Julia Scheeres was losing her religion
In "Jesus Land," a memoirst reckons with an Evangelical upbringing and the grief of her brother's death
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When I first began to read literature seriously, in my early 20s, I was in thrall to the literary and intellectual tradition that Catholic and Jewish writers could draw upon and push against. I found that I had much in common with believers and apostates such as Isaac Bashevis Singer, Andre Dubus, Cynthia Ozick, Nathan Englander and Philip Roth. They were Americans, but they were also somehow other, owing to childhoods that claimed allegiances that transcended the merely national. Like those writers, I had belonged as a child to a group that claimed a high otherness, but unlike those writers, I belonged to a group that so distrusted the culture itself that it had never bothered to cultivate much in the way of a literary tradition. I have waited until the fourth sentence to use the phrase “Evangelical Christianity,” because the people from whom I came have been partially responsible, as a political power block, for so many of the abuses of the late 20th and early 21st century. Literature aims to complicate, or it ought to, and Evangelical Christianity too often aims to reduce, to say, “There are two ways of looking at every problem, the right way, and the wrong way,” and there are consequently two kinds of people, the right people and the wrong people.
But this, too, is a reductive characterization, and one that too often goes underexplored in literature, because, like every other group of people, evangelicals are an agglomeration of individuals who are distinguished one from the other by their individual wants, needs and desires, by their individual prejudices and peccadilloes, by their individual inclinations toward generosities and pettinesses, by their individual circumstances of birth and family and origin and raising and class and culture. So when writing about evangelicals, as when writing about anyone, the trick is to particularize, and that’s the special gift Julia Scheeres displays in her fierce, honest and intelligent memoir “Jesus Land,” which tells the story of her raising in rural Indiana by well-educated parents with a missionary zeal, who pack Scheeres and her adopted brother David (who is African-American) off to the New Horizons Youth Ministries Christian boot camp in Escuela Caribe, in the Dominican Republic, a place that promises to reform troubled teenagers by culture shock and distance.
Kyle Minor is the author of "In the Devil’s Territory," a collection of stories and novellas, and the winner of the 2012 Iowa Review Prize for Short Fiction. His second collection of stories, "Praying Drunk," will be published in February 2014. More Kyle Minor.





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