SALON

Monday, Jan 9, 2012 1:00 AM UTC

Picasso’s fascinating early works

A new exhibit traces the seminal painter's development as an artist from childhood through young adulthood

By

Topics: Imprint, Design,

Picasso's fascinating early worksStudy of a Torso, 1895. Charcoal and black pencil on paper. (Credit: ©2011 Estate of Pablo Picasso / Artists Rights Society (ARS). New York)
This article originally appeared on Imprint.

Head of a Woman, 1921, pastel on paper. ©2011 Estate of Pablo Picasso / Artists Rights Society (ARS). New York

I’ll never forget an object I saw in the Picasso Museum in Barcelona 25 years ago: Picasso’s first-grade reader. He’d filled the margins with pencil drawings: animals, birds, people. Next to the book in the glass case was a teacher’s note to his mama: “Pablo should stop drawing in class and pay attention to his lessons” (my rough translation). Last year, I went back to the museum, which had been much enlarged and fancied up, and wanted to see that little book again. “Not possible. It’s in the basement now,” I was told. Too bad, because it could be an object lesson to all artists and designers (and their early teachers).

With much anticipation, I visited the current  “Picasso’s Drawings 1890 – 1921 – Reinventing Tradition” exhibition at the Frick Collection. Which early works, I wondered — Picasso was 9 years old in 1890 — would be there, and what would they reveal about how his budding talent was viewed and nurtured (or not)?

The earliest drawing in the exhibit — which presents 60 works in pencil, ink, watercolor, gouache, pastel and chalk — is an 1890 pencil drawing of Hercules, based on a statuette in the hallway of the family’s apartment house in Málaga. Picasso’s father, Don José Ruiz y Blasco, I’ve learned, was a museum curator who painted naturalistic depictions of animals and birds and taught drawing at the local art school. Young Pablo, then, was surrounded from birth by works of art and by the teaching and practice of making art. I think we can safely assume that his parents were not too troubled by the teacher’s note.

Study of a Torso, 1895. Charcoal and black pencil on paper. ©2011 Estate of Pablo Picasso / Artists Rights Society (ARS). New York

Picasso’s formal academic art education began in 1892, when as an 11-year-old he drew “Bullfight and Six Studies of Doves,” a pencil drawing that foreshadows iconic themes that reappear throughout his career. “Study of a Torso,” above, demonstrates how well he was able to master Renaissance draftsmanship and principles of style and form by age 14.

Most Picasso exhibitions these days are blockbusters, with advance ticket sales, long lines, huge crowds. The Frick is an opulent and perhaps underappreciated Fifth Avenue mansion that houses a renowned collection of old master paintings. This exhibit makes it possible to see — in an uncrowded setting — works on paper that give an intimate glimpse into the artist’s influences, techniques, themes and experiments. “Mother and Child on the Shore,” below, anticipates the 22-year-old artist’s mature themes and colorations.

Mother and Child on the Shore, 1902, pastel on paper. ©2011 Estate of Pablo Picasso / Artists Rights Society (ARS). New York

Still Life with Chocolate Pot, 1909, watercolor on paper. © 2011 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

In 1904 Picasso moved to Paris, where, as the exhibition catalog notes, “he was uniquely situated in time and place to create his combustive mix of traditional means and new formulations.” By the time he painted “Still Life with Chocolate Pot,” above, he‘d broken away from traditional means of representation. The forms of ordinary objects have been made angular and faceted, and are seen from different points of view: cubism is born.

The Cup of Coffee, 1913, papier collé with charcoal and white chalk. © 2011 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

I was most drawn to the collage, or papier collé, above, ”The Cup of Coffee.” “It is if Picasso had literally cut up the past,” reads the catalog. “The methods, techniques and supports of the rich history of drawings and reassembled them into a new order.” This charcoal and chalk drawing on fine art paper incorporates patterned wallpaper that was cut and pasted together in a dimensional manner, casting shadows that made me want to reach through the glass and touch it. And maybe it incorporates typography, too; I see a big blue letter ‘E.’

Two Women with Hats, pastel on paper, 1921. © 2011 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

In the 1920s, when “everybody” was doing cubism, Picasso returned to classicism, his own brand, which married monumental sculptural elements with influences ranging from Italian mannerism to Ingres to African sculpture. “Head of a Woman,” the theme image of the exhibit, at top left of this post, and “Two Women with Hats,” above, demonstrate the power of and intimacy of works on paper. They’re both in a tiny room on the 142,600-sq-ft museum’s first floor; the exhibition continues down a spiral staircase to a lower-level area. (Is the museum saying that they wouldn’t give up any wall space in the 18 grand rooms that display the Van Eycks and Rembrandts for this stuff?)

The Frick Collection West Gallery, 1 East 70th Street @ Fifth Avenue, NYC. The 3-story mansion was designed for industrialist Henry Clay Frick by Thomas Hastings of Carrere and Hastings and completed in 1914. It became a museum after a 1935 conversion by John Russell Pope.

The Frick Collection Garden Court. Benches all around invite contemplation.

“Picasso’s Drawings” closes at the Frick on Jan. 8, after which the exhibit will travel to the National Gallery in Washington, D.C.

Ellen Shapiro

More Ellen Shapiro.

Next Article

You Might Also Like

More Related Stories

Featured Slide Shows

Gripping photos: The people of the Turkey protests (slideshow)

close X
  • Share on Twitter
  • Share on Facebook
  • Thumbnails
  • Fullscreen
  • 1 of 11
  • The protests take on a festive element as police forces move out of the park and square. Wearing a gas mask, this young man dances to traditional Turkish music in front of Taksim Square’s Ataturk Monument.

  • In Gezi Park since March 31st, this protester, originally caught off-guard by the Government’s teargas and water cannons, went out and bought a Russian army mask from WWII, preparing for what was to come.

  • This rambunctious boy seems to be enjoying the chaos. After taking this picture he threw a stone at the already destroyed building in the background.

  • Forming a line, the police face off directly with protesters in Taksim Square. After a while, they retreated and there was a general cheer – a back-and-forth dance that has been common since the beginning of this protest.

  • An elderly woman in Gezi Park reads the news. The tent community occupying the park was violently destroyed on June 16th.

  • Many different groups had set up booths to promote their cause in Taksim Square and Gezi Park. Standing in front of one, this man waves his flag while posing with conviction.

  • Many home-remedies are used to minimize the effects of tear gas. This woman has put a milky solution on her face, removing her mask after the tear gas dissipated. Before sunrise, the police came again for another round of teargasing.

  • People capitalize on the uprising -- selling flags, beer, gas masks, sky lanterns and spray paint to name just a few of the popular items.

  • On Monday morning, June 11, the police execute a strong offensive. Many plain-clothed police officers, like the ones seen here, clash with protesters in the side streets away from the main stand-off in Taksim.

  • The authorities seem to be most aggressive in the night, pushing protesters away from the square and park. After being teargassed this young woman catches her breath with other protesters on Siraselviler Street.

  • Recent Slide Shows

  • Share on Twitter
  • Share on Facebook
  • Thumbnails
  • Fullscreen
  • 1 of 11

Related Videos

More Related Stories

Comments

 7 Comments

Comment Preview

Your name will appear as username ( settings | log out )

You may use these HTML tags and attributes: <a href=""> <b> <em> <strong> <i> <blockquote>

Salon is proud to feature content from Imprint, the fastest-growing design community on the web. Brought to you by Print magazine, America's oldest and most trusted design voice, Imprint features some of the biggest names in the industry covering visual culture from every angle. Imprint

advances and expands the design conversation, providing fresh daily content to the community (and now to salon.com!), sparking conversation, competition, criticism, and passion among its members.

Continue Reading

follow salon

Most Read

Video of the Day

Watch More Here »

Popular on Reddit

links from salon.com

From Around the Web

Presented by Scribol
listener_new_rect The Listener: "We Are All Completely Beside Ourselves": Growing up primate

Recommendations