Romance novels need a canon
"Bet Me" by Jennifer Crusie
A contemporary romantic comedy set to Elvis Costello and lots of luxurious and sinful sugary treats. Read the whole essay.
For those still wondering about the fate of Muslim-hating erstwhile New Republic owner and editor-in-chief Martin Peretz, they’ve finally made an official announcement: He is now the “editor-in-chief emeritus.” Marty never actually edited the magazine — though he hired and fired editors — but his title and ownership of the magazine allowed him to write first his regular columns and then “The Spine,” his dyspeptic blog. It is the blog that got him in trouble, which just revealed that no one ever read his print column.
And so, according to a recent New York magazine profile of Peretz, they were going to make him stop blogging. Except he kept blogging. And that is because, according to a slightly more recent New York Times Magazine profile of Peretz, he just refused to stop.
Multiple New Republic staff members told me that The Spine would soon be replaced by a rigorously edited weekly Peretz column. In Tel Aviv, Peretz laughed at the thought.
“That’s not going to happen,” Peretz said.
Now, that is going to happen. Sort of. Mostly. “In addition” to the new column, anonymous New Republic editors write, “he will move from writing his blog, The Spine, to writing a column for the website.”
But in his rambling, simultaneously self-pitying and self-aggrandizing goodbye to the title he bought, Peretz leaves the door open:
The fact is that I haven’t done a serious and long article for the print edition in perhaps half a year. That’s what I want to do with some regularity now. (I am keenly aware that articles from the print edition are also served up on the electronic edition.) I suppose I want to have my cake and eat it, too. So I will be writing a weekly column for TNR online but I will indulge in doing a blog post when the spirit moves me.
And apparently the spirit moved him today! At 1:07 p.m. — seven minutes after the time stamp on the post announcing Peretz’s new, diminished role — The Spine was updated with Marty Peretz’s thoughts on Tunisia and Egypt.
Alex Pareene writes about politics for Salon and is the author of "The Rude Guide to Mitt." Email him at email@example.com and follow him on Twitter @pareeneMore Alex Pareene.
"Bet Me" by Jennifer Crusie
"Welcome to Temptation" by Jennifer Crusie
Another of Crusie's romantic comedies, this one in the shadow of an ostentatiously phallic water tower. Read the whole essay.
"A Gentleman Undone" by Cecilia Grant
A Regency romance with beautifully broken people and some seriously steamy sex. Read the whole essay.
"Black Silk" by Judith Ivory
A beautifully written, exquisitely slow-building Regency; the plot is centered on a box with some very curious images, as Edward Gorey might say. Read the whole essay.
"For My Lady's Heart" by Laura Kinsale
A medieval romance, the period piece functions much like a dystopia, with the courageous lady and noble knight struggling to find happiness despite the authoritarian society. Read the whole essay.
"Sweet Disorder" by Rose Lerner
A Regency that uses the limitations on women of the time to good effect; the main character is poor and needs to sell her vote ... or rather her husband's vote. But to sell it, she needs to get a husband first ... Read the whole essay.
"Frenemy of the People" by Nora Olsen
Clarissa is sitting at an awards banquet when she suddenly realizes she likes pictures of Kimye for both Kim and Kanye and she is totally bi. So she texts to all her friends, "I am totally bi!" Drama and romance ensue ... but not quite with who she expects. I got an advanced copy of this YA lesbian romance, and I’d urge folks to reserve a copy; it’s a delight. Read the whole essay.
"The Slightest Provocation" by Pam Rosenthal
A separated couple works to reconcile against a background of political intrigue; sort of "His Gal Friday" as a spy novel set in the Regency. Read the whole essay.
"Again" by Kathleen Gilles Seidel
Set among workers on a period soap opera, it manages to be contemporary and historical both at the same time. Read the whole essay.