just thought it would make an amazing movie. I also thought that doing a story about Barack Obama at this time, it would be impossible for the film not to come across as an informercial for his reelection and it would be difficult for an audience to get lost in a movie about him while he was still president. I think there’s a great movie there, too. But I think that movie needs to be made after he’s out of office.

When did you start to work on this? And, as in “Recount,” I understand it began with a lot of your own reporting.

I think we started in late summer, 2010. I did 25 interviews with people in the campaign and then read a ton of other books, too, on the subject, particularly Sarah Palin’s book “Going Rogue,” which was a beat-by-beat account of what happened in the campaign from her point of view.

What percentage of the movie was based on the book and what was your own reporting?

I would say 90 percent of the movie is the book, 5 percent is my original reporting, 5 percent is other sources.  But so much of my own reporting was just trying to confirm the veracity of the book, which I found to be extremely accurate, based on the interviews.

I don’t want to misrepresent I was some big scoop-getter in this process. The movie really is built on the back of reporting of the book. There’s nothing I found out that I wouldn’t have been able to find out if it hadn’t been the work John and Mark had done. But there’s one thing [I found out] that’s already been put on record that I’ll just mention – that Palin thought that the queen of England was the ruler of England. That’s something I got from my own reporting.

There were also some surprising quotes in the book that I don’t remember seeing in the movie, such as when she said during a low point of preparing for her single debate “If I’d known everything I know now, I wouldn’t have done this.”

Yeah, you know that was in the movie. It was in the script and was shot. It just ended up on the cutting room floor. But you’re absolutely right. It’s an amazing line, isn’t it? When you’re editing a film, you’re just trying to get it to breathe; you’re trying to make it work. Things kind of just get cut here and there. And that was just one of those moments. I believe that line was the casualty of a scene that was made significantly shorter.

How was this process different from your last film, which was also a political potboiler based on recent events?

In the case of “Recount,” I had never done anything like that before. I had no background in journalism. I always tell people the biggest advantage is that I had no idea what I was doing. It was really exhilarating and kind of scary. By the time I did this, I’d done several projects now where I’ve interviewed people. I’ve just done it a lot more. I’m used to it; I’m used to dealing with sources.

Also, one of the big differences between the two films is that “Recount” has Democrats and Republicans, but this one is just Republicans. By the way, I prefer dealing with just one party in a movie rather than dealing with two, because you have all these balance issues that have nothing to do with story. You know, for every scene of one party, you have to have a scene of the other, kind of thing. In this we just get to tell our story.

Did you see any similarities in Katherine Harris, who is one of the central characters in “Recount”?

I don’t really see many  similarities between Katherine Harris and Sarah Palin as far as their portrayal in film. In “Recount,” Katherine Harris is secretary of state of Florida overseeing the recount process. The film shows how she, beat by beat, does everything she can to help one candidate. That’s violating her oath of office, and I think the film is very critical of that.

In “Game Change,” the film doesn’t show Sarah Palin doing anything unethically. It shows how Palin goes on to become this beloved, charismatic figure within the party, whereas Katherine Harris is not. This is just the story of someone who has been thrust on the national spotlight literally overnight, as Katherine Harris was, and is doing her best to try and make things work. I think Katherine Harris was doing her best to try to help one candidate get elected, when she should have been overseeing a fair and impartial process.

You do get to show the charismatic side of Palin, particularly on the rope lines or when she’s meeting other parents of Down syndrome children.

Yeah, the scenes were really moving. When campaign staffers would tell me those moments on the rope line, whether they loved Sarah Palin or didn’t love Sarah Palin, they all told me it would make them cry. You need to show what made her so beloved and dynamic. That’s an amazing part of the story.

Political dramas in general seem rife for criticism even before the film is released.

Absolutely. And that happened on “Recount” too. It happened on the Democrats’ side. Warren Christopher came out and attacked the film before he had seen it. In this case, we have Sarah Palin staffers basically attacking the film before they’ve seen it. To be honest with you, I don’t think it serves either one of them. I think both portrayals are much more complex, dynamic and layered than they realized because they hadn’t seen the film. It gives the films a lot of publicity.

We’ve had screenings across the country by now, and one of the main things that people talk to me about afterward in the Q & As is how sympathetic she comes across at times; how they never imagined they were going to see her in the light that they see her in – particularly liberal Democrats that don’t care for her are surprised about how much sympathy they have for her with the pressure she was under.

I’ve heard that one of the Palin staffers who complained had offered to be a consultant earlier.

Yeah. The offer was in an email to me, where he asked to be our confidential consultant with formal agreement. And I’m just very surprised. In the same email he basically validated the book by saying that the portrayal of Sarah Palin was complex and unique, not false and inaccurate. So I was pretty stunned that a week ago, a year after that email, he came out and attacked the film as being based on a book that’s grossly inaccurate. And if it was so grossly inaccurate, I don’t know why he would have offered to have been our confidential consultant a year ago.

We did hire a consultant. The person we hired [Chris Edwards] was someone who we thought had a very balanced, fair viewpoint of the entire campaign. He was her deputy chief of staff on the campaign, so he was there for everything.

And the reason to have a consultant is to get all the details right?

Yes. To have someone on set who sat next to Palin for those 60 days is an enormous asset. And he was primarily utilized for helping us with the technical details of what it’s really like on the campaign plane, who sits where; helping out with making the green rooms look how they actually looked. The goal was to make it look and feel as authentic as possible, and he was a great asset for that.

One of the other charges against “Game Change” is that HBO deliberately scheduled this for right after Super Tuesday to ruin any Palin election plans.

Me and Jay Roach never believed she was going to run back when we started  working on this in earnest in summer 2010. It was kind of the accepted discussion in political circles and in the press that she was not going to run, so that was really never a concern for us. And we were right; she never ran. We never thought this film was going to affect the election. I don’t think anyone who sees this movie is going to vote differently because of it. I don’t think it makes Republicans look negative. I don’t think it makes Obama look positive. I don’t think it’s going to affect the election at all.

But don’t you hope this film has an effect in the broader sense?

I hope has the effect of making people question what they want in a leader. The themes of the film aren’t partisan themes. The themes of the film are about the process, about how we elect our president and what we value in a leader, and how that value system and that process has been shifted by the internet, YouTube and the 24-hour news cycle.

I got the feeling it was a “Frankenstein” story – that these consultants had created a monster they regretted unleashing on the nation.

It was a “Pygmalion” story – I conceived it and Jay Roach completely agreed that this was a Pygmalion story of them finding an individual and then trying to turn her into something that perhaps she’s not. And there are consequences to that. And they lived the consequences.

Don’t you think it will affect any of Sarah Palin’s political plans going forward?

I don’t think anything is going to affect Sarah Palin except for Sarah Palin. No matter what she does, or what happens, she just has a base of support and they love her, and nothing’s ever going to change that. And people who are not fans of Sarah Palin — I don’t think anything’s going to change that. Because I think everyone has their opinions of her, and those opinions are essentially set in stone.

The goal of the film wasn’t to try and change anyone’s mind about anything. The goal of the film was to talk about the process of how we elect our president, and here’s a pretty crazy story in which a candidate was not vetted to be vice president of the United States. She was not properly vetted, and we came very close to having a vice president that perhaps wasn’t prepared for that job.

“Game Change” premieres Saturday at 9 p.m. on HBO.

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Mr. 1 Percent is clueless about inequality

As the country sees more conflict between rich and poor, Romney thinks we should talk about it in "quiet rooms"

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Mr. 1 Percent is clueless about inequality (Credit: The Ed Schultz Show)

The GOP primary keeps getting funnier. Just as Newt Gingrich was telling a South Carolina Romney supporter “I agree with you” that attacking Mitt Romney’s Bain Capital career could help Democrats on Wednesday, his friendly Super PAC “Winning the Future” released the long version of its hit piece “When Mitt Romney Came to Town.” I thought MoveOn did a bang-up job last week with an ad profiling a pair of older Kansas City steelworkers left jobless thanks to Bain; this ad is so slashing MoveOn might have thought twice about releasing it. If you haven’t seen it, it’s here. Clearly, Gingrich is trying to have it both ways: Mollifying wealthy GOP donors horrified by his attacks on capitalism while continuing to bloody Romney. We’ll see how well it works.

Romney continues to insist Democrats, as well as some of his GOP rivals, are practicing “the politics of envy,” and on NBC Wednesday made what might be his dumbest remark yet. Asked whether there was ever a fair way to discuss income inequality, the GOP front-runner replied:

I think it’s fine to talk about those things in quiet rooms and discussions about tax policy and the like. But the president has made it part of his campaign rally. Everywhere he goes we hear him talking about millionaires and billionaires and executives and Wall Street. It’s a very envy-oriented, attack-oriented approach and I think it will fail.

Maybe Mitt wants to confine talk of inequality to “quiet rooms” because he’s seen the Pew Research Center data showing that Americans think conflict is growing between rich and poor.  Two-thirds of Americans see that conflict, up 50 percent since 2009. While African-Americans are still more likely than whites to see that conflict, the percentage of whites who agree tripled. Credit Occupy Wall Street for hiking consciousness about the gap between rich and poor, but credit the GOP for creating the conditions that allowed income inequality to soar, and the top 1 percent to gobble up 40 percent of the nation’s wealth.

A sly Sarah Palin called for Romney to release his tax returns on Sean Hannity’s show last night, to Hannity’s seeming distress. Palin defended Rick Perry’s “vulture capitalism” attack even as Hannity kept trying to get her to declare it unfair. She’s gone rogue again! We can only dream that Romney releases his tax returns. I think he’s less scared about showing his staggering wealth than revealing the scandalously low tax rate he pays, given how much of his income comes from investment and is thus subject to lower capital gain taxes. (I’m sure we’d also learn a lot from the tricks Romney’s accountants use to keep his effective tax rate even lower.)

Palin also demanded that Romney substantiate his claims to have created 100,000 jobs while at Bain, calling it a “come to Jesus” moment. What is she up to? Her snow-machine-driving husband Todd endorsed Newt Gingrich last week, to great derision, but it did raise questions about what the nominally neutral ex-V.P. nominee is thinking. She’s not thinking good thoughts about Mitt Romney, that’s for sure.

Meanwhile, the man who foisted Palin on the world, John McCain, today accused Romney’s anti-Bain attackers as supporting “communism.” But BuzzFeed recalls that in 2008, McCain himself attacked Romney’s Bain days. “He presided over the acquisition of companies that laid off thousands of workers,” McCain complained back then, and campaign manager Rick Davis told the National Journal:

“He learned politics and economics from being a venture capitalist, where you go and buy companies, you strip away the jobs, and you resell them. And if that’s what his experience has been to be able to lead our economy, I’d really raise questions.”

I’ll be talking about Romney’s Bain troubles, and the GOP circular firing squad, on MSNBC’s “Politics Nation” with the Rev. Al Sharpton at 6 ET.

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Joan Walsh

Joan Walsh is Salon's editor at large.

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