DNC makes for good TV
As a matter of stagecraft, the Democrats outdid the Republicans in every particular. Well, except for Clint's chair
Topics: Democratic National Convention, Democratic Convention, Democratic Party, Barack Obama, Michelle Obama, Bill Clinton, Television, TV, Entertainment News
the Democratic National Convention in Charlotte, N.C., on Thursday, Sept. 6, 2012. (AP Photo/Charles Dharapak)(Credit: Charles Dharapak)Even before Barack Obama took to the stage for the final speech of the Democratic National Convention, the Democrats had won the convention-off of the last two weeks by doing what conventions are meant to do, give or take some face-to-face politicking and the nitty-gritty procedural elements of nominating a candidate: being good television.
The writing was on the wall — or really in the set design — before any of the speakers even opened their mouths. The hokey wood paneling and endless screenage of the Republican National Convention made it look as though two wicked Wal-Mart salesmen, one from the tech department and the other from home goods, had been left to assemble something “impressive.” The Democrats went with a relatively clean, precise, non-vertigo-inducing backdrop.
From there, the DNC rose above in the quality of its speech-making, in the rapid-fire pacing of its presenters, in the palpable passion those speakers had for their president, and in its usage of celebrities (not in prime time unless it’s a George Clooney voice-over). They also won the battle for the indelible image (the big embrace between Clinton and Obama, the release of Obama curled up with the girls watching Michelle’s speech, the Obama family tableau), in the genuinely diverse group of people in the convention center ready to appear in network camera reaction shots. It was a crisp, well-produced, energetic piece of stagecraft (with or without balloons).
The speechifying at the DNC was such that talks immediately lauded by the punditocracy — Deval Patrick, Julian Castro — were overshadowed almost immediately by the speakers that followed. Michelle Obama not only owned the convention’s first night, she owned it so thoroughly she seems to have achieved a sort of time travel, making Ann Romney’s speech of a week before retroactively seem like not much at all. On Wednesday, a slim Bill Clinton came onstage to the sounds of Fleetwood Mac’s “Don’t Stop,” apparently a Proustian-level nostalgia cue for almost the entire nation, to give the only performance of either convention as memorable as Clint Eastwood’s. The conventions will always be must see-TV for the politically minded, but Michelle and Clinton’s speech could have entertained anyone.
Willa Paskin is Salon's staff TV writer. More Willa Paskin.



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