PETA’s latest Super Bowl disgrace

The organization's idiotic new campaign shows its love of animals comes at the expense of humans -- again

Topics: Advertising, Media Criticism, Noble Beasts, Vegetarianism and veganism,

PETA's latest Super Bowl disgrace

If you’re ever in need of a relevant example of good intentions gone terribly wrong, just ask yourself, hey, what has PETA done lately? And if you’re ever wondering how dehumanizing animal rights can be, look no further than its oh-so-naughty, “too hot for TV!” new campaign.

People for the Ethical Treatment of Animals has long flaunted its flair for outrageous measures in its ostensible quest for a cruelty-free world. President and chief Ingrid Newkirk has cheerfully described her organization as “complete press sluts,” saying, “We would be worthless if we were just polite and didn’t make any waves. ” And polite they are not. In the past, they’ve handed anti-fur fliers out to children at holiday performances of the Nutcracker. They’ve done campaigns comparing meat to a “holocaust on your plate.” Basically, they’re jerks.

On the other hand — puppies! Who doesn’t like puppies? Who doesn’t believe we should be nice to them? Also, celebrities! Movie stars and directors and even the woman who’s worn a dress made of meat, Lady Gaga herself, have lent their fame to PETA’s various causes. And then there are the hot people. PETA’s hugely eye-catching “I’d rather go naked than wear fur campaign” has for years shown off the heavily Photoshopped assets of Eva Mendez, Khloe Kardashian and even a dude or two.

And now, capitalizing on the success of its hot ‘n’ bothered 2009 “Veggie Love” ad  featuring that reliable porn standby of girls in panties and an array of vegetables, they’re back with a creepy new “casting session” campaign. Purportedly revealing the behind-the-scenes making of “Veggie Love,” this time it’s bikini girls (and one incredibly dorky guy) going wild on an array of produce, accompanied by PETA’s familiar tag line that “Vegetarians Have Better Sex.” That may be true, but apparently they’re having it with eggplants.



Look, I get it — babes fellating zucchini, what’s not to like? But in much the same way that PETA asks the public to take a responsible look at the truth behind the alluring facade, let’s consider what’s really going on here. PETA is eagerly trumpeting the campaign as its “banned Super Bowl ad” — despite the fact that NBC apparently has said the spot could run if PETA toned it down a few notches.  That’s unsurprising, given the fact that as it stands now the ad seems to stop just shy of double penetration. It also makes me never want to touch a stalk of celery again, though I give originality points for the tossed-salad money shot.

Even more absurd than PETA’s drummed-up “banned” BS is the clever trap awaiting horny would-be vegetarians at the “Casting Session” section of its website. You didn’t think the people who’ve handed out bloody “Unhappy Meals” outside McDonald’s are going to let you off the hook easily, do you? If you’re not quick, that dirty little video – embedded right next to a group shot of high-heeled ladies about to get it on with radishes — will segue right into a new clip, titled “Free Me.” And it’s not nearly as pornographic as it sounds, unless bloodied-up livestock is your thing. Did they trick you into thinking that this was actually about being sexy and having fun? Gotcha! Snap out of it and look at what’s going on in this slaughterhouse! Somebody, please give Ingrid Newkirk a copy of “A Clockwork Orange” for a rundown on how effective this kind of ploy is.

There are a million great reasons to care about animals, and the impact that their welfare has on the planet and human health. We can’t assume that their lives and the ways in which they’re treated are somehow disconnected from our own. But concern for animals doesn’t give anybody the right to be a douche to humans. It certainly doesn’t lend credibility to a cause when lurid, graphic scare tactics are the prize at the end of some slick little “Show me how much you luuuuuuve vegetables” spank fodder. And based on its endless use of naked and nearly naked girls to push its agenda, maybe it’s time to ask why an organization so dedicated to veganism is so eager to treat women like pieces of meat. 

 

Mary Elizabeth Williams

Mary Elizabeth Williams is a staff writer for Salon and the author of "Gimme Shelter: My Three Years Searching for the American Dream." Follow her on Twitter: @embeedub.

More Related Stories

Featured Slide Shows

  • Share on Twitter
  • Share on Facebook
  • 1 of 11
  • Close
  • Fullscreen
  • Thumbnails

    "Roman Candle" turns 20: Secrets of Elliott Smith's accidental masterpiece (slideshow)

    Elliott and the friends with whom he recorded in middle school in Texas (photo courtesy of Dan Pickering)

    "Roman Candle" turns 20: Secrets of Elliott Smith's accidental masterpiece (slideshow)

    Heatmiser publicity shot (L-R: Tony Lash, Brandt Peterson, Neil Gust, Elliott Smith) (photo courtesy of JJ Gonson photography)

    "Roman Candle" turns 20: Secrets of Elliott Smith's accidental masterpiece (slideshow)

    Elliott and JJ Gonson (photo courtesy of JJ Gonson photography)

    "Roman Candle" turns 20: Secrets of Elliott Smith's accidental masterpiece (slideshow)

    "Stray" 7-inch, Cavity Search Records (photo courtesy of JJ Gonson photography)

    "Roman Candle" turns 20: Secrets of Elliott Smith's accidental masterpiece (slideshow)

    Elliott's Hampshire College ID photo, 1987

    "Roman Candle" turns 20: Secrets of Elliott Smith's accidental masterpiece (slideshow)

    Elliott with "Le Domino," the guitar he used on "Roman Candle" (courtesy of JJ Gonson photography)

    "Roman Candle" turns 20: Secrets of Elliott Smith's accidental masterpiece (slideshow)

    Full "Roman Candle" record cover (courtesy of JJ Gonson photography)

    "Roman Candle" turns 20: Secrets of Elliott Smith's accidental masterpiece (slideshow)

    Elliott goofing off in Portland (courtesy of JJ Gonson photography)

    "Roman Candle" turns 20: Secrets of Elliott Smith's accidental masterpiece (slideshow)

    Heatmiser (L-R: Elliott Smith, Neil Gust, Tony Lash, Brandt Peterson)(courtesy of JJ Gonson photography)

    "Roman Candle" turns 20: Secrets of Elliott Smith's accidental masterpiece (slideshow)

    The Greenhouse Sleeve -- Cassette sleeve from Murder of Crows release, 1988, with first appearance of Condor Avenue (photo courtesy of Glynnis Fawkes)

  • Recent Slide Shows

Comments

0 Comments

Comment Preview

Your name will appear as username ( settings | log out )

You may use these HTML tags and attributes: <a href=""> <b> <em> <strong> <i> <blockquote>