Gadhafi's Final Days
“Blood in the Corners” by J. Robert Lennon
Gadhafi leaves town in a military vehicle outfitted during the 1986 U.S. standoff, complete with a Rubik's Cube
He is in a caravan, one of many identical military transports, on their way someplace, he doesn’t know where. The driver has stopped talking to him: radio silence. There has been a plan for some time now, since the Americans tried to kill him in ’86, that would bring him out through the tunnels, toward Buslim, and then south, in the event of war. But there is fighting in Buslim and so they have driven northwest along the coast, then inland again, and now they are not sure where to go, as the rebels have surrounded the houses and the airport, and this was never part of the plan, everything happening everywhere at once. They didn’t imagine it could happen so fast. They didn’t imagine the Arab Spring.
What they did imagine is that there might be a time when the Revolutionary Leader would have to ride alone for some hours in a windowless bulletproof chamber, and that’s where he is now. It is air-conditioned, and soundproof. There is a bed, where he sits, legs crossed, and a water cooler, and a glass-fronted bookcase, and an entertainment console complete with stereo and television. The bookcase, to his dismay, contains little to read: only the Koran and his own — he admits it, boring — writings. The Green Book? Please. He was barely 30 when he wrote the thing. The rest of the bookcase is filled with videocassettes.
There is no computer. There is no Internet. He has his phone, but can’t get service. The rebels have fouled up everything.
The Revolutionary Leader is depressed. Really, he ought to have thought to have them keep this transport up to date. The television is a bulbous CRT that hums when you turn it on, and all the tapes are from the ’80s. There is also a drawer under the stereo that contains compact discs of traditional music, and a couple of board games. Checkers and Monopoly. And there are video games: Atari, and a little pile of cartridges.
There is also a Rubik’s Cube.
The RL draws a breath and lets it out slowly. He climbs off the bed and looks through the videocassettes. “Back to the Future.” “The Breakfast Club.” “Mad Max Beyond Thunderdome.” Is that the one with Tina Turner in it? He tried to get her to perform in Bab al-Azizia, back then, but no dice. A shame, he thinks she would like him. They would have a lot to talk about, he thinks — astronomy, socialism.
He considers masturbating, but is too depressed. He misses Halyna and his wardrobe. He misses feeling good about himself. The ’80s! he thinks, still gazing at the row of videotapes — those were the days. When Reagan hated him, when he meant something in the world. Safia still loved him, he had a sense of humor. Life was fun. Now he feels like a loser. Why did he sponsor those terrorists? Why did he get so pissed off at the Berbers? All his decisions now seem arbitrary and capricious. He wants to go home and eat a giant meal and fuck his nurse. He wants to flip through his Condi album and remember the glory days.
Instead he slides a videotape off the shelf — Carl Sagan’s “Cosmos” — pops it into the player, and snatches the Rubik’s Cube from the drawer.
He used to have a book that told you how to solve this thing. Memorized it in a couple of hours. Indeed, he got pretty good, around the time of the conflict with Chad — he used to sit in the war room, waiting for the troops to move, for the brass to arrive and explain themselves, and he would solve the thing over and over again. It calmed his nerves. And then he would sit there at the conference table with the solved cube in front of him and endure the pathetic explanations of those sweating generals.
That war. A humiliation. Beaten by a bunch of ratty bastards in pickup trucks. And now it’s happening all over again at home. But no — don’t go there. Too depressing. Watch TV. Solve the Cube.
Sagan. “One voice in the cosmic fugue.” The music is soothing — pianos and synthesizers, and on the screen, stars and galaxies wheeling past. They cast a red glow on the tiny room. There is a rumble outside, the caravan is turning right, the RL ignores it. He is bent over the Cube.
First, a cross, you make a cross on top. That always bothered him — why couldn’t it be a star, or a crescent? He remembers now, he always started with green or red — national colors, of course. His fingers, encumbered by rings, twist the slabs of plastic into place; the Cube clacks and clatters as Sagan talks about the Samurai.
A war between clans. “Each asserted a superior ancestral claim to the imperial throne.” That’s always the problem, isn’t it — everybody thinks they’re right, nobody backs down. Well, the RL did, after the Americans got Saddam — he could see the writing on the wall, figured he’d get himself on the winning side. And look where it’s brought him. A metal box in the middle of nowhere. The transport lurches — just a bump in the road. Back to the Cube.
Corners next. Red, red, red, red. Blood in the corners: That’s where they push you, then they kill you. Well, not him, he’s getting out. Gave these people water, pulled them out of holes in the ground and gave them houses with electricity, he brought wealth and peace to this country. And this is the thanks he gets. “The Heiki warriors threw themselves into the sea and drowned,” Sagan says. The ultimate sacrifice! He would have made it for his people! Instead, this!
And now the edge pieces. Left, up, right, down. Right, up, left, down. Sagan is saying, “… marked the end of the clan’s thirty-year rule … the Heiki all but vanished from history …”
And now the transport is slowing, and it rocks back and forth, and the lights flicker, casting the Revolutionary Leader briefly into darkness. The air conditioning dies, then wheezes back to life. He could solve it now in the dark, he thinks, though he doesn’t have to: He’s got the middle row finished, and now the orange edge pieces on the bottom, and all he has to do is the corners. Up, right, down, clockwise. Left, counterclockwise, up, left, down, left, left, and –
Ah, shit. Didn’t work. And he messed up the bottom corners. Tries to remember what he did, to do it in reverse. Right, right, up. Left? No, right … It’s like his life — you think you’re planning things out, you think you’ve created order. But chaos creeps in, doesn’t it. There’s no keeping it at bay.
Through the soundproofing, gunfire. Shouts. There is an explosion: The transport heaves and creaks. The lights flicker again. Sagan says, “… patterns which resemble a human face … with the aggressive scowl of a samurai warrior …” He is talking about crabs, Heiki crabs, the final incarnation of the defeated warriors. And now the Revolutionary Leader knows he’s beat, because he has lost the bottom edge pieces, too, and the lights go off, and then on again for the last time. The videotape lurches to a stop, starts up again; and it is to the strains of a shakuhachi flute that he glimpses, in the last seconds of light before he is trapped for good, the pattern of a face, his own face, in the Cube, a broken cross, blood in the corners, the end.
Eyewitness recounts Gadhafi’s death
Rebel fighter claims to have witnessed the Libyan dictator's final moments
(Credit: AP Photo/Sergei Grits, File) SIRTE, Libya — Imad Moustaf, a rebel fighter, said he witnessed the capture and killing of toppled Libya leader Moammar Gadhafi Thursday in Sirte, the ruler’s hometown.
Moustaf said Gadhafi had been shot in the head and close to the heart on the outskirts of the western roundabout of Sirte, where he was hiding in a hole surrounded by bodyguards. Moustaf claimed to have been in the ambulance with Gadhafi when he died. The BBC, who spoke to another Libyan rebel, also reported that Gadhafi had been hiding in a hole. The BBC also reported that Gadhafi yelled, “Don’t shoot,” before he was killed.
Continue Reading CloseGadhafi’s Hollywood ending
How the government and media transformed the Libyan leader's image from repentant bad boy to evil tyrant
FILE - In this August 1990 file photo, during an emergency Arab League summit, Libyan leader Moammar Gadhafi, left, is driven by Egyptian President Hosni Mubarak, in Tahrir Square in Cairo. As rebels swarmed into Tripoli, Libya, late Sunday, Aug. 21, 2011, and Gadhafi's son and one-time heir apparent Seif al-Islam was arrested, Gadhafi's rule was all but over, even though some loyalists continued to resist. (AP Photo/Farouk Ibrahim, File)(Credit: AP) Poor Moammar Gadhafi. Libya’s longtime leader, dubbed “the Mad Dog of the Middle East” by President Ronald Reagan over his support for terrorism, came in from the cold after Sept. 11 by collaborating with the CIA in the fight against al-Qaida and offering American firms access to his oil fields. Look what he got for his good behavior: the enmity of his people and uninvited strangers visiting his seaside villa.
Gadhafi had warmed American hearts in 2004 by normalizing relations with George W. Bush’s administration and falling hard for Condoleezza Rice. The colonel was still an SOB, but now he was our SOB.
Continue Reading CloseKen Silverstein is a contributing editor at Harper’s magazine and an Open Society fellow. Research support for this article was provided by The Investigative Fund at The Nation Institute. More Ken Silverstein.
“Republic of Fear” by Shann Ray
As the dictator awaits his fate, he has one last person to terrify -- his grandson
“Young one, do you know what to call me?”
The old man nearly whispered the words, his mane of hair curled over his face, his head down and knees wrapped in his arms. The face now, the reporters proclaimed, had become the mask of a clown, long and drawn, darkened, mean. Gadhafi Deposed … Libyan Despot Desolated … Gadhafi Hunted … the news ticked in his head. But the ease with which he countered it amused him. I am the hunter, the colonel thought, they the hunted. He and the child were in a black box, a small space 10-by-10 in the middle of the city. From the seams where the wall met the ceiling, light pierced the room like lines of fire in the blackness. They’d been here seven days, undiscovered. His own secret cell, an encasement he’d made for himself long ago with 12-foot-deep concrete walls, hidden in the midst of all. Air vents, small propane cook stove, a bed, water, no nurse, no tent, nothing else now but the boy, and the body of the boy’s father in the corner of the room covered by a blanket. The boy’s father had died two days ago. No radio, no contact. The colonel hadn’t yet planned how or when he might emerge. Not now, he knew, but when, he didn’t know.
Continue Reading Close“The Supreme Leader Dreams of Love” by Steve Almond
Oh, for the life he could have had with Condoleezza Rice!
For him, all resided in balance. Without balance, he could not be who he needed to be: Brother Leader, Guide of the Revolution, King of Kings.
The men around him — wise sycophants, pampered sons, fat generals with medals over their hearts — required this of him. They were sly and every moment relentless. They whispered slanders and bowed deeply. For each of his 42 years at the helm of liberty, it had been thus. And he had kept these forces aligned only by a scrupulous and continual application of his balance.
Continue Reading CloseSteve Almond's new book is the story collection "God Bless America." More Steve Almond.
“Solace” by Pauls Toutonghi
On the run in Misrata, the dictator comforts himself with chess -- and casual cruelty
Do you know when the phoenix comes to Misrata?
Every 500 years. That’s twice a millennium. Twice a millennium, the phoenix builds its nest of sticks and leaves and sun-baked mud, and then it burns itself — a terrible immolation. Five centuries. Six thousand moons. From flame, a new generation.
Golden, soot-streaked feathers; its wings twitch. The new bird rises up and in its talons, it carries the ashes of its father, sealed in an egg of myrrh — carries them to Heliopolis, the Egyptian City of the Sun, for burial. Every phoenix is buried in Heliopolis, that city of the sun in the desert — like every city in this part of the world is a city of the sun in the desert.
Continue Reading ClosePauls Toutonghi is the author of the novels "Red Weather" and "Evel Knievel Days," which will be published in July by Random House/Crown. More Pauls Toutonghi.
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