“Battle for Brooklyn”: In breaking news, Goliath beats David
"Battle for Brooklyn" follows a bitter, racially tinged urban development fight -- but it's also a love story
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In the movies, when David fights Goliath, we generally know who’s going to win. In real life, of course, it tends to be the other way around, as the compact and fascinating documentary “Battle for Brooklyn” demonstrates. Compressing a seven-year civic struggle over a massive redevelopment project in the center of Brooklyn, N.Y., into 93 minutes, Michael Galinsky and Suki Hawley’s film spins a compelling tale about the value of individual and collective resistance, even as it makes clear where power in our society really resides. Along the way, “Battle for Brooklyn” tells the story of a love affair and a new family, and reminds us that even billionaires are not omnipotent.
No doubt “Battle for Brooklyn” will be of most interest to New Yorkers, and particularly to people who live or work in the city’s most populous borough. But the film’s basic situation — local residents and community activists vs. the development schemes of major politicians and big business — is an archetypal element of urban life, one that can be found in almost any city, large or small, from Maine to California. What distinguished kazillionaire developer Bruce Ratner’s plan to remake the center of “America’s fourth-largest city” (to borrow the boosterish phrase of Brooklyn Borough President Marty Markowitz) was primarily its size and audacity, along with the fact that the ensuing battle turned very ugly and inevitably attracted the attention of the national media, much of which is headquartered a few miles away across the East River.
I should make clear that I live barely half a mile from Ratner’s long-brewing Atlantic Yards development, which was originally supposed to include numerous high-rise residential and office buildings, along with a new arena for the soon-to-be-relocated New Jersey Nets (the NBA team that Ratner owned at the time). I have all the NIMBYish concerns about its effect on traffic and property values in my quiet, middle-class neighborhood that you’d expect. But I would never have denied that the dilapidated Long Island Railroad yard along Atlantic Avenue that Ratner picked as his centerpiece, along with the mixed-use area around it, was in need of revitalization. The question was more about how it would be developed, and who would get a say in the decision-making process. I think the same question was being asked all along by Daniel Goldstein and Shabnam Merchant, the activists who met and got married and had a daughter while the filmmakers were watching them fight against Ratner’s plans.




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