SALON

Wednesday, Oct 3, 2012 5:00 AM UTC

Chanel heads up imaginative, spirited day of shows

By

Topics: From the Wires,

PARIS (AP) — “Don’t take things too seriously,” said Karl Lagerfeld standing next to a towering wind turbine inside Paris’ Grand Palais, “especially not fashion.”

Chanel’s veteran designer, with trademark humor, thus summed up an important message of this Paris season.

The iconic house’s fun, young collection headlined the penultimate day of Paris’ spring-summer 2013 show.

The fact the show had nothing whatsoever to do with the several eco-turbines constructed for the event — no doubt at a huge cost to the environment — didn’t seem to matter.

Fashion insiders were busy concentrating on the myriad 81 ensembles— which made this collection possibly the longest Chanel show in history.

A pinch of salt, too, may have been required Sarah Burton’s ode to the McQueen bee, which mixed regal looking crinolines, 1950s silhouettes with bees and insect armory.

As ever, Alexander McQueen’s ready-to-wear show was Paris Fashion Week’s most original, living up to the spirit of the designer who died in 2010.

Trends on Tuesday included cutouts, as featured in a strong showing from Valentino — with Jennifer Lopez on the front row — and in Paco Rabanne’s signature “69″ dics that exposed inches of bare flesh.

Wednesday — the grand finale of a dense and vibrant week — includes shows from Elie Saab, Miu Miu and powerhouse Louis Vuitton.

CHANEL

Fun was the healthy mantra which infiltrated Tuesday’s Chanel show — a bright and diverse collection brimming with great new ideas.

Silver bauble appliques became buttons, A-line skirts were playfully short, colorful checks contrasted funkily with geometric flashes, and feather fringing billowed exuberantly.

One model in a crossing “C” swimsuit even carried a three-foot (nearly 1 meter) handbag.

A bold new fashion idea was the reworked bolero jacket with curved shoulders, often spruced up with inflated arms.

The wide T-shaped bolero silhouette spread onto sweaters and inspired many of the show’s best looks.

Naturally, many of the brighter ensembles stood out, too.

Bright pink and blue felted oversized sweaters were accessorized to kitsch effect with huge pale or silver pearl necklace clusters.

There was a highly accomplished delivery of color palette also, which lifted one checked red-and-white A-line dress, with the top part sliced off.

It paired beautifully with a contrasting, yet complementary loose blue and red coat.

Another stand out piece was a white bateau-neck ensemble with check navy bands with a clean, slightly sporty vide.

Lagerfeld, who turns 80 next year, certainly hasn’t let age slow him down: It’s the youngest collection Chanel’s seen for a while.

ALEXANDER MCQUEEN

Fashion is body armor.

At least it is for Sarah Burton, who tapped her fantastical imagination for Alexander McQueen to conjure up fashion week’s most original show: Mixing insect-like armory with on-trend stiff bar jackets of the New Look, as well as 19th century crinoline.

If it sounds strange, it was — set to a backdrop of images of bees and honeycomb — with each model wearing a visor reminiscent at once of the 1950s wide hat, a cage and a beekeepers mask.

Have fashions over the ages, she seemed to ask, caged and protected us like in the natural world?

A cinched metal or tortoiseshell waist band — a recurrent Burton feature — which fanned out into a peplum in some of the looks resembled an abdomen of a wasp or queen bee.

The fascinating collection of 31 looks — which had fashion insiders amazed — was as thought-out as it was perfectly executed with metal mesh materials that sparkled mechanically.

The 1950s were visited in full skirts which mixed with structuralist fashion: Hard bodice cages, which showed the inner working of corsetry of the crinoline age, on the outside.

The last collections revisited the queen theme: Billowing structured skirts in beige, soft yellow and vermilion looked like a surrealist take on Marie Antoinette.

VALENTINO

“Suggestion is seduction,” was the theme of Valentino’s accomplished spring-summer 2013 show in Paris, which saw the storied Italian fashion house move subtly more sensual.

Italian design duo Maria Grazia Chiuri and Pier Paolo Piccioli kept their strict, high collars and didn’t bare too much flesh but eased their conservative designs, in razor-thin slits and tiny transparent cutouts.

Elsewhere, diaphanous see-through outer garments in black tulle really worked well in bringing home the collection’s message of provocative shyness.

Some of the outfits sported front bibs — wavy silk U-shaped bands — Valentino’s more conservative version of the on-trend ruffle shown by Riccardo Tisci’s show for Givenchy.

Two gorgeous red silk dresses appeared at the end, evoking the spirit of the house DNA.

Founder Valentino Garavani, 80, was seated in the front row and applauded thunderously when the show ended.

PACO RABANNE

Lydia Maurer put a spin on the house archives in her debut collection for Paco Rabanne that included myriad variations on the ’60s Do-It-Yourself discs of the Rhodoid dress.

The starting point of the show was Jean Clemmer and Paco Rabanne’s controversial 1960s photo collaboration called “Canned Candies,” which resurfaced two years ago: Images of naked women in bold armorlike jewelry.

Maurer’s show thus had a vibe of the sexual revolution with provocative dresses that bared much flesh — all held together with Rabanne’s signature “69″ disc.

It evoked the essence of the founder, who first cut his teeth in jewelry design.

One gold fringed number made a bold gladiator-like statement, marching past to the sound of rustling metal.

But some of the tailored ensembles let the collection down.

_____

Thomas Adamson can be followed at http:/ /Twitter.com/ThomasAdamsonAP

Thomas Adamson

More Thomas Adamson.

Next Article

You Might Also Like

More Related Stories

Featured Slide Shows

Gripping photos: The people of the Turkey protests (slideshow)

close X
  • Share on Twitter
  • Share on Facebook
  • Thumbnails
  • Fullscreen
  • 1 of 11
  • The protests take on a festive element as police forces move out of the park and square. Wearing a gas mask, this young man dances to traditional Turkish music in front of Taksim Square’s Ataturk Monument.

  • In Gezi Park since March 31st, this protester, originally caught off-guard by the Government’s teargas and water cannons, went out and bought a Russian army mask from WWII, preparing for what was to come.

  • This rambunctious boy seems to be enjoying the chaos. After taking this picture he threw a stone at the already destroyed building in the background.

  • Forming a line, the police face off directly with protesters in Taksim Square. After a while, they retreated and there was a general cheer – a back-and-forth dance that has been common since the beginning of this protest.

  • An elderly woman in Gezi Park reads the news. The tent community occupying the park was violently destroyed on June 16th.

  • Many different groups had set up booths to promote their cause in Taksim Square and Gezi Park. Standing in front of one, this man waves his flag while posing with conviction.

  • Many home-remedies are used to minimize the effects of tear gas. This woman has put a milky solution on her face, removing her mask after the tear gas dissipated. Before sunrise, the police came again for another round of teargasing.

  • People capitalize on the uprising -- selling flags, beer, gas masks, sky lanterns and spray paint to name just a few of the popular items.

  • On Monday morning, June 11, the police execute a strong offensive. Many plain-clothed police officers, like the ones seen here, clash with protesters in the side streets away from the main stand-off in Taksim.

  • The authorities seem to be most aggressive in the night, pushing protesters away from the square and park. After being teargassed this young woman catches her breath with other protesters on Siraselviler Street.

  • Recent Slide Shows

  • Share on Twitter
  • Share on Facebook
  • Thumbnails
  • Fullscreen
  • 1 of 11

Related Videos

More Related Stories

Comments

 0 Comments

Comment Preview

Your name will appear as username ( settings | log out )

You may use these HTML tags and attributes: <a href=""> <b> <em> <strong> <i> <blockquote>

follow salon

Most Read

Video of the Day

Watch More Here »

Popular on Reddit

links from salon.com

From Around the Web

Presented by Scribol
listener_new_rect The Listener: "We Are All Completely Beside Ourselves": Growing up primate

Recommendations