"Roman Candle" turns 20: Secrets of Elliott Smith's accidental masterpiece (slideshow)
Elliott and the friends with whom he recorded in middle school in Texas (photo courtesy of Dan Pickering)
Tonight our president was articulate and forceful — in sharp contrast to his performance in the first presidential debate. He stated his beliefs. He defended his record. He told America where he wanted to take the nation in his second term.
And he explained where Romney wanted to take us.
For example: “Romney says he’s got a five-point plan. Governor Romney doesn’t have a five-point plan; he has a one-point plan. And that plan is to make sure that folks at the top play by a different set of rules. That’s been his philosophy in the private sector; that’s been his philosophy as governor; that’s been his philosophy as a presidential candidate. You can make a lot of money and pay lower tax rates than somebody who makes a lot less. You can ship jobs overseas and get tax breaks for it. You can invest in a company, bankrupt it, lay off the workers, strip away their pensions, and you still make money.”
“Governor Romney … was on ‘60 Minutes’ just two weeks ago, and he was asked, is it fair for somebody like you, making $20 million a year, to pay a lower tax rate than a nurse or a bus driver, somebody making $50,000 a year? And he said, yes, I think that’s fair. Not only that, he said, I think that’s what grows the economy. Well, I fundamentally disagree with that.”
Obama told voters what Romney’s plan was for women (take away their freedom of choice), and for Hispanics (allow police to stop them and demand proof of citizenship, as in the Arizona law “that’s his [Romney’s] policy, and it’s bad policy.”)
He took responsibility for the security lapse in Libya, but made sure Americans understood the danger in Romney’s shoot-from-the-hip, rush to judgment approach to foreign policy.
And the President explained why the way to create more jobs and to get the economy back on track is to strengthen the middle class, in sharp contrast to Romney’s trickle-down redux.
Romney was as combative as in the first debate, but our newly-invigorated president made Romney’s combativeness look like that of a child in a tantrum rather than a principled adult with facts and detailed proposals to support his position.
Romney was also an automaton — moving robot-like across the stage, repeating the same scripted paragraphs in answers to different questions as if he had been programmed with a limited number of options.
Obama, by contrast, seemed steady and relaxed.
The debate left me relieved — the President’s performance will almost certainly stop Romney’s momentum, and may turn the tide — but also left me perplexed. Where was this Barack Obama in the last presidential debate? Was it the altitude in Denver, a failure of preparation, exhaustion, a temporary emotional glitch?
Mostly, though, I’m glad Barack is back.
Robert Reich, one of the nation’s leading experts on work and the economy, is Chancellor’s Professor of Public Policy at the Goldman School of Public Policy at the University of California at Berkeley. He has served in three national administrations, most recently as secretary of labor under President Bill Clinton. Time Magazine has named him one of the ten most effective cabinet secretaries of the last century. He has written 13 books, including his latest best-seller, “Aftershock: The Next Economy and America’s Future;” “The Work of Nations,” which has been translated into 22 languages; and his newest, an e-book, “Beyond Outrage.” His syndicated columns, television appearances, and public radio commentaries reach millions of people each week. He is also a founding editor of the American Prospect magazine, and Chairman of the citizen’s group Common Cause. His new movie "Inequality for All" is in Theaters. His widely-read blog can be found at www.robertreich.org.More Robert Reich.
Heatmiser publicity shot (L-R: Tony Lash, Brandt Peterson, Neil Gust, Elliott Smith) (photo courtesy of JJ Gonson photography)
Elliott and JJ Gonson (photo courtesy of JJ Gonson photography)
"Stray" 7-inch, Cavity Search Records (photo courtesy of JJ Gonson photography)
Elliott's Hampshire College ID photo, 1987
Elliott with "Le Domino," the guitar he used on "Roman Candle" (courtesy of JJ Gonson photography)
Full "Roman Candle" record cover (courtesy of JJ Gonson photography)
Elliott goofing off in Portland (courtesy of JJ Gonson photography)
Heatmiser (L-R: Elliott Smith, Neil Gust, Tony Lash, Brandt Peterson)(courtesy of JJ Gonson photography)
The Greenhouse Sleeve -- Cassette sleeve from Murder of Crows release, 1988, with first appearance of Condor Avenue (photo courtesy of Glynnis Fawkes)