“Glee’s” lily-white Michael Jackson tribute
A tribute to the King of Pop plays it far too safe
Topics: Glee, Television, Michael Jackson, TV, Entertainment News
“Glee” managed to squeeze nine Michael Jackson songs into last night’s tribute to the King of Pop. But each of them seemed timid — a cast that loves to put their own over-the-top stamp on songs presented everything very carefully. The expected songs felt largely rote and by-the-numbers, tied in many instances to the original choreography and sometimes frame-by-frame replications of his old videos. It’s as if they didn’t dare anger the Jackson estate in any way.
You got the feeling the whole thing was built around a product endorsement, in this case “Michael Jackson: The Immortal World Tour,” which was mentioned twice and just happens to open in the U.S. right around the time next week’s “Glee” rolls around.
Part of the problem was the lily-white cast. This might be central Ohio, but can we believe there are no African-American males at William McKinley High School? Even when the singing group from the competing private school is on-screen, the only black male face is in the background.
New Directions has the big voice of Amber Riley, the only African-American with a speaking role until NeNe Leakes was recently added to the cast as the swim coach. But even Riley’s big voice seemed underused on a duet with Chord Overstreet on “Human Nature.” Leave it to Naya Rivera to bring the most soul to the proceedings, but her duel with Grant Gustin on “Smooth Criminal” seemed oddly staged (though it was backed by dual cellos, in the episode’s one notable arrangement).
When it comes to Jackson, apparently all anyone remembers are the dancing duels, so there was another one in a parking lot to “Bad” against the Warblers.
Either way, it’s a cheap way to impress drama on a pop song, just as it was in the original “Bad” video. (They’re going to dance their way out of this? Sure they are.)
And who said “Glee” was a drama anyway? Although all the minor crises of high school are explored over and over (to the sound of that annoying bell at the start of every scene), the show presents itself as a comedy, though there was just about one joke this week, when Mark Salling’s brooding Puck told Darren Criss’ character, Blaine, that he was a turncoat. “You’re a modern day Eggs Benedict,” he said, though he swallowed the line in such a way that most probably never heard him.




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