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Shows that went on way too long
"Californication" (seven seasons)
NEW YORK (AP) — Is it time for a different kind of Sept. 11?
Victims’ families and others were poised to gather and grieve Tuesday at ground zero, the Pentagon and near Shanksville, Pa., for the first time after the emotional turning point of last year’s 10th anniversary.
And in New York, there was a sense that it was a season of change and moving forward for the ground zero ceremony. It followed a last-minute breakthrough on a financial dispute that had halted progress on the Sept. 11 museum, and the commemoration itself was to be different: For the first time, elected officials won’t speak at an occasion that has allowed them a solemn turn in the spotlight, but also has been lined with questions about separating the Sept. 11 that is about personal loss from the 9/11 that reverberates through public life.
To Charles G. Wolf, it’s a fitting transition.
“We’ve gone past that deep, collective public grief,” says Wolf, whose wife, Katherine, was killed at the trade center. “And the fact that the politicians will not be involved, to me, makes it more intimate, for the families. … That’s the way that it can be now.”
Political leaders still are welcome to attend the ground zero ceremony, and they are expected at the other commemorations, as well.
President Barack Obama and first lady Michelle Obama plan to attend the Pentagon ceremony and visit wounded soldiers at Walter Reed Army Medical Center. Vice President Joe Biden and Secretary of the Interior Ken Salazar are expected to speak at the Flight 93 National Memorial near Shanksville, at the site where the hijacked United Airlines plane went down.
Officeholders from the mayor to presidents have been heard at the New York ceremony, reading texts ranging from parts of the Declaration of Independence and the Gettysburg Address to poems by John Donne and Langston Hughes.
For former New York Gov. George Pataki, this year’s change ends a 10-year experience that was deeply personal, even as it reflected his political role. He was governor at the time of the attacks.
“As the names are read out, I just listen and have great memories of people who I knew very well who were on that list of names. It was very emotional,” Pataki reflected by phone last week. Among his friends who were killed was Neil Levin, the executive director of the Port Authority of New York and New Jersey.
But Pataki supports the decision not to have government figures speak.
“It’s time to take the next step, which is simply to continue to pay tribute,” Pataki said.
The National Sept. 11 Memorial and Museum — led by Mayor Michael Bloomberg as its board chairman — announced in July that this year’s ceremony would include only relatives reading victims’ names.
The point, memorial President Joe Daniels said, was “honoring the victims and their families in a way free of politics” in an election year.
Some victims’ relatives and commentators praised the decision. “It is time” to extricate Sept. 11 from politics, the Boston Globe wrote in an editorial.
But others said keeping politicians off the rostrum smacked of … politics.
The move came amid friction between the memorial foundation and the governors of New York and New Jersey over financing for the museum — friction that abruptly subsided Monday, when Bloomberg and New York Gov. Andrew Cuomo announced an agreement that paves the way for finishing the $700 million project “as soon as practicable.”
Before the deal, Cuomo, a Democrat, and New Jersey Gov. Chris Christie, a Republican, had signaled their displeasure by calling on federal officials to give the memorial a financial and technical hand. Some victims’ relatives saw the no-politicians anniversary ceremony as retaliation.
“Banning the governors of New York and New Jersey from speaking is the ultimate political decision,” said one relatives’ group, led by retired Deputy Fire Chief Jim Riches. His firefighter son and namesake was killed responding to the burning World Trade Center.
Spokesmen for Christie and Cuomo said the governors were fine with the memorial organizers’ decision.
Of course, it’s difficult to remember 9/11 without remembering its impact on the nation’s political narrative.
After all, “9/11 has defined politics in America” since 2001, said Costas Panagopoulos, a Fordham University political science professor. “At the end of the day, 9/11 was a public tragedy that affected the nation as a whole.”
Follow Jennifer Peltz at http://twitter.com/jennpeltz
"Californication" (seven seasons)
"Entourage" (eight seasons)
Much like “Californication,” this man-centric show started strong and buzzy -- a perpetual nominee at the Golden Globes and Emmys, and a perceived gender-swapped “Sex and the City.” Then it ground on and on, and what might once have been read as a sophisticated satire of Hollywood materialism became a grinding conveyor belt of self-congratulatory guest-star appearances.
"Will & Grace" (eight seasons)
Hey, did someone say “self-congratulatory guest-star appearances?” Look -- it’s Jennifer Lopez, and Cher, and Janet Jackson, and Madonna! The latter seasons of “Will & Grace” effectively ruined the fun of watching the show in syndication now -- will it be a fun and jaunty early episode, or a later episode in which title characters enact an Ibsen play about having a baby together (really) while Jack and Karen meet one pop star or another? The fact that the show hastened a widespread acceptance of gay people that, then, made the show something of a throwback by the time it ended is one thing; the fact that the show itself seemed uninterested in relying on its actors’ sharp comic timing is quite another.
"The King of Queens" (nine seasons)
This CBS stalwart just kind of kept going, exactly as long as was needed to launch Kevin James’ film career. In the show’s final minutes, a formulaic sitcom became a mile-a-minute soap, with the central characters considering divorce and then having two children.
"Frasier" (11 seasons)
Though it ended strong, "Frasier" had something of the opposite problem as “The King of Queens”: While the CBS comedy chucked a whole bunch of plot at viewers toward the end, NBC’s Emmy magnet stayed stuck in familiar ruts, with Frasier questing endlessly for love and Daphne and Niles in fairly unthrilling domestic bliss. The jokes stayed good, but this maybe could have gone one or two years shorter.
"Weeds" (eight seasons)
As “Homeland” viewers may be learning, Showtime isn’t particularly good at keeping its shows coherent over time. (Maybe this is “Californication”’s issue -- we wouldn’t know!) This show changed settings and, effectively, organizing conceits so many times that by the end, it had few earnest defenders.
"Nip/Tuck" (six seasons)
This FX series, too, changed settings midway through, moving from Miami to Los Angeles four seasons in for no compelling reason. The show’s most gripping subplots had a way of petering out (remember the anticlimactic solution to the mystery of the Carver?), and its bizarre tendencies overtook any sense of fun.
"Glee" (five seasons and counting)
The series has, like its sibling show “Nip/Tuck” (Ryan Murphy created them both), switched locations, moving in large part to New York once its core cast graduated high school. But what’s the point of a high school series when the stars graduate? Despite some lovely moments, the show’s heat seems gone, and attempts to get back into the conversation (the school shooting episode, for instance) have been more desperate and tone-deaf than effective.
"Grey's Anatomy" (10 seasons and counting)
Here’s the thing: By all accounts, “Grey’s Anatomy” is not a creative failure. And it’s still widely watched. But when you begin your life as a world-beating hit, anything else seems somewhat marginal. “Grey’s Anatomy” has shed more regular viewers than many shows will ever hope to get in the first place (same’s true of “Survivor” and latter-day “ER,” to name just a few). Those who stopped watching once the Golden Globe nominations petered out may wonder why the show is still on; loyal viewers know better.
"The Simpsons" (25 seasons and counting)
Like the “Grey’s” doctors, the Springfield clan and their neighbors still draw a crowd. But “The Simpsons” is so omnipresent in syndication and in pop culture that the first-run series seems besides the point (not least because, though there are good episodes here and there, the show’s best days are universally agreed to be behind it -- like way behind it, in the 1990s).
"The Office" (nine seasons)
There was a natural break for this show, where it ought to have ended -- with the departure of lead actor Steve Carell in Season 7. The latter years were a creative fugue state, and as NBC’s Thursday night lineup continued to flatline in the ratings, one-time fans could be forgiven at their surprise that the adventures of Jim and Pam kept on unfolding.
"The X-Files" (nine seasons)
Once one of the show’s leads departs and has to be replaced -- as Steve Carell did on “The Office,” or David Duchovny did here -- the show faces a reckoning; if the lead is so central to the show’s plot as to make people wonder how the show could possibly go on, maybe the show shouldn’t. And even “X-Files” superfans might have been happier with fewer seasons of drawing out the conspiracy string toward a famously unsatisfying ending.
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