SALON

Kiwanuka steps on biggest stage yet at Bonnaroo

Topics: From the Wires,

Kiwanuka steps on biggest stage yet at BonnarooFILE - In this Wed., March 14, 2012 file photo, British soul singer Michael Kiwanuka appears at the SXSW Music Festival in Austin, Texas. Kiwanuka, who was voted BBC's Best of Sound 2012, prepares to play his first Bonnaroo Music & Arts Festival, in Manchester, Tenn. The music festival runs June 7-10, 2012. (AP Photo/Jack Plunkett, File)(Credit: AP)

NASHVILLE, Tenn. (AP) — Michael Kiwanuka didn’t trust his voice.

For the increasingly large crowd of music fans familiar with the pure, soulful sound of the British singer’s ageless voice, this is probably hard to believe. Yet it’s true. Kiwanuka thought he was a guitar player and nothing more.

“The people who were big when I was in my mid-teens were like Usher, and Justin Timberlake started coming out,” Kiwanuka said in his sing-song lilt. “And there’s R&B singers who are amazing. And I would sing and it would sound not really like that at all … so people just found it weird. When I listened to it back on speakers for demos and stuff, it just sounded like nothing else that was around.”

We can all be thankful for that. Kiwanuka eventually found confidence in his voice, and as he prepares to play his first Bonnaroo Music & Arts Festival, he arrives with plenty of advance hype, joining top acts like Radiohead, the Red Hot Chili Peppers, Phish, the Beach Boys and more on the bill in Manchester, Tenn.

Kiwanuka was voted in BBC’s Best of Sound 2012 as Britain’s top act to watch this year. Long before his debut album “Home Again” went gold in his home country, the 25-year-old was already earning attention on both sides of the Atlantic with a series of EPs that showcased his songwriting ability, his understated guitar playing and that voice, which recalls soul singers like Otis Redding and Bill Withers.

“I think obviously the first thing that stands out is his voice,” The Black Keys guitarist Dan Auerbach said. “It’s pretty amazing. It’s got a lot of character.”

Auerbach was so taken with Kiwanuka’s vibe, he reached out and set up a recording session in London on a rare day off. The resulting song, the slow-grooving “Lasan,” made the U.S. version of the album, which was recently released digitally and will be available as a physical release in the United States on July 17.

“He sent me just this little demo he had with just his guitar and his voice,” Auerbach said. “And we decided we’d just go in the studio and record it. … It was this weird synchronicity thing. We came up with the arrangement on the spot. It was nice.”

Things didn’t always come so easily for Kiwanuka, a child of Ugandan parents who grew up in north London. In fact, he admits to struggling some in his first recording sessions with producer Paul Butler (also lead singer of The Bees).

“The longest studio session I had with him was two weeks, and I was like, ‘Great, I’ve got two weeks to come up with something solid if anything else,’” Kiwanuka said during a recent interview at the South By Southwest Music Conference in Austin, Texas. “So we got there and all the songs I had tanked, they just didn’t work in the studio. I felt the session kind of falling apart. I had one day off to do what I wanted and I just stayed in my room.”

It wasn’t until he came up with his breakthrough song “Tell Me a Tale” that things really got rolling. He emerged with not only words and chords for “Tale,” but also a Fela-esque retro groove that propelled the song in an exciting way and seemed also to break down the barriers he faced in the studio. Butler could see Kiwanuka’s confidence growing daily.

“The thing about ‘Tell Me a Tale,’ it kept its rawness,” Butler said in a phone interview. “It has the grit and the dirt in it. It just has like a good intention with it that wasn’t necessarily what he was playing. I hope he keeps that for future recordings, the rawness. Also he’s blessed with this amazing African rhythm. You can’t really learn what he’s doing. It’s a lovely thing that first came out in his guitar playing. You’ve either got it or you haven’t.”

Although Kiwanauka’s sound is not typical of pop, his music has garnered him surprising mainstream support in Britain.

“He got a lot of radio play on (BBC) Radio 1,” Butler said. “It was going in between Jessie J and all the big pop stars, and then ‘Home Again’ would come on, this really mellow, gritty, earthy sound, and a lot of people really loved it.”

Which means after years of looking for his place, Kiwanuka has found it.

“When you’re a teenager all you want to do is fit in,” Kiwanuka said. “You don’t want to be unique, which is bad and wrong. Actually that’s what’s so cool about life — everyone’s different.”

___

Online:

http://www.michaelkiwanuka.com

http://www.bonnaroo.com

___

Follow Entertainment Writer Chris Talbott at www.twitter.com/Chris_Talbott.

Next Article

Featured Slide Shows

Gripping photos: The people of the Turkey protests (slideshow)

close X
  • Share on Twitter
  • Share on Facebook
  • Thumbnails
  • Fullscreen
  • 1 of 11
  • The protests take on a festive element as police forces move out of the park and square. Wearing a gas mask, this young man dances to traditional Turkish music in front of Taksim Square’s Ataturk Monument.

  • In Gezi Park since March 31st, this protester, originally caught off-guard by the Government’s teargas and water cannons, went out and bought a Russian army mask from WWII, preparing for what was to come.

  • This rambunctious boy seems to be enjoying the chaos. After taking this picture he threw a stone at the already destroyed building in the background.

  • Forming a line, the police face off directly with protesters in Taksim Square. After a while, they retreated and there was a general cheer – a back-and-forth dance that has been common since the beginning of this protest.

  • An elderly woman in Gezi Park reads the news. The tent community occupying the park was violently destroyed on June 16th.

  • Many different groups had set up booths to promote their cause in Taksim Square and Gezi Park. Standing in front of one, this man waves his flag while posing with conviction.

  • Many home-remedies are used to minimize the effects of tear gas. This woman has put a milky solution on her face, removing her mask after the tear gas dissipated. Before sunrise, the police came again for another round of teargasing.

  • People capitalize on the uprising -- selling flags, beer, gas masks, sky lanterns and spray paint to name just a few of the popular items.

  • On Monday morning, June 11, the police execute a strong offensive. Many plain-clothed police officers, like the ones seen here, clash with protesters in the side streets away from the main stand-off in Taksim.

  • The authorities seem to be most aggressive in the night, pushing protesters away from the square and park. After being teargassed this young woman catches her breath with other protesters on Siraselviler Street.

  • Recent Slide Shows

  • Share on Twitter
  • Share on Facebook
  • Thumbnails
  • Fullscreen
  • 1 of 11

Comments are not enabled for this story.