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Shows that went on way too long
"Californication" (seven seasons)
GALAX, Va. (AP) — Interstate 77 near the Virginia-North Carolina reopened early Monday following a series of chain-reaction wrecks involving nearly 100 vehicles along a mountainous, foggy stretch of the highway, killing three people and injured 25 others.
Virginia State Police determined 95 vehicles wrecked in 17 separate crashes within a mile span near the base of Fancy Gap Mountain, spokeswoman Corinne Geller said. The crashes began around 1:15 p.m. Sunday when there was heavy fog in the area.
“This mountain is notorious for fog banks. They have advance signs warning people. But the problem is, people are seeing well and suddenly they’re in a fog bank,” said Glen Sage of the American Red Cross office in the town of Galax.
Since 1997, there have been at least six such pileups on the mountain but Sunday’s crash was the most deadly, according to The Roanoke Times. Two people died in crashes involving dozens of vehicles in both 2000 and 2010.
State police said traffic along the interstate in southwest Virginia backed up for about 8 miles in the southbound lanes after the accidents. Authorities closed the northbound lanes so that fire trucks, ambulances and police could get to the wrecked vehicles.
Overhead message boards warned drivers since about 6 a.m. Sunday to slow down because of the severe fog, Geller said. The crashes were mostly caused by drivers going too fast for conditions.
At the “epicenter” was a wreck involving up to eight vehicles, some of which caught fire, Geller said. Photos from the accident scene showed a burned out tractor-trailer and several crumpled vehicles badly charred. Those taken to hospitals had injuries ranging from serious to minor.
School buses took stranded people to shelters and hotels.
Nina Rose, 20, and her mother, were driving home to Rochester, N.Y., when they encountered the pileup.
“With so much fog we didn’t see much around it,” Rose told the Roanoke newspaper. “As we got further up we just saw a bunch of people standing on the median, just with their kids and families all together. There were cars smashed into other cars, and cars just underneath other semi-trucks.”
Authorities reopened the northbound lanes Sunday night and the southbound lanes around 12 a.m. Monday.
Police did not immediately release the names of those killed.
"Californication" (seven seasons)
"Entourage" (eight seasons)
Much like “Californication,” this man-centric show started strong and buzzy -- a perpetual nominee at the Golden Globes and Emmys, and a perceived gender-swapped “Sex and the City.” Then it ground on and on, and what might once have been read as a sophisticated satire of Hollywood materialism became a grinding conveyor belt of self-congratulatory guest-star appearances.
"Will & Grace" (eight seasons)
Hey, did someone say “self-congratulatory guest-star appearances?” Look -- it’s Jennifer Lopez, and Cher, and Janet Jackson, and Madonna! The latter seasons of “Will & Grace” effectively ruined the fun of watching the show in syndication now -- will it be a fun and jaunty early episode, or a later episode in which title characters enact an Ibsen play about having a baby together (really) while Jack and Karen meet one pop star or another? The fact that the show hastened a widespread acceptance of gay people that, then, made the show something of a throwback by the time it ended is one thing; the fact that the show itself seemed uninterested in relying on its actors’ sharp comic timing is quite another.
"The King of Queens" (nine seasons)
This CBS stalwart just kind of kept going, exactly as long as was needed to launch Kevin James’ film career. In the show’s final minutes, a formulaic sitcom became a mile-a-minute soap, with the central characters considering divorce and then having two children.
"Frasier" (11 seasons)
Though it ended strong, "Frasier" had something of the opposite problem as “The King of Queens”: While the CBS comedy chucked a whole bunch of plot at viewers toward the end, NBC’s Emmy magnet stayed stuck in familiar ruts, with Frasier questing endlessly for love and Daphne and Niles in fairly unthrilling domestic bliss. The jokes stayed good, but this maybe could have gone one or two years shorter.
"Weeds" (eight seasons)
As “Homeland” viewers may be learning, Showtime isn’t particularly good at keeping its shows coherent over time. (Maybe this is “Californication”’s issue -- we wouldn’t know!) This show changed settings and, effectively, organizing conceits so many times that by the end, it had few earnest defenders.
"Nip/Tuck" (six seasons)
This FX series, too, changed settings midway through, moving from Miami to Los Angeles four seasons in for no compelling reason. The show’s most gripping subplots had a way of petering out (remember the anticlimactic solution to the mystery of the Carver?), and its bizarre tendencies overtook any sense of fun.
"Glee" (five seasons and counting)
The series has, like its sibling show “Nip/Tuck” (Ryan Murphy created them both), switched locations, moving in large part to New York once its core cast graduated high school. But what’s the point of a high school series when the stars graduate? Despite some lovely moments, the show’s heat seems gone, and attempts to get back into the conversation (the school shooting episode, for instance) have been more desperate and tone-deaf than effective.
"Grey's Anatomy" (10 seasons and counting)
Here’s the thing: By all accounts, “Grey’s Anatomy” is not a creative failure. And it’s still widely watched. But when you begin your life as a world-beating hit, anything else seems somewhat marginal. “Grey’s Anatomy” has shed more regular viewers than many shows will ever hope to get in the first place (same’s true of “Survivor” and latter-day “ER,” to name just a few). Those who stopped watching once the Golden Globe nominations petered out may wonder why the show is still on; loyal viewers know better.
"The Simpsons" (25 seasons and counting)
Like the “Grey’s” doctors, the Springfield clan and their neighbors still draw a crowd. But “The Simpsons” is so omnipresent in syndication and in pop culture that the first-run series seems besides the point (not least because, though there are good episodes here and there, the show’s best days are universally agreed to be behind it -- like way behind it, in the 1990s).
"The Office" (nine seasons)
There was a natural break for this show, where it ought to have ended -- with the departure of lead actor Steve Carell in Season 7. The latter years were a creative fugue state, and as NBC’s Thursday night lineup continued to flatline in the ratings, one-time fans could be forgiven at their surprise that the adventures of Jim and Pam kept on unfolding.
"The X-Files" (nine seasons)
Once one of the show’s leads departs and has to be replaced -- as Steve Carell did on “The Office,” or David Duchovny did here -- the show faces a reckoning; if the lead is so central to the show’s plot as to make people wonder how the show could possibly go on, maybe the show shouldn’t. And even “X-Files” superfans might have been happier with fewer seasons of drawing out the conspiracy string toward a famously unsatisfying ending.
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