Emmy wins for “Modern Family,” Melissa McCarthy

Early awards spotlight "Mike & Molly" and "The Big Bang Theory;" presenter Charlie Sheen makes nice

Topics: Emmy Awards, Television, TV,

Emmy wins for "Modern Family," Melissa McCarthyMelissa McCarthy arrives at the 63rd Primetime Emmy Awards on Sunday, Sept. 18, 2011 in Los Angeles. (AP Photo/Chris Pizzello) (Credit: AP)

Melissa McCarthy of “Mike & Molly” was honored Sunday as best lead actress in a comedy series with an Emmy and a glitzy prom queen’s crown, while Jim Parsons of “The Big Bang Theory” earned his second trophy in the best actor category.

“Holy smokes. Wow, it’s my first and best pageant ever,” said a beaming McCarthy. “I’m from Plainfield, Ill., and I’m standing here and it’s kind of amazing.”

Moments earlier, she and her fellow nominees had broken with tradition by jumping up on stage as their names were called, led by Amy Poehler of “Parks and Recreation.”

They earned a standing ovation from many in the audience, which seemed fitting in a year in which TV shows and movies are giving women edgier leading roles. Among them is the box-office hit “Bridesmaids,” which featured McCarthy.

Parsons looked genuinely surprised at his victory. “This is so odd for so many reasons. I was assured by many people in my life that this wasn’t happening,” he said.

The ceremony aired by Fox opened with a pre-taped comedy sketch that generated controversy because Alec Baldwin’s part was cut after he included a joke about the News Corp. phone hacking scandal. Fox is a unit of News Corp.

Baldwin tweeted that Fox killed the joke about the hacking scandal in Britain involving the now-closed News of the World tabloid. Fox said it believed the joke was inappropriate to make light of an issue being taken very seriously by the company.

Leonard Nimoy stepped in and the bit was retaped. It featured host Jane Lynch celebrating television in a musical number, singing about TV as “a vast wonderland, a kingdom of joy in a box.”

Charlie Sheen presented the lead actor award, using his time onstage to make nice with his former “Two and a Half Men” colleagues. He was fired from the show after bitterly clashing with its producer and studio and replaced by Ashton Kutcher.

“From the bottom of my heart, I wish you nothing but the best for this upcoming season,” he said. “I know you will continue to make great television.”

“Modern Family” won the first four Emmys, capturing best supporting comedy actress, best supporting comedy actor, best writing for a comedy and best direction for a comedy series.

Julie Bowen and Ty Burrell, who play husband and wife on the series, won best supporting actor honors for a comedy series.



“Oh, my God, I don’t know what I’m going to talk about in therapy next week,” said a shocked-looking Bowen. “I won something.”

Burrell spoke of his own father in accepting his best supporting actor award.

“I actually got kind of a late start in acting. My dad actually passed away before he ever saw me perform and I can’t help but wonder what he would think about all this … going to work in full makeup,” Burrell said.

The last-minute controversy behind the scenes was emerging even as stars such as Christine Hendricks of “Mad Men” and Julia Stiles of “Dexter” were arriving for the show.

“She looks awesome, as always,” said fan Jessica Steiner, 26, of Hendricks, who was wearing a rhinestone-encrusted gown with a plunging neckline.

“Modern Family” nominee Sofia Vergara wore an ultra-glam, one-shouldered peach goddess gown and chandelier earrings. Gwyneth Paltrow stood by her, in a sleek black gown with cut-outs.

“Gwyneth is classy, and Sofia is sexy,” said fan Vanessa Baeza, 27. “But I think Sofia looks better. Her dress is more flattering.”

Inside the Nokia Theatre, Hendricks’ show is facing a threat from the mobsters and crooked politicians of “Boardwalk Empire.”

AMC’s 1960s Madison Avenue saga, which has earned three consecutive Emmy Awards as best drama series, is competing Sunday with HBO’s tale of Atlantic City, N.J, schemers making the most of the wild days of Prohibition in the 1920s.

“The Sopranos,” another HBO show about New Jersey hoodlums, was an Emmy magnet for the cable TV channel that earned 21 trophies during its six seasons.

HBO and AMC’s leading men are in a showdown as well. “Mad Men” star Jon Hamm, shut out three times by Bryan Cranston of “Breaking Bad,” caught a break when Cranston’s series didn’t air within the Emmy eligibility period.

But newcomer “Boardwalk Empire” brought Steve Buscemi into the picture with a first-string nomination for the actor who has been acclaimed for supporting roles. Also nominated for best drama series are “Dexter,” “Friday Night Lights,” “Game of Thrones” and “The Good Wife.”

Other contests to watch include best comedy series, with “Modern Family” trying to repeat last year’s win against competitors including “Glee” and “Parks and Recreation.”

Steve Carell of “The Office” made his last Emmy stand for his fifth and final season as clueless manager Michael Scott but lost again.

A new category, which combines the previously separate best miniseries and made-for-TV movie nominees, includes the miniseries “Mildred Pierce,” with Kate Winslet nominated in the role of an embattled mother, and the movie “Too Big to Fail,” about the U.S. fiscal crisis in 2008.

In the reality-competition category, perennial winner “The Amazing Race” returned to triumph Sunday after losing last year to “Top Chef.” “American Idol” lost its ninth shot at winning, this time for a season in which it successfully navigated the loss of key judge Simon Cowell.

HBO came into the night with a leading 15 awards earned at the Sept. 10 creative arts awards, followed by PBS with 10, Fox with nine, CBS with seven and NBC with five.

After hitting an all-time viewership low of 12.3 million in 2008, the Emmys rebounded somewhat in the last two years and drew a 2010 audience of 13.47 million, compared to 26.7 million for this year’s Grammys and nearly 38 million for the Oscars.

——

http://www.emmys.org

——

AP Entertainment writers Sandy Cohen, David Bauder and Solvej Schou contributed to this report.

More Related Stories

Featured Slide Shows

  • Share on Twitter
  • Share on Facebook
  • 1 of 11
  • Close
  • Fullscreen
  • Thumbnails

    Ten spectacular graphic novels from 2014

    Beautiful Darkness by Fabien Vehlmann & Kerascoët
    Kerascoët's lovely, delicate pen-and-watercolor art -- all intricate botanicals, big eyes and flowing hair -- gives this fairy story a deceptively pretty finish. You find out quickly, however, that these are the heartless and heedless fairies of folk legend, not the sentimental sprites beloved by the Victorians and Disney fans. A host of tiny hominid creatures must learn to survive in the forest after fleeing their former home -- a little girl who lies dead in the woods. The main character, Aurora, tries to organize the group into a community, but most of her cohort is too capricious, lazy and selfish to participate for long. There's no real moral to this story, which is refreshing in itself, beyond the perpetual lessons that life is hard and you have to be careful whom you trust. Never has ugly truth been given a prettier face.

    Ten spectacular graphic novels from 2014

    Climate Changed: A Personal Journey Through the Science by Philippe Squarzoni
    Squarzoni is a French cartoonist who makes nonfiction graphic novels about contemporary issues and politics. While finishing up a book about France under Jacques Chirac, he realized that when it came to environmental policy, he didn't know what he was talking about. "Climate Changed" is the result of his efforts to understand what has been happening to the planet, a striking combination of memoir and data that ruminates on a notoriously elusive, difficult and even imponderable subject. Panels of talking heads dispensing information (or Squarzoni discussing the issues with his partner) are juxtaposed with detailed and meticulous yet lyrical scenes from the author's childhood, the countryside where he takes a holiday and a visit to New York. He uses his own unreachable past as a way to grasp the imminent transformation of the Earth. The result is both enlightening and unexpectedly moving.

    Ten spectacular graphic novels from 2014

    Here by Richard McGuire
    A six-page version of this innovative work by a regular contributor to the New Yorker first appeared in RAW magazine 25 years ago. Each two-page spread depicts a single place, sometimes occupied by a corner of a room, over the course of 4 billion years. The oldest image is a blur of pink and purple gases; others depict hazmat-suited explorers from 300 years in the future. Inset images show the changing decor and inhabitants of the house throughout its existence: family photos, quarrels, kids in Halloween costumes, a woman reading a book, a cat walking across the floor. The cumulative effect is serene and ravishing, an intimation of the immensity of time and the wonder embodied in the humblest things.

    Ten spectacular graphic novels from 2014

    Kill My Mother by Jules Feiffer
    The legendary Pulitzer Prize-winning cartoonist delivers his debut graphic novel at 85, a deliriously over-the-top blend of classic movie noir and melodrama that roams from chiaroscuro Bay City to Hollywood to a USO gig in the Pacific theater of World War II. There's a burnt-out drunk of a private eye, but the story is soon commandeered by a multigenerational collection of ferocious women, including a mysterious chanteuse who never speaks, a radio comedy writer who makes a childhood friend the butt of a hit series and a ruthless dame intent on making her whiny coward of a husband into a star. There are disguises, musical numbers and plenty of gunfights, but the drawing is the main attraction. Nobody convey's bodies in motion more thrillingly than Feiffer, whether they're dancing, running or duking it out. The kid has promise.

    Ten spectacular graphic novels from 2014

    The Motherless Oven by Rob Davis
    This is a weird one, but in the nervy surreal way that word-playful novels like "A Clockwork Orange" or "Ulysses" are weird. The main character, a teenage schoolboy named Scarper Lee, lives in a world where it rains knives and people make their own parents, contraptions that can be anything from a tiny figurine stashable in a pocket to biomorphic boiler-like entities that seem to have escaped from Dr. Seuss' nightmares. Their homes are crammed with gadgets they call gods and instead of TV they watch a hulu-hoop-size wheel of repeating images that changes with the day of the week. They also know their own "death day," and Scarper's is coming up fast. Maybe that's why he runs off with the new girl at school, a real troublemaker, and the obscurely dysfunctional Castro, whose mother is a cageful of talking parakeets. A solid towline of teenage angst holds this manically inventive vision together, and proves that some graphic novels can rival the text-only kind at their own game.

    Ten spectacular graphic novels from 2014

    NOBROW 9: It's Oh So Quiet
    For each issue, the anthology magazine put out by this adventurous U.K.-based publisher of independent graphic design, illustration and comics gives 45 artists a four-color palette and a theme. In the ninth issue, the theme is silence, and the results are magnificent and full of surprises. The comics, each told in images only, range from atmospheric to trippy to jokey to melancholy to epic to creepy. But the two-page illustrations are even more powerful, even if it's not always easy to see how they pertain to the overall concept of silence. Well, except perhaps for the fact that so many of them left me utterly dumbstruck with visual delight.

    Ten spectacular graphic novels from 2014

    Over Easy by Mimi Pond
    When Pond was a broke art student in the 1970s, she took a job at a neighborhood breakfast spot in Oakland, a place with good food, splendid coffee and an endlessly entertaining crew of short-order cooks, waitresses, dishwashers and regular customers. This graphic memoir, influenced by the work of Pond's friend, Alison Bechdel, captures the funky ethos of the time, when hippies, punks and disco aficionados mingled in a Bay Area at the height of its eccentricity. The staff of the Imperial Cafe were forever swapping wisecracks and hopping in and out of each other's beds, which makes them more or less like every restaurant team in history. There's an intoxicating esprit de corps to a well-run everyday joint like the Imperial Cafe, and never has the delight in being part of it been more winningly portrayed.

    Ten spectacular graphic novels from 2014

    The Shadow Hero by Gene Luen Yang and Sonny Liew
    You don't have to be a superhero fan to be utterly charmed by Yang and Liew's revival of a little-known character created in the 1940s by the cartoonist Chu Hing. This version of the Green Turtle, however, is rich in characterization, comedy and luscious period detail from the Chinatown of "San Incendio" (a ringer for San Francisco). Hank, son of a mild-mannered grocer, would like to follow in his father's footsteps, but his restless mother (the book's best character and drawn with masterful nuance by Liew) has other ideas after her thrilling encounter with a superhero. Yang's story effortlessly folds pathos into humor without stooping to either slapstick or cheap "darkness." This is that rare tribute that far surpasses the thing it celebrates.

    Ten spectacular graphic novels from 2014

    Shoplifter by Michael Cho
    Corinna Park, former English major, works, unhappily, in a Toronto advertising agency. When the dissatisfaction of the past five years begins to oppress her, she lets off steam by pilfering magazines from a local convenience store. Cho's moody character study is as much about city life as it is about Corinna. He depicts her falling asleep in front of the TV in her condo, brooding on the subway, roaming the crowded streets after a budding romance goes awry. Like a great short story, this is a simple tale of a young woman figuring out how to get her life back, but if feels as if it contains so much of contemporary existence -- its comforts, its loneliness, its self-deceptions -- suspended in wintery amber.

    Ten spectacular graphic novels from 2014

    Through the Woods by Emily Carroll
    This collection of archetypal horror, fairy and ghost stories, all about young girls, comes lushly decked in Carroll's inky black, snowy white and blood-scarlet art. A young bride hears her predecessor's bones singing from under the floorboards, two friends make the mistake of pretending to summon the spirits of the dead, a family of orphaned siblings disappears one by one into the winter nights. Carroll's color-saturated images can be jagged, ornate and gruesome, but she also knows how to chill with absence, shadows and a single staring eye. Literary readers who cherish the work of Kelly Link or the late Angela Carter's collection, "The Bloody Chamber," will adore the violent beauty on these pages.

  • Recent Slide Shows

Comments

0 Comments

Comment Preview

Your name will appear as username ( settings | log out )

You may use these HTML tags and attributes: <a href=""> <b> <em> <strong> <i> <blockquote>