Romance novels need a canon
"Bet Me" by Jennifer Crusie
A contemporary romantic comedy set to Elvis Costello and lots of luxurious and sinful sugary treats. Read the whole essay.
Topics: 1960s, 1970s, Folk music, Film, Movies, entertainment news, Paul Simon, Art Garfunkel, simon & garfunkel, mike nichols, the graduate, catch-22, joseph heller, charles grodin, paley center, nyc, New York, Pop, Music, Entertainment News
Art Garfunkel, 71 years old and still reeling decades later from the breakup of the musical act that made him a household name, is now saying that one of the reasons Simon & Garfunkel broke up was because of Mike Nichols’ 1970 film adaptation of Joseph Heller’s “Catch-22.” In the late 1960s, he says, the two were cast in the film, and while Garfunkel managed to hold onto his fourth-billing role, Simon ended up on the cutting room floor, reports the Guardian.
Garfunkel was speaking at the Paley Center for Media in New York last Wednesday, as part of a screening of Charles Grodin’s 1969 Simon & Garfunkel documentary “Songs of America.” According to the Hollywood Reporter, both the singer and Grodin implicated Nichols. Recall that Nichols featured Simon & Garfunkel’s “Mrs. Robinson” and “Scarborough Fair” in “The Graduate,” his now-iconic 1967 film that won him an Oscar for best director.
“That was the beginning of their split-up,” said Grodin. “You don’t take Simon & Garfunkel and ask them to be in a movie and then drop one of their roles on them.”
Garfunkel agreed, saying, “Chuck [Grodin]‘s gone right to the heart of the difficulty in Simon & Garfunkel when he says, ‘Artie and Paul were cast for ‘Catch-22,’ and Paul’s part was dropped.’ I had Paul sort of waiting: ‘All right, I can take this for three months. I’ll write the songs, but what’s the fourth month? And why is Artie in Rome a fifth month?’” He added, “What’s Mike doing to Simon & Garfunkel?’”
“Catch-22″ was, as it happens, Garfunkel’s feature film debut — the following year he’d appear in a more prominent role, in another Mike Nichols film, “Carnal Knowledge,” starring Jack Nicholson, Candice Bergen and Ann-Margret.
The film — and Garfunkel’s role in it (and presumably Simon’s omission from it) — is the inspiration for one of the duo’s final songs, “The Only Living Boy in New York,” written by the snubbed Simon as he waited for Garfunkel to return from shooting. “Yes, Chuck’s gone right to the heart of the difficulty in Simon & Garfunkel when he says, ‘Artie and Paul were cast for ‘Catch-22,’ and Paul’s part was dropped.’ That, of course, is an irritant of the first order. So I had Paul sort of waiting: ‘All right, I can take this for three months. I’ll write the songs, but what’s the fourth month? And why is Artie in Rome a fifth month? What’s Mike doing to Simon & Garfunkel?’ And so there’s Paul in the third month, still with a lot of heart, writing about, ‘I’m the only living boy in [New York]. You used to be the other one,’” said Garfunkel. He added that the tensions that arose in the aftermath led to their 1970 breakup, which happened after the release of “Bridge Over Troubled Water” — though the duo have frequently reunited since.
So far, director Mike Nichols has yet to respond to the allegations by the folk singer.
Kera Bolonik is a contributing writer at Salon. Follow her on Twitter @KeraBolonikMore Kera Bolonik.
"Bet Me" by Jennifer Crusie
"Welcome to Temptation" by Jennifer Crusie
Another of Crusie's romantic comedies, this one in the shadow of an ostentatiously phallic water tower. Read the whole essay.
"A Gentleman Undone" by Cecilia Grant
A Regency romance with beautifully broken people and some seriously steamy sex. Read the whole essay.
"Black Silk" by Judith Ivory
A beautifully written, exquisitely slow-building Regency; the plot is centered on a box with some very curious images, as Edward Gorey might say. Read the whole essay.
"For My Lady's Heart" by Laura Kinsale
A medieval romance, the period piece functions much like a dystopia, with the courageous lady and noble knight struggling to find happiness despite the authoritarian society. Read the whole essay.
"Sweet Disorder" by Rose Lerner
A Regency that uses the limitations on women of the time to good effect; the main character is poor and needs to sell her vote ... or rather her husband's vote. But to sell it, she needs to get a husband first ... Read the whole essay.
"Frenemy of the People" by Nora Olsen
Clarissa is sitting at an awards banquet when she suddenly realizes she likes pictures of Kimye for both Kim and Kanye and she is totally bi. So she texts to all her friends, "I am totally bi!" Drama and romance ensue ... but not quite with who she expects. I got an advanced copy of this YA lesbian romance, and I’d urge folks to reserve a copy; it’s a delight. Read the whole essay.
"The Slightest Provocation" by Pam Rosenthal
A separated couple works to reconcile against a background of political intrigue; sort of "His Gal Friday" as a spy novel set in the Regency. Read the whole essay.
"Again" by Kathleen Gilles Seidel
Set among workers on a period soap opera, it manages to be contemporary and historical both at the same time. Read the whole essay.