The century-old novel right-wingers believe guides Obama

Forget Bill Ayers. Conservatives who see conspiracies are convinced a 1912 novel reveals the president's true plans

Topics: Barack Obama, Glenn Beck, Internet Culture, Editor's Picks,

The century-old novel right-wingers believe guides ObamaColonel Edward M. House and Barack Obama (Credit: Wikipedia/AP)

“For a long time I have known that this hour would come, and that there would be those of you who would stand affrighted at the momentous change from constitutional government to despotism, no matter how pure and exalted you might believe my intentions to be.

“But in the long watches of the night, in the solitude of my tent, I conceived a plan of government which, by the grace of God, I hope to be able to give to the American people. … (H)ateful as is the thought of assuming supreme power, I can see no other way clearly.” — from “Philip Dru: Administrator”

“Philip Dru, Administrator: A Story of Tomorrow, 1920-1935″ is a novel about a successful rebellion against a hopelessly corrupt U.S. government. Its leader then becomes a benevolent dictator, and restores the rule of law to the Republic. Though he didn’t put his name on the book, author Colonel Edward Mandell House was a Texas political insider who worked assiduously to make Woodrow Wilson president. After the 1912 election, he became Wilson’s closest advisor.

So is it a bad turn-of-the-century novel — or a Nostradamus-like prediction of America under President Obama?

“Philip Dru,” published in 1912, is no less dated and didactic than most works of its kind; imagine what future generations of readers will make of Glenn Beck’s “The Overton Window.” But Beck and those like him, inside the twisted thought system of right-wing conspiracy blogs, seriously regard House’s book as “a detailed plan for the future government of the United States.” The extreme right reads “Philip Dru” as the smoking gun that proves the existence of a vast left-wing conspiracy, as a terrifying presage of the Obama administration. Beck has asked listeners to read the book as “homework.” To them, this is not a novel of the Wilsonian era, but a terrifying tale of today.

Republicans might have resented the fanatical hatred that George W. Bush inspired in so many Democrats — Bush Derangement Syndrome, as Charles Krauthammer called it — but there was no mystery about its causes. Bush strutted and smirked; he launched wars with cowboy talk; he angered his adversaries and he knew it. Barack Obama, in contrast, promised a post-partisan presidency that would be all about splitting differences and searching out common ground. Most Democrats — including Obama himself — were caught off guard by the spirit of vindictiveness (Hitler mustaches; birth certificates; “You lie!”; death panel accusations, etc.) that have possessed the right since his inauguration.



But even if you dip an occasional toe into the paranoid waters of Fox News, you likely see only a small part of the bizarre anti-Obama fear that grips the far right — fear that turns obscure, long-forgotten books into texts blessed with the power of prediction. (Of course, even casual political watchers know how much energy the GOP draws from its farthest extremes.) In their bizarre fantasies, Obama is a character in a battle between the forces of absolute good and absolute evil. Their eternal enemy is a cabal of billionaires that, with the assistance of academic elites, commands the armies of the poor — the mobs of minorities and illegal immigrants at home and Islamic fundamentalists abroad who supposedly seek to destroy America. As a black Democrat with a Harvard pedigree and a foreign, Islamic name, Obama is more than sinister — he is Satanic.

If this story line seems like something out of a fever dream, it has gripped extremist conservatives for generations with only a few minor topical variations. In the 1920s and 1930s, the enemy was the Rothschild-Rockefeller nexus of bankers and Bolshevik Jews. In the 1950s and 1960s it was race-war-fomenting internationalist Insiders; in the 1970s, ’80s and ’90s, United Nations blue helmets, black helicopters and the New World Order.

Colonel House, the founder of the Council on Foreign Relations, looms larger in the conservative imagination than he does in the popular memory. Not just an arch internationalist, he is also the personification of the cult of expertise. As George Will summarized the “awful but indicative” plotline of House’s novel: “With the nation in crisis, Dru seizes power, declares himself ‘Administrator of the Republic,’ and replaces Congress with a commission of five experts who decree reforms that selfish interests had prevented.” Progressives, Will explained, “are forever longing to replace the governance of people by the administration of things. Because they are entirely public-spirited, progressives volunteer to be the administrators, and to be as disinterested as the dickens.”

If Will’s stance is condescending, harder-line rightists are more alarmist. House and “Philip Dru” figure largely in “Secrets of the Federal Reserve,” a book the notorious anti-Semite and racist Eustace Mullins wrote with Ezra Pound’s encouragement in the early 1950s. “This ‘novel’ predicted the enactment of the graduated income tax, excess profits tax, unemployment insurance, Social Security and a flexible currency system,” Mullins notes.

A chorus of extreme right-wing pundits echo Mullins’ analysis today. “There is God and there is Satan. There is good and there is bad … Well, the opposite of ‘Atlas Shrugged’ is the book ‘Philip Dru,’” says Milton Reid, who offers his readers a free download so they can see for themselves the “blueprint the lefties (and progressive Republicans) are trying to follow now!”

Glenn Beck has urged his listeners to seek out House’s book online and read it to learn the ugly truth about progressivism. Woodrow Wilson — “the worst president this country has ever had; he hated America” — read it three or four times, Beck said.

“The similarity between Philip Dru and Barack Obama is uncanny,” Henry Lamb informed readers of WorldNetDaily.

Obama set out immediately to create an ‘administrator’ type of government by naming more than 30 czars that bypassed congressional approval and oversight, each with administrative power and responsible only to the administrator-in-chief … Philip Dru Obama is making unbelievable progress toward converting the United States to an ‘administrator’-type government under the control of his personally chosen sub-administrators. His policies ignore the Constitution and the expressed will of the American people. The nation Obama is building is looking much more like the socialist nations in Europe than the free-market America our founders created.

The view of Obama as a dictator goes much farther than the principled critiques of his Justice Department’s overreaches in the realm of civil liberties. Even as the fate of the Affordable Care Act, Obama’s largest legislative achievement (a chimerical public/private compromise, painstakingly cobbled together, Rube Goldberg-like, from ideas proposed by the right-wing Heritage Foundation) has been punted up to the Supreme Court, the far right still sees Obama as a classic strongman. If the left views Obama as virtually a hostage of the right, the right sees him as a tyrant who rules with an iron hand.

Just last week, a far-right website called Political Vel Craft ran an article called “Obama – The Genghis Khan for the Rothschild Bankers!” Zelig-like, Philip Dru makes his obligatory appearance a few paragraphs in.

The character Philip Dru was a West Point officer who resigned his commission due to ill health to become a social worker and community organizer in New York’s Lower East Side for five years. Dru’s ‘purpose was not so much to give individual help as to formulate some general plan and to work upon those lines.’ Dru comes out of this experience as a military leader of the rebellion against a corrupt national government to become ‘administrator to the Republic,’ that is, dictator of the United States, and then later of one quarter of the world, and finally, in cooperation with the British, the rest of the world.  He then, once the world government is set up, retires to study the Russian language.

Take the trouble to read “Philip Dru: Administrator ” and you will quickly discern that House’s elitism, his noblesse oblige and his militarism — he foresaw a vast extension of the Monroe Doctrine that would result in “the amalgamation of Mexico and the Central American Republics into one government, even though separate states were maintained” — had much more in common with Teddy Roosevelt’s Big Stick Progressivism than Marxist-Leninism. But as anyone who reads John Birch Society publications or listens to Beck knows, even Teddy Roosevelt is regarded as something of a crypto-Communist in far-right circles these days.

Perhaps not surprisingly, the conspiracist literature also features considerable speculation about whether House was Jewish. In “Zionism: The Hidden Tyranny,” a 1950s vintage pamphlet, Benjamin H. Freedman, the millionaire owner of the Woodbury Soap Co. who, before he converted to Catholicism and took up the cause of anti-Communism and anti-Zionism had been a self-styled “highly-placed insider” in the Jewish establishment, notes that House “did not claim or disclaim his Talmudist ancestry to this author.” In “The Controversy of Zion,” the English anti-Semite Douglas Reed expatiates on the mystery of House’s origins, pointedly quoting his biographer Arthur D. Howden, who wrote that House’s “middle name, Mandell, was that of ‘a Jewish merchant in Houston, who was one of his father’s most intimate friends; the fact that the elder House conferred a Jewish name upon his son indicates the family’s attitude towards the race’).” John Coleman has contended that House, who was born in Houston in 1858, was really Mandell Huis, a Dutch Jew.

Even Henry Ford got into the game. In his Nov. 20, 1920, installment of “The International Jew,” Ford observed that the financier and Washington wise man Bernard M. Baruch attended the College of the City of New York. “This college,” he averred, “is one of the favorite educational institutions with the Jews, its president being Dr. S. E. Mezes, a brother-in-law of Colonel E. M. House, the colonel whose influence … at the White House has for a long time been a favorite subject of wondering speculation on the part of the American people.”

The Jews could do greater things in the United States than even Baruch has done, if the opportunity offered … but what would it signify? The ideal of a dictator of the United States has never been absent from the group in which Baruch is found — witness the work, “Philip Dru, Administrator,” commonly attributed to Colonel E. M. House, and never denied by him.

What would Henry Ford have said had he lived to see not a Jew but a black man — with an Islamic name yet — taking the reins of power? Most of the same things that Obama’s adversaries are saying, in all likelihood.

Arthur Goldwag is the author, most recently, of "The New Hate: A History of Fear and Loathing on the Populist Right"

More Related Stories

Featured Slide Shows

  • Share on Twitter
  • Share on Facebook
  • 1 of 11
  • Close
  • Fullscreen
  • Thumbnails

    Ten spectacular graphic novels from 2014

    Beautiful Darkness by Fabien Vehlmann & Kerascoët
    Kerascoët's lovely, delicate pen-and-watercolor art -- all intricate botanicals, big eyes and flowing hair -- gives this fairy story a deceptively pretty finish. You find out quickly, however, that these are the heartless and heedless fairies of folk legend, not the sentimental sprites beloved by the Victorians and Disney fans. A host of tiny hominid creatures must learn to survive in the forest after fleeing their former home -- a little girl who lies dead in the woods. The main character, Aurora, tries to organize the group into a community, but most of her cohort is too capricious, lazy and selfish to participate for long. There's no real moral to this story, which is refreshing in itself, beyond the perpetual lessons that life is hard and you have to be careful whom you trust. Never has ugly truth been given a prettier face.

    Ten spectacular graphic novels from 2014

    Climate Changed: A Personal Journey Through the Science by Philippe Squarzoni
    Squarzoni is a French cartoonist who makes nonfiction graphic novels about contemporary issues and politics. While finishing up a book about France under Jacques Chirac, he realized that when it came to environmental policy, he didn't know what he was talking about. "Climate Changed" is the result of his efforts to understand what has been happening to the planet, a striking combination of memoir and data that ruminates on a notoriously elusive, difficult and even imponderable subject. Panels of talking heads dispensing information (or Squarzoni discussing the issues with his partner) are juxtaposed with detailed and meticulous yet lyrical scenes from the author's childhood, the countryside where he takes a holiday and a visit to New York. He uses his own unreachable past as a way to grasp the imminent transformation of the Earth. The result is both enlightening and unexpectedly moving.

    Ten spectacular graphic novels from 2014

    Here by Richard McGuire
    A six-page version of this innovative work by a regular contributor to the New Yorker first appeared in RAW magazine 25 years ago. Each two-page spread depicts a single place, sometimes occupied by a corner of a room, over the course of 4 billion years. The oldest image is a blur of pink and purple gases; others depict hazmat-suited explorers from 300 years in the future. Inset images show the changing decor and inhabitants of the house throughout its existence: family photos, quarrels, kids in Halloween costumes, a woman reading a book, a cat walking across the floor. The cumulative effect is serene and ravishing, an intimation of the immensity of time and the wonder embodied in the humblest things.

    Ten spectacular graphic novels from 2014

    Kill My Mother by Jules Feiffer
    The legendary Pulitzer Prize-winning cartoonist delivers his debut graphic novel at 85, a deliriously over-the-top blend of classic movie noir and melodrama that roams from chiaroscuro Bay City to Hollywood to a USO gig in the Pacific theater of World War II. There's a burnt-out drunk of a private eye, but the story is soon commandeered by a multigenerational collection of ferocious women, including a mysterious chanteuse who never speaks, a radio comedy writer who makes a childhood friend the butt of a hit series and a ruthless dame intent on making her whiny coward of a husband into a star. There are disguises, musical numbers and plenty of gunfights, but the drawing is the main attraction. Nobody convey's bodies in motion more thrillingly than Feiffer, whether they're dancing, running or duking it out. The kid has promise.

    Ten spectacular graphic novels from 2014

    The Motherless Oven by Rob Davis
    This is a weird one, but in the nervy surreal way that word-playful novels like "A Clockwork Orange" or "Ulysses" are weird. The main character, a teenage schoolboy named Scarper Lee, lives in a world where it rains knives and people make their own parents, contraptions that can be anything from a tiny figurine stashable in a pocket to biomorphic boiler-like entities that seem to have escaped from Dr. Seuss' nightmares. Their homes are crammed with gadgets they call gods and instead of TV they watch a hulu-hoop-size wheel of repeating images that changes with the day of the week. They also know their own "death day," and Scarper's is coming up fast. Maybe that's why he runs off with the new girl at school, a real troublemaker, and the obscurely dysfunctional Castro, whose mother is a cageful of talking parakeets. A solid towline of teenage angst holds this manically inventive vision together, and proves that some graphic novels can rival the text-only kind at their own game.

    Ten spectacular graphic novels from 2014

    NOBROW 9: It's Oh So Quiet
    For each issue, the anthology magazine put out by this adventurous U.K.-based publisher of independent graphic design, illustration and comics gives 45 artists a four-color palette and a theme. In the ninth issue, the theme is silence, and the results are magnificent and full of surprises. The comics, each told in images only, range from atmospheric to trippy to jokey to melancholy to epic to creepy. But the two-page illustrations are even more powerful, even if it's not always easy to see how they pertain to the overall concept of silence. Well, except perhaps for the fact that so many of them left me utterly dumbstruck with visual delight.

    Ten spectacular graphic novels from 2014

    Over Easy by Mimi Pond
    When Pond was a broke art student in the 1970s, she took a job at a neighborhood breakfast spot in Oakland, a place with good food, splendid coffee and an endlessly entertaining crew of short-order cooks, waitresses, dishwashers and regular customers. This graphic memoir, influenced by the work of Pond's friend, Alison Bechdel, captures the funky ethos of the time, when hippies, punks and disco aficionados mingled in a Bay Area at the height of its eccentricity. The staff of the Imperial Cafe were forever swapping wisecracks and hopping in and out of each other's beds, which makes them more or less like every restaurant team in history. There's an intoxicating esprit de corps to a well-run everyday joint like the Imperial Cafe, and never has the delight in being part of it been more winningly portrayed.

    Ten spectacular graphic novels from 2014

    The Shadow Hero by Gene Luen Yang and Sonny Liew
    You don't have to be a superhero fan to be utterly charmed by Yang and Liew's revival of a little-known character created in the 1940s by the cartoonist Chu Hing. This version of the Green Turtle, however, is rich in characterization, comedy and luscious period detail from the Chinatown of "San Incendio" (a ringer for San Francisco). Hank, son of a mild-mannered grocer, would like to follow in his father's footsteps, but his restless mother (the book's best character and drawn with masterful nuance by Liew) has other ideas after her thrilling encounter with a superhero. Yang's story effortlessly folds pathos into humor without stooping to either slapstick or cheap "darkness." This is that rare tribute that far surpasses the thing it celebrates.

    Ten spectacular graphic novels from 2014

    Shoplifter by Michael Cho
    Corinna Park, former English major, works, unhappily, in a Toronto advertising agency. When the dissatisfaction of the past five years begins to oppress her, she lets off steam by pilfering magazines from a local convenience store. Cho's moody character study is as much about city life as it is about Corinna. He depicts her falling asleep in front of the TV in her condo, brooding on the subway, roaming the crowded streets after a budding romance goes awry. Like a great short story, this is a simple tale of a young woman figuring out how to get her life back, but if feels as if it contains so much of contemporary existence -- its comforts, its loneliness, its self-deceptions -- suspended in wintery amber.

    Ten spectacular graphic novels from 2014

    Through the Woods by Emily Carroll
    This collection of archetypal horror, fairy and ghost stories, all about young girls, comes lushly decked in Carroll's inky black, snowy white and blood-scarlet art. A young bride hears her predecessor's bones singing from under the floorboards, two friends make the mistake of pretending to summon the spirits of the dead, a family of orphaned siblings disappears one by one into the winter nights. Carroll's color-saturated images can be jagged, ornate and gruesome, but she also knows how to chill with absence, shadows and a single staring eye. Literary readers who cherish the work of Kelly Link or the late Angela Carter's collection, "The Bloody Chamber," will adore the violent beauty on these pages.

  • Recent Slide Shows

Comments

0 Comments

Comment Preview

Your name will appear as username ( settings | log out )

You may use these HTML tags and attributes: <a href=""> <b> <em> <strong> <i> <blockquote>