From the Wires
Norah Jones, Danger Mouse channel heartbreak
In this April 9, 2012 photo, singer Norah Jones poses for a portrait in New York. Jones' latest album, "Little Broken Hearts," was released on May 1. (AP Photo/Charles Sykes)(Credit: AP) AUSTIN, Texas (AP) — Norah Jones has a piano in her kitchen.
You need look no further than this wonderfully off-kilter fact for a metaphor to describe the 33-year-old singer’s evolution as she releases arguably the most interesting album of her career, “Little Broken Hearts.”
“It’s nice because I have a music room, but you know it’s like the office you never go in or the dining room you never go in or something,” Jones said with a laugh. “So I ended up putting this funky old piano in my kitchen and it’s great.”
Jones didn’t set out to put a piano in her kitchen, of course. Much like her collaboration with the producer Danger Mouse on “Little Broken Hearts,” it just kind of happened naturally. And by going with the flow, making little decisions in the moment, she arrived at something delightful she never expected.
“I just like how it’s turned into sort of a bit of a concept album without any intentions of that’s what we were going to do,” Jones said. “I’m proud that it ended up being what it is, going in knowing so little about what would happen. I love it.”
“Little Broken Hearts” little resembles Jones’ previous four solo albums, from the vampy cover photo to its lyrical content and vaguely psychedelic sound. It’s edgy, effects-laden and deeply personal. She’s written a few songs she felt were this personal before, especially on her 2009 album “The Fall.” But much of “Little Broken Hearts” centers on her life and the emotions you run through during relationship problems — from betrayal and indecision to healing and moving on.
The 12 songs on “Hearts” represent a true collaboration between Jones and Brian Burton, who produces under the name Danger Mouse. They mainly focus on a difficult breakup Jones went through, but she says Burton’s fingerprints are all over the place and his ideas and lyrics transformed songs in unexpected ways.
The two met on Burton’s musical ode to Italian cinema, “Rome,” and formed a friendship, agreeing to work together. They initially met for a five-day “get to know you” session and cemented their partnership. But it wasn’t until last summer that they were able to commit to the two months it would take to write and record the album at Burton’s Los Angeles studio.
Jones said she didn’t set out with a specific goal in mind and is surprised “Hearts” morphed into something of a breakup album. Rather than a gloomy summation of a difficult time, though, the album offered Jones a surprising catharsis.
“It just kind of came out when we were writing,” Jones said. “I think Brian is very drawn to darkness in music and I am drawn to melancholy — not necessarily darkness as much as he is. I think when we just kind of put that together, this is what came out. I’d definitely just gone through a breakup and I felt like I was coming out really well on the other side. … A lot of it’s personal, dramatized and tweaked, and both of us were talking about, ‘Oh, what if this?! What if that?!’”
Jones talked about the experience and the unintentional career path that’s made her one of the best-selling artists of the 21st century in an interview during the South By Southwest Music Conference in Austin, where she nervously performed the album for several hundred fans, and in a follow-up phone interview weeks later.
In a sense, Jones has grown up in front of her fans’ eyes. She sold 25 million copies worldwide of her first album, 2002′s “Come Away With Me,” at 22, and earned herself a creative freedom she’s taken full advantage of ever since. She collaborates fearlessly with everyone from Willie Nelson to Q-Tip to Mike Patton, has a side band that plays country music, and she’s grown from a beautifully expressive interpreter to a deeply thoughtful singer-songwriter who’s unafraid to experiment.
“When I hear a song Norah is singing or playing on I can hear her spirit and her soul very clearly,” singer-songwriter Ryan Adams said of his friend in an email. “There is an elegance to how guarded she is in her timing and there are a lot of dimly lit corridors in her musical passages. It’s a lovely trap she sets for the listener. Also you would never mistake her for someone else or someone else for her. She is completely giving in that sense. I adore that.”
Danger Mouse helps her explore those dark places more deeply than ever before. Burton, who declined an interview request, is known for bringing something very different out of the artists he works with, including Cee Lo Green (the two formed the duo Gnarls Barkley), The Black Keys, James Mercer of The Shins and Beck.
Eli Wolf, the vice president of A&R at Blue Note, says “Little Broken Hearts” is another example of Burton’s ability to find hidden facets.
“What’s remarkable to me is you have the meeting of two singular musical personalities in Norah and Brian and they kind of took from each similarities and differences to make a true musical marriage,” said Wolf, who has worked with Jones her entire 10-year career. “For example, Norah has a talent for giving wonderful space and breadth to her music while Brian has a tremendous knack for these amazing layers of production. And they sort of took this yin and yang to find a harmony and musical middle ground.”
And now that “Little Broken Hearts” has been released, Jones finds herself in a much happier mood than she posits on the album. She’s got a new boyfriend and is happy to be taking five album’s worth of songs on tour. She’s content to focus on the now and she’s not really thinking about what comes after that.
She might move back to Texas for a while and make a country album. Who knows? Wouldn’t be that strange of a move for someone who has a piano in her kitchen.
“I really have no idea, which is fun,” Jones said. “I’m totally happy that way.”
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Online:
http://www.norahjones.com
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Follow Entertainment Writer Chris Talbott at www.twitter.com/Chris_Talbott.
Palestinian shot, wounded in settler attack
RAMALLAH, West Bank (AP) — Palestinians say dozens of Israeli settlers set Palestinian-owned fields on fire in an attack that left a farmer wounded by a gunshot.
The Israeli military says it is investigating Saturday’s attack and shooting near the village of Orif. The village is near the settlement of Yitzhar, one of the most militant in the West Bank. Yitzhar settlers have repeatedly been involved in clashes with Palestinian farmers.
Palestinian witnesses say several dozen settlers approached Orif and set fields on fire. At one point, settlers and Palestinians threw rocks at each other. The villagers say they later found a wounded villager in a field who had been tied, beaten and shot. A hospital doctor, who spoke on condition of anonymity because he wasn’t authorized to release the information, says the man was shot in the abdomen.
Shock over arrest in NYC boy’s ’79 disappearance
NEW YORK (AP) — Two sisters of the man charged in the 1979 disappearance of Etan Patz (AY’-tahn payts) say their brother had said things years ago about hurting a child in New York.
Pedro Hernandez was charged Friday with murdering the 6-year-old.
Hernandez was 18 when Etan vanished. Police say he confessed this week to luring the child into the basement of a convenience store and strangling him.
His sister Lucy Suarez says that her brother long ago had told relatives that he had hurt a child. But she says he was never specific about what happened.
Another sister, Norma Hernandez, says she learned at some point that her brother had confessed to a church prayer group in the 1980s that he had killed a boy.
Carter says minor violations in Egypt’s vote
CAIRO (AP) — Former President Jimmy Carter said Saturday that monitors noted violations during Egypt’s presidential elections but that the vote was generally acceptable and the irregularities won’t impact the final results.
The Atlanta-based Carter Center had 102 monitors at polling centers across Egypt for the landmark vote — the first since longtime leader Hosni Mubarak’s ouster last year in a mass uprising. Preliminary results showed a tight race at the top between the Muslim Brotherhood’s candidate, Mohammed Morsi, and Mubarak’s last prime minister, Ahmed Shafiq. The top two finishers will advance to the June 16-17 runoff.
Continue Reading CloseBreak in Patz brings hope, tears to other families
After 33 years, someone has confessed to killing 6-year-old Etan Patz. And people immediately start speaking of “closure.”
Patty Wetterling hates the word.
Since 1989, she and her husband have writhed in the same hell as Stan and Julie Patz. Whatever path they might have been on, it was irrevocably altered that October evening when a masked man walked away with their 11-year-old boy, Jacob.
“Once you’re a victim of a crime like this, your life takes a very different direction,” the St. Joseph, Minn., woman says. “It doesn’t really close anything, because everything just became different from that point on. But it does provide answers.”
Continue Reading CloseMexico’s Michel Franco wins Cannes sidebar prize
CANNES, France (AP) — “After Lucia” by Mexican director Michel Franco has won the top prize in the Cannes Film Festival’s sidebar competition, Un Certain Regard.
It was chosen Saturday from a slate of 20 films by a jury headed by British actor Tim Roth.
Un Certain Regard focuses on new and emerging filmmakers.
The jury gave second prize to French film “Le Grand Soir” by Benoit Delepine and Gustave Kervern, and a “special distinction” citation to Bosnian film “Djeca” (“Children of Sarajevo”) by Aida Begic.
Twenty-two films from around the world are competing for prizes in the festival’s main competition. Winners will be announced Sunday.
Favorites for the top prize, the Palme d’Or, include Michael Haneke’s “Amour” and Christian Mungiu’s “Beyond the Hills.”
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