Oscar nominations: Actors
Best Actor: Bradley Cooper, "Silver Linings Playbook"
Topics: slideshow, Movies, Academy Awards, Oscars, Movie Awards Season, Zero Dark Thirty, Lincoln, django unchained, amour, Beasts of the Southern Wild, Editor's Picks, Oscar snubs, Kathryn Bigelow, Entertainment News
On one hand, it sure looks as if Hollywood is getting skittish about “Zero Dark Thirty” and the continuing political controversy around its portrayal of torture and links to the CIA. As expected, the film was among the nine best-picture nominees in Thursday morning’s Academy announcements. But Kathryn Bigelow was denied a best-director nomination in a category many (myself included) thought she might well win.
If Bigelow’s omission was the biggest surprise of this morning’s announcements, it wasn’t the only one. Ben Affleck was denied a directing nomination for his Iran-hostage drama “Argo,” and Tom Hooper, who won the directing prize two years ago for “The King’s Speech,” was similarly rejected for “Les Misérables.” Also missing from the directing category was Quentin Tarantino of the bloody slave-revenge western “Django Unchained,” but that’s arguably less of a surprise given the academy’s traditional allergy to any and all material tinged with racial controversy. (Consider the fate of “The Help” in last year’s Oscar season.) All three films were nominated within the promiscuous best-picture category, but are now far less likely to be regarded as serious contenders.
But we can also choose to view what happened this morning as an embrace rather than a set of rejections. Once again the academy has skewed in a more adventurous and indie-friendly direction than most observers expected. Both the riveting old-age drama “Amour” and the magical-realist bayou allegory “Beasts of the Southern Wild” were nominated for best picture, and their creators – severe Austrian genius Michael Haneke and first-time New Orleans filmmaker Benh Zeitlin – were both nominated for best director. If the first outcome is not an enormous surprise, the second one definitely is. Personally, I never imagined I’d see the Oscars honor Haneke, one of the most rigorous and demanding cinema artists of our time, and I’ll gladly trade Bigelow, Affleck and anybody else for that.
This year’s Oscar nominations also feature the oldest best-actress nominee in history (Emmanuelle Riva of “Amour,” who is 85) and the youngest (Quvenzhané Wallis of “Beasts,” who is now 9 – but was 6 when most of the film was shot). Neither is likely to win, in a category that’s expected to be a close race between Jennifer Lawrence of “Silver Linings Playbook” and Jessica Chastain of “Zero Dark Thirty.” Similarly, every man nominated in the best-actor category who isn’t named Daniel Day-Lewis – for the record, they were Bradley Cooper, Hugh Jackman, Joaquin Phoenix and Denzel Washington — is likely to remain an afterthought.
If we assume that neither “Beasts” nor “Amour” is a likely best-picture winner, and further assume that the directing category offers the best guide to what will actually win (as is usually the case), then this year’s Oscar race sets up as a three-way battle between “Lincoln,” Ang Lee’s 3-D CGI fantasy “Life of Pi” (which garnered 11 nominations overall), and David O. Russell’s realist rom-com “Silver Linings Playbook,” which was nominated in every major category. To put it mildly, “Lincoln” is the overwhelming favorite. I wouldn’t be surprised to see Day-Lewis, Steven Spielberg, writer Tony Kushner, supporting actor Tommy Lee Jones and the film itself sweep the big awards on Oscar night. (Sally Field is perhaps an underdog for supporting actress, given the consensus that Anne Hathaway’s rendition of “I Dreamed a Dream” in “Les Miz” has guaranteed her a statuette.)
If there were no other snubs as notable as those of Bigelow, Tarantino and Affleck, there were plenty of other big names and prominent films that went unmentioned. Wes Anderson’s gorgeous and charming “Moonrise Kingdom” was denied any major nominations, which is really too bad. Many people thought that John Hawkes would be nominated for his role as a severly disabled man seeking to lose his virginity in “The Sessions,” but the mild-mannered film underperformed at the box office. Previous best-actress winner Marion Cotillard probably deserved a nomination for her role in Jacques Audiard’s “Rust and Bone” – but perhaps “Amour” was enough French film for this year.
Leonardo DiCaprio got no supporting nod for his role as a nefarious slaveowner in “Django Unchained,” and Matthew McConaughey – recently honored by the New York Film Critics Circle for his winning role as captain to a team of male strippers in “Magic Mike” – also found no love from Oscar. There was a last-minute push to get a best-picture slot for “Skyfall,” which is the highest-grossing James Bond film of all time, in a year when the academy plans a special presentation to honor the long-running franchise. But even with only nine of the potential 10 nominations filled, it didn’t happen.
Best Actor: Bradley Cooper, "Silver Linings Playbook"
Best Actor: Denzel Washington, “Flight"
Best Actor: Hugh Jackman, "Les Miserables"
Best Actor: Daniel Day-Lewis, “Lincoln”
Best Actor: Joaquin Phoenix, “The Master”
Best Supporting Actor: Robert DeNiro, "Silver Linings Playbook"
Best Supporting Actor: Alan Arkin, "Argo"
Best Supporting Actor: Christoph Waltz, "Django Unchained"
Best Supporting Actor: Philip Seymour Hoffman, “The Master”
Best Supporting Actor: Tommy Lee Jones, “Lincoln”
Best Actress: Jessica Chastain, “Zero Dark Thirty"
Best Actress: Naomi Watts, “The Impossible”
Best Actress: Jennifer Lawrence, "Silver Linings Playbook"
Best Actress: Emmanuelle Riva, "Amour"
Best Actress: Quvenzhané Wallis, "Beasts of the Southern Wild"
Best Supporting Actress: Amy Adams, "The Master"
Best Supporting Actress: Helen Hunt, "The Sessions"
Best Supporting Actress: Sally Field, "Lincoln"
Best Supporting Actress: Jacki Weaver, "Silver Linings Playbook"
Best Supporting Actress: Anne Hathaway, "Les Miserables"
"Argo" (AP Photo/Warner Bros., Claire Folger)
"Silver Linings Playbook"
"Les Miserables" (AP Photo/Universal Pictures, Laurie Sparham)
"Amour" (AP Photo/Sony Pictures Classics, File)
"Beasts of the Southern Wild" (AP Photo/Fox Searchlight Pictures, Jess Pinkham)
"Life of Pi" (AP Photo/20th Century Fox)
"Zero Dark Thirty" (AP Photo/Sony - Columbia Pictures, Jonathan Olley)
Hannah and Adam, "Pilot"
One of our first exposures to uncomfortable “Girls” sex comes early, in the pilot episode, when Hannah and Adam “get feisty” (a phrase Hannah hates) on the couch. The pair is about to go at it doggy-style when Adam nearly inserts his penis in “the wrong hole,” and after Hannah corrects him, she awkwardly explains her lack of desire to have anal sex in too many words. “Hey, let’s play the quiet game,” Adam says, thrusting. And so the romance begins.
Marnie and Elijah, "It's About Time"
In an act of “betrayal” that messes up each of their relationships with Hannah, Marnie and Elijah open Season 2 with some more couch sex, which is almost unbearable to watch. Elijah, who is trying to explore the “hetero side” of his bisexuality, can’t maintain his erection, and the entire affair ends in very uncomfortable silence.
Marnie and Charlie, "Vagina Panic"
Poor Charlie. While he and Marnie have their fair share of uncomfortable sex over the course of their relationship, one of the saddest moments (aside from Marnie breaking up with him during intercourse) is when Marnie encourages him to penetrate her from behind so she doesn’t have to look at him. “This feels so good,” Charlie says. “We have to go slow.” Poor sucker.
Shoshanna and camp friend Matt, "Hannah's Diary"
We’d be remiss not to mention Shoshanna’s effort to lose her virginity to an old camp friend, who tells her how “weird” it is that he “loves to eat pussy” moments before she admits she’s never “done it” before. At least it paves the way for the uncomfortable sex we later get to watch her have with Ray?
Hannah and Adam, "Hard Being Easy"
On the heels of trying (unsuccessfully) to determine the status of her early relationship with Adam, Hannah walks by her future boyfriend’s bedroom to find him masturbating alone, in one of the strangest scenes of the first season. As Adam jerks off and refuses to let Hannah participate beyond telling him how much she likes watching, we see some serious (and odd) character development ... which ends with Hannah taking a hundred-dollar bill from Adam’s wallet, for cab fare and pizza (as well as her services).
Marnie and Booth Jonathan, "Bad Friend"
Oh, Booth Jonathan -- the little man who “knows how to do things.” After he turns Marnie on enough to make her masturbate in the bathroom at the gallery where she works, Booth finally seals the deal in a mortifying and nearly painful to watch sex scene that tells us pretty much everything we need to know about how much Marnie is willing to fake it.
Tad and Loreen, "The Return"
The only sex scene in the series not to feature one of the main characters, Hannah’s parents’ showertime anniversary celebration is easily one of the most cringe-worthy moments of the show’s first season. Even Hannah’s mother, Loreen, observes how embarrassing the situation is, which ends with her husband, Tad, slipping out of the shower and falling naked and unconscious on the bathroom floor.
Hannah and the pharmacist, "The Return"
Tad and Loreen aren’t the only ones to get some during Hannah’s first season trip home to Michigan. The show’s protagonist finds herself in bed with a former high school classmate, who doesn’t exactly enjoy it when Hannah puts one of her fingers near his anus. “I’m tight like a baby, right?” Hannah asks at one point. Time to press pause.
Hannah and Adam, "Role-Play"
While it’s not quite a full-on, all-out sex scene, Hannah and Adam’s attempt at role play in Season 3 is certainly an intimate encounter to behold (or not). Hannah dons a blond wig and gets a little too into her role, giving a melodramatic performance that ends with a passerby punching Adam in the face. So there’s that.
Shoshanna and Ray, "Together"
As Shoshanna and Ray near the end of their relationship, we can see their sexual chemistry getting worse and worse. It’s no more evident than when Ray is penetrating a clothed and visibly horrified Shoshanna from behind, who ends the encounter by asking if her partner will just “get out of me.”
Hannah and Frank, "Video Games"
Hannah, Jessa’s 19-year-old stepbrother, a graveyard and too much chatting. Need we say more about how uncomfortable this sex is to watch?
Marnie and Desi, "Iowa"
Who gets her butt motorboated? Is this a real thing? Aside from the questionable logistics and reality of Marnie and Desi’s analingus scene, there’s also the awkward moment when Marnie confuses her partner’s declaration of love for licking her butthole with love for her. Oh, Marnie.
Hannah and Adam, "Vagina Panic"
There is too much in this scene to dissect: fantasies of an 11-year-old girl with a Cabbage Patch lunchbox, excessive references to that little girl as a “slut” and Adam ripping off a condom to ejaculate on Hannah’s chest. No wonder it ends with Hannah saying she almost came.