“True Grit” and beyond
A stellar new recording of "Norwood" has me asking why I waited so long to read Charles Portis
Topics: The Listener, Audiobooks, Fiction, Charles Portis, Editor's Picks, Books, norwood, audible, Entertainment News
Every keen reader has at least one or two authors she’s been meaning to get to for years. Friends recommend their books. You’ve read interest-piquing reviews or biographical essays. Favorite authors list them as a major influence. Maybe you even bought a book by one of them once during an ambitious moment, and now it sits yellowing by your bedside. There always seems to be a slightly more alluring title you’d rather read first, or you have that book-group assignment to finish, or something about the cover art just puts you off. For whatever reason, you’re never quite in the mood for what you think that author has to offer.
The ease of an audiobook can sometimes nudge a foot-dragging reader over these inexplicable hurdles. I’ve been intending to read the novels of Charles Portis for ages. Everything I’d heard about this “writers’ writer” suggested his books would delight me. I loved both film versions of his best-known novel, “True Grit,” and my most discerning friends swear by the rest. Donna Tartt, author of “The Secret History” and “The Little Friend,” rhapsodized about “True Grit” in an afterword included in an edition published in the mid-2000s, describing it as one of “the books we love so much that we read them every year or two, and know passages of them by heart; that cheer us when we are sick or sad and never fail to amuse us when we take them up at random; that we press on all our friends and acquaintances; and to which we return again and again with undimmed enthusiasm over the course of a lifetime.”
Most recently, there was a very persuasive essay by Bill Morris, published by the website the Millions late last year. Morris prompted me to buy an e-book of a new collection of Portis’ nonfiction. I still haven’t read that. What finally made me bite was the release of a new recording of Portis’ first novel, “Norwood” (1966), read by David Aaron Baker. Baker is best known as the audiobook narrator of Dean Koontz’s Odd Thomas series, but he impressed me most with his indelible reading of M.T. Anderson’s “Feed,” a sort of futuristic YA tragedy-satire — one of the most difficult genre mashups imaginable and probably not a whole lot easier to perform than it was to write. (It’s sensational, by the way.) Fifteen minutes into Baker’s “Norwood” I was asking myself, Why did I wait so long?
Laura Miller is a senior writer for Salon. She is the author of "The Magician's Book: A Skeptic's Adventures in Narnia" and has a Web site, magiciansbook.com. More Laura Miller.





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